Titles

Create Title

Showing 1-20 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
100010BEE-4B53-4CE7-BB52-38DE3E5C415CF29Warm Up/tune Up Chart Series 3 (out-of-print)Chart
200026DD3-B655-4647-A562-D99B1B3142E8W706391Well-Tempered Clavier, Volume I (BWV 846-869)This two-volume edition of J.S. Bach's WELL-TEMPERED CLAVIER, regarded as one of the most important works in the history of classical music, has been edited by Hans Bischoff, with Bischoff's notes translated by Alexander Lipsky. With detailed footnotes on nearly every page of music regarding historical background and practical performance, this edition will appeal to every type of musician. Volume I includes BWV 846-869.Keyboard Collection
3000425B0-A0B1-4FD1-B44E-15D135086E5AX063026Scree for Cello, Piano and Percussion"Scree" was commissioned by the Core Ensemble, Duncan Theater, MidAmerican Center for Contemporary Music and Boston Conservatory of Music as part of the national series of works from Meet the Composer/Arts Endowment Commissioning Music/USA, with support from The Helen F. Whitaker Fund.Cello, Piano, Percussion
4000E9736-D395-4240-8D45-5D91D4864234SS618P's and Cue'sAs the title hints, this solo for the intermediate snare drum player focuses on paradiddles and flamacues, though other rudiments are also present so that music remains interesting to the player and listener alike. This is wonderful selection for either recital or contest.Snare Drum Unaccompanied
5000F2FFF-B303-42C3-AD81-DCC00077237ESU376Song and WorkoutMixed Clarinet Quartet
600183170-0B2E-4FD4-ADA9-C40C159E9502A268202Ave Verum Corpus, K. 618The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in Baden bei Wien, with Stoll at the organ. The transcendent and serene motet is perhaps the best-known setting of the short Catholic Eucharistic chant, and it was Mozart's first effort at a sacred work since his unfinished Mass in C minor from 1781 while also being his final completed sacred prior to his Requiem, which remained unfinished at his death later that same year. Instrumentation: Org: Str (4-4-3-3-3 in set): Mix Chorus.Org: Str (4-4-3-3-3 in set): Mix Chorus
70019CE0C-413C-45CF-8F2C-36F65A5EA545M905202O Little Town of Bethlehem: A Christmas Carol for Concert BandThe works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.Concert Band
8001BC66D-0FC9-47A9-B75D-ED0FD7B7C74818804016Drink to Me Only with Thine EyesAn arrangement for SSA choir of text by W. Douglas (after "To Celia" by Ben Jonson) to an old English air.SSA and Piano
90021D29D-3C56-49A5-83F5-6419B6F50889S799CBE.G.B.D.S.
10002252AB-8B73-499A-AA90-58428109BACDX103007Threesome (Flute, Oboe & Clarinet; or Two Flutes and Clarinet)Trio may be performed with flute, oboe and clarinet or flute with two clarinets. Comes with parts for either version.Flute, Oboe, B-flat Clarinet or Flute and 2 B-flat Clarinets
11002483DE-720C-4B7D-BAC0-238DFB3E7760R00419Four NocturnesB-flat Clarinet, Percussion(2), Harp, Violin, Viola, Cello
120024D842-A800-43E6-8015-348E706045D0S463CBArlecchino(not set)Concert Band
1300253BF1-DB81-4E21-B51E-C80584234BCDSU291Three Pieces for Two MarimbasMarimba Duet
140027839E-D511-4AF0-82ED-CD50FC583049LV414MBCut Time StrutPart of the "Easy to Play" March Series, this march would be ideal for the middle school pep band.Marching Band
1500288281-D2EC-4641-A33C-E20FA75C14EC20100718CahokiaTribal sounds are unmistakable in representing this ancient Indian nation. The Cahokia were the prehistoric Indian civilization which built the impressive mounds in Illinois that still exist today. The music represents the images of war, peace, celebration, and mystery which the composer encountered as he wandered in the footsteps of the ancient ones. Images of this long-departed culture reappear in this highly descriptive music for young band.Band
16002934D3-C253-480B-8B81-D7A5903F2E6318100005Evening SongEVENING SONG is a composition for Winds and Percussion consisting of five sections, like five strophes of a song without words. In the last section the solo Trumpet enters with a second theme in dialogue with the main theme in the Woodwinds. The whole composition maintains a poetic mood of tranquil serenity.Concert Band
1700299EC1-BF5B-42B0-B046-631C11BFC226EBM0610245Glacier: Concerto for Electric Guitar and OrchestraGlacier is cast in the form of a ?ve-movement virtuoso concerto inspired by the sweeping panoramic vistas of Montana. Each movement is based on the composer�s aural conception of the natural elements found in Glacier National Park and Yellowstone National Park. It was commissioned by the Bozeman Symphony Society in tribute of the 20th anniversary of its Music Director Mathew Savery, who conducted its premiere on March 7, 2015 with Douglas Maher as soloist. It is now available on Naxos CD 8.559824 (see video below).

��a lovely work for electric guitar and orchestra, Glacier � it�s atmospheric, written and performed with great flair in a highly approachable idiom.� � Gramophone, Aug. 2018
Movements: 1. Glacier, 2. Rivulets, 3. Vapor, 4. Stone, 5. Going to the Sun		Electric Guitar Solo: 2+Picc.2+EH.2+BCl.2: 4.3.3(3BTbn).1: Timp.Perc(4): Hp.Pno/Cel: Str
18002BC9FD-302C-4439-BFA8-CA0118FCC80EA746190Six Italian DancesSIX ITALIAN DANCES are transcribed from a set of part-books which was known to have been in the possession of an English family before 1580. It is now in the British Museum (Royal Appendix MS 59-62). The MS contains forty-four dance-tunes, besides a number of Italian songs. The dance-music is akin in style to that described in Thoinot Arbeau's Orchesographie (1588), and to the work of Claude Gervaise and Estienne du Tertre, published by Attaignant in the mid-sixteenth century, and reprinted in modern times by M. Henri Expert in one of the volumes of his valuable collection Les maltres musiciens de la renaissance frangaise. Nos. 2, 4 and 6, which appear in the MS with the signature C, i.e., in duple time have been 'rearranged in triple time', according to the principle laid down by Arbeau in the Orchesographie (English translation, page 63). The original MSS are unbarred and without any indications of pace, phrasing or dynamics. These points of interpretation are best left to the taste of individual performers, conductors and teachers, and the few suggestions here made are only offered for the use of otherwise unassisted students. Accidentals not occurring in the MSS but apparently demanded by the principles of musica ficta are here printed in brackets. -Peter Warlock (1927) Dances: I. Zorzi, II. La Gamba, III. Paduana Del Re, IV. La Manfrolina, V. Le Forze D'Herocole, and VI. El Saltarello. Reprint edition. Instrumentation: String Orchestra: 4.4.3.3.0.String Orchestra: 4.4.3.3.0
19002D5CF0-021B-4BF1-95F6-139E1F72BFE1SU265COConcerto for Flute, Piano, and Percussion(not set)Flute
20002DB816-6CC4-47B0-A699-33DB611BF697S51104210 Brilliant Miniatures for Violin and PianoSarasate’s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate “left criticism gasping miles behind him.” Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing.

The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist's repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos.

Contents:
Malagueña op.21/1
Habanera op.21/2
Romanza Andaluza op.22/1
Jota Navarra op.22/2
Playera op.23/1
Zapateado op.23/2
Caprice Basque op.24
Vito op.26/1
Allegro Moderato op.26/2
Introduction et Tarentelle		Violin, Piano