Titles
Showing 201-220 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 201 | 0292EA03-274C-45FF-9DD8-25411BB2148E | SS283 | French Suite | Movements: I. Prelude, II. Sarabande, III. Gavotte, IV. Menuet, V. Bourree, VI. Gigue | Clarinet Quartet | |
| 202 | 0297190B-A1EE-4E9F-B5BF-580D9F2D3F9E | R01030 | Living Waters | Commissioned for the Royal Philharmonic Orchestra by the OPAS Guild in honor of the 25th anniversary of the Memorial Student Center Opera and Performing Arts Society at Texas A&M University . | 3(3d Piccolos).2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(3).Piano.Celesta.Harp: Strings | |
| 203 | 0297A5CB-637D-498E-BB4D-EE69535CE683 | ST76 | Gentle Metal Monster | This piece for five players calls for the following instruments: brake drums, 4 tom-toms, 3 snare drums, bells, and 4 timpani. | Percussion Quintet | |
| 204 | 02989631-CA9C-496C-8715-34974BA2A82C | LV166CB | Two Chorales | (not set) | Concert Band | |
| 205 | 029B68FF-5BB0-4409-BF50-EC746C99B65C | SS523 | THIRD ( 3RD) PRELUDE A | |||
| 206 | 029C2BD7-D8E9-42BD-9037-11FEA0488F96 | MP950001 | Satires for SSATB a capella chorus | William Bolcom composed both words and music for these “urban madrigals,” written for The Western Wind a cappella group in 1972. Each madrigal depicts a slice of New York City life in the early 1970′s, by turns comic, theatrical, bittersweet, haunting, and satirical. Movements: The Movie Queue, The Maternity Ward, Late, Late Show, The Funeral-Marriage, The Secret of the Universe, The University, and The Subway Beggar. For SSATBar or SSACtBar a cappella. Advanced Level. Movements: 1. The Movie Queue, 2. The Maternity Ward, 3. Late, Late Show, 4. The Funeral-Marriage, 5. The Secret of the Universe, 6. The University, 7. The Subway Beggar. | SSATB or SSACtB a capella | |
| 207 | 029C3EBC-5FD0-4341-8EC2-CA04403CCBFD | X815403 | Through this Vale of Tears: In Memoriam: Martin Luther King, Jr. for Tenor or Soprano and Piano Quintet | Commissioned and recorded twice by tenor William Brown, Through This Vale of Tears is a kind of social commentary on the death of Dr. King. As described by the Atlanta Journal Constitution, "Mr. Baker's piece set a variety of texts in a cornucopia of styles, including scat, spiritual, and chorale. Miraculously, this diversity cohered, producing a multi-dimensional work filled with grief, humor and hope." Set includes 1 full score and string parts; individual scores may also be purchased separately (LKMP# X081022). | Tenor or Soprano Solo: 2 Violin, Viola, Cello, Piano | |
| 208 | 029CEFE9-DBE7-4138-9508-86B877B298AD | 20412458 | Variations on "Lyons" | The tune "Lyons" first appeared in "Gardner's Sacred Melodies" published in London in 1815. It is attributed to Franz Josef Haydn's younger brother, Michael, since a number of pieces by both composers begin with this opening phrase. Today, the tune is found in hymnals worldwide with a variety of texts. An excellent ensemble for contest, concert, and worship. OMEA Class C | Flute Trio | |
| 209 | 02A25C00-DF37-4A50-8E61-5805F38EB712 | SS58 | Quintet No. 4 | Woodwind Quintet | ||
| 210 | 02A59B4B-57EC-4310-ADAE-7BE51B5E4995 | 10200311 | Hungarian Village | (not set) | Full Orchestra | |
| 211 | 02A59B5E-EE79-420B-9985-D7D85CAD0EDB | SO35FS | Star Valley Suite | |||
| 212 | 02AFF3A0-6AEA-426D-B0C1-8946644AB71B | S690CB | A Very American Overture | Commissioned by the Nebraska Wesleyan University Concert Band, Herbert Dregalla, Conductor. | Concert Band | |
| 213 | 02B18CCE-790B-4821-B719-BE9AA4032D39 | SC140 | Amazing Grace | Satb | ||
| 214 | 02b3eae2-9e3b-11f0-a418-0022482c9682 | M127491 | Serenade (Spitzweg) in G, Op. 25 | This SERENADE, Op. 25 for two violins and viola by Austrian composer Ernst Toch (1887-1964) is also sometimes called "Spitzweg," inspired by the German artist Carl Spitzweg (1808-1885), whose paintings Toch found while rummaging through art stores in Innsbruck while he took a brief rest from the North-Italian trenches to which he was assigned during World War I. He wrote the work upon his return to the whistling bullets, but the sensuous beauty of the string sound and the expansive melodies conveys the idyllic and peaceful atmosphere of Spitzweg's paintings rather than the calamity around the composer. Reprint edition. | 2 Violins and Viola | |
| 215 | 02B48061-48E4-4203-B1D6-0B58CC763FDD | 52733054 | Canon in D for Cello Quartet | Parts 3 and 4 share continuo. | Cello Quartet | |
| 216 | 02B6085E-0BA3-435C-B3A4-D4D757D1BE86 | SC60 | Golden Slumber | This short lullaby for TTB or TBB uses text by Thomas Denkkler derived from his "Pleasant Comedy", 1603. | Tbb | |
| 217 | 02B6238C-0CF5-4D53-AC92-0F4859BFCC9E | M405591 | Fantasie In C | (not set) | Solo Piano | |
| 218 | 02B6498D-F1A4-4DB4-8AE6-0864B2B67C02 | 52720026 | An Afternoon in a Striped Ballon for Viola and Piano | Viola and Piano | ||
| 219 | 02BCEE70-BF9E-4CCD-9537-47E989F39A0A | M354891 | Fantasy Quartet | Instrumentation: Oboe, violin, Viola and Cello | Oboe, violin, Viola and Cello | |
| 220 | 02C15252-B814-48B4-A7CB-18C54492A794 | X624510 | Double Team for Bassoon and Percussion | Commissioned by Jennie Dorris and David Sogg. Percussion requirements: marimba, tom-tom, timbales, bongos, wood block. Duration ca. 6' | Bassoon, Percussion |