Titles

Create Title

Showing 141-160 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14101B7F41B-5979-48E0-A2D6-90620A61777FB150Orchestra Studies, Bk. 4This is part of a 10-volume series of the most musically important and technically difficult solo horn passages in the literature, taken from symphonies, overtures and operas. Collected by Friedrich Gumbert over his career to offer aspiring young horn players an easier route to entering the orchestra world while providing advanced hornists a means of maintaining their technical skills to meet the daily demands of their position, this new edition was revised by Albin Frehse. Included in this volume are works by: Bach, Beethoven, Handel, Mozart, and Wagner.Horn
14201BC7D3F-28DC-4EFF-9A90-5BDDD20CB17110550488Vocalise Op. 34/14 for Tuba and Piano(not set)Tuba Solo and Piano
14301BCDDD0-9C34-4544-A718-12E9479C368ES511044Two Pieces for Violin and Piano: La Campanella and Moto PerpetuoContains La Campanella Op.7 and Moto Perpetuo Op.11.

Niccolò Paganini gave the premiere performance of his Second Violin Concerto at La Scala in Milan, 1827. The success of the performance was such that the last movement of the concerto was repeated. The subtitle of this movement is “LA CAMPANELLA” (The little bell) because of the sound the harmonics in this work produce. Paganini known for his pyrotechnics uses double harmonics and left hand pizzicato lavishly in this movement.

Moto Perpetuo is one of Paganini’s most popular works. Dozens of transcriptions exist for a variety of instruments, from marimba to double bass, as well as for orchestra, where all first violins play the solo part. The 3,032 sixteenth notes in this four-minute composition require formidable skill and endurance from the performer.		Violin, Piano
14401C283A5-2F40-4BB8-9BDC-0B11F8C05737A518202Symphony No. 1 in D minor, Op. 13(not set)3d1, 2, 2, 2 - 4, 3, 3, 1, timp, perc, str
14501C5ACF9-BD4E-4ADD-BAFC-DFBCC463FCCC50394001Renaissance and Baroque Suites, vol. 1 - C Treble ClefThis collection of three suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers include: William Byrd, Jean M. Hotteterre, Carlo Verardi, Pierre Attaignant, Claude Gervaise, John Playford, Juan del Encina, Francesco Geminiani, and Emmanuel Adriaenssen. Books for all instrument keys and clefs are available from the publisher. This is the first of three volumes of progressive flexible quartets, with ten total suites included across all three volumes.Flexible Quartet, TC
14601C5E52E-989C-4377-BA1D-C6B71F8D57AEB13140 Characteristic EtudesThese etudes were composed by Henri Adrien Louis Kling to assist in the mastery of french horn playing. Noted horn player, teacher and designer, Lorenzo Sansone has assembled this collection to help the developing french horn player/student progress.Horn
14701C62D68-7947-4952-9CEF-3D5533F6F9BASS138Four Short Melodic PiecesOboe
14801C9145C-D74B-4C67-9D16-68DF57E15844SO86CJ.f.k. Commemorative FanfareThe composer writes about his fanfare for string orchestra and snare drum: "When Maestro Leonard Slatkin (in collaboration with the John and June Hechinger Foundation) commissioned me to compose a fanfare to commemorate the 25th anniversary of the Kennedy Center, I was not only honored, but I also felt very sentimental. ... (I)t was not written to exhibit every innovative device available to the composer, nor to solve musical explorations of global dimensions, but to be a brief, festive, robust, exciting, and joyful celebrations for the audience. Many of my colleagues who know my fondness for intricate musical patterns asked how I could compose a fanfare using irregular rhythms typical to me. I must admit that I restrained myself and remained faithful to the basic idea of the fanfare. If the audience finds itself to be in a joyful and celebratory mood, then I feel that I shall have been successful."String Orchestra and Snare Drum
14901D9EED5-29F8-44ED-8B16-9D82A2275DD0M357691Sonata Op. 49/2(not set)Clarinet and Piano
15001DA78BF-4509-4EC7-AD8E-BC4CE0C5EBCDM6PAVictor Method, Bk. 7/ 8Violin
15101E137E9-58C6-4323-A721-4D9CC49EF88C50250012Nutcracker MarchThis long awaited arrangement of the March from The Nutcracker fills the void of classic orchestral literature for string orchestra at the grade 2 level. This adaptation, along with Dance of the Sugar Plum Fairy and Waltz of the Flowers (published separately), will be sure to find a place on your holiday program year after year.String orchestra
15201E1F757-CFF8-42A1-BEFE-8306DBBC0467LL100While Shepherds WatchedSatb
15301E3DA12-3A90-4050-9C00-8F9CB45424EDLV211CBMr. Boom BoomThis march for beginning band and bass drum solo gives young percussionists an opportunity to shine early in their education.Concert Band
15401E4ED22-A056-4BC9-BFD7-6B9DCEB53356B16640 ( FORTY) NEW STREET
15501E58C78-F96F-48F1-ACF1-2CE5BF1F5119A806602The Magic Toy Shop (La Boutique Fantasque): Suite from the BalletThe music for The Magic Toy Shop, a one act ballet about a love story between two can-can dancer dolls in a toy shop, is based on piano pieces that were a part of Rossini’s Péchés de vieillesse. Respighi introduced Rossini’s score to the impresario Sergei Diaghilev, whose Ballets Russes premiered the ballet in London on June, 5, 1919 to an eagerly awaiting audience. British conductor Malcolm Sargent took Respighi's orchestration and compiled the work into a suite, which has been edited by Nancy Bradburd in this edition. Instrumentation in set: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5) Hp.Clst: Str (9-8-7-6-5).2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5) Hp.Clst: Str (9-8-7-6-5 in set)
15601E984C5-FE2A-4F82-AE39-E21260C2EE4810540203Evening in the Country for Baritone B.C.Absolutely delightful...varied styles...fresh...unusually effective.Baritone B.C. Solo and Piano
15701EA8FDB-2741-4BD1-BD13-BDD8412D2F29X970020You Darkness, That I Come FromSSATB Chorus
15801EDD514-4384-4D03-B80C-C0B134615F19SO108CO Silent, Holy NightAfter the lush opening bars, this medley opens with the whispered melody of Silent Night over pizzicato arpeggios and a leisurely shuffling bass. A seamless transition to 6/8 lifts us swiftly into the strains of “Oh Holy Night,” where the melody is passed among every voice, gradually building to a climax to the end, where the final bars of the arrangement return to the reverent silence of the opening. This piece is the perfect addition where that moment of repose in a holiday program is just the thing you’re looking for.String Orchestra
15901EEA1E5-09B0-4623-8650-D9F966083F99A932890El Amor Brujo (Love, the Sorcerer) (complete ballet-pantomime; 1920 revised version)This edition of EL AMOR BRUJO (LOVE, THE SORCERER) is the 1920-1924 revision of the 1915 version by Spanish composer Manuel de Falla (1876 - 1946). Originally a collaboration between de Falla, the flamenco dancer Pastora Imperio, and librettist María Martínez Sierra, the ballet follows Candela, a recent widow who attempts to dispel her abusive late husband’s ghost so she can remarry. The original version of the ballet was not well-received, so de Falla dialed back the Roma cultural elements prominent in the original version and expanded the size of the orchestra to appeal to contemporary audiences. The 1924 version premiered in Paris on May 1925. Reprint Edition. Instrumentation: 2(2nd dPicc).1(dEH).2.1: 2.2.0.0: Timp.Perc(1): Pno: Str (4-4-3-3-3 in set): Contralto Voice.2(2nd dPicc).1(dEH).2.1: 2.2.0.0: Timp.Perc(1): Pno: Str (4-4-3-3-3 in set): Contralto Voice
16001F0F9C5-0559-4D79-9439-E888FF28CAD6X815404Käthe Kollwitz for Soprano and String QuartetInspired by the art of Käthe Kollwitz in poems by Muriel Rukeyser.Soprano and String Quartet