Titles
Showing 241-260 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 241 | 02F6B861-CE70-4C8B-958B-16B2E98AB9BA | R01451 | Earshot | Commissioned for Relache through Music at the Anthology. | Flute, Oboe, Alto Sax, Bassoon, Percussion, Piano, Viola, Electric Bass | |
| 242 | 02FCE10D-8CF3-4DFD-AB5B-5D00FB5B9FF9 | X410023 | Six Preludes for Piano on Poems of Baudelaire (New Edition) | Now available in a high-quality performer's edition, Six Preludes is among Sheila Silver’s most beloved works, featured on major label releases by three different artists. The work was commissioned for an art exhibit concert celebrating the poet Charles Baudelaire, each prelude inspired by one of his poems. | Solo Piano | |
| 243 | 0300D60D-3476-4431-B5D0-DCDA4710C085 | X655101 | Horn Quintet 'La Barca' (horn, violin, viola, cello, piano) | Recording by the Chamber Music Conference and Composers' Forum of the East, Albany Records (2005). | Horn, Violin, Viola, Cello, Piano | |
| 244 | 03020275-64AF-4FFF-A6A9-9B01131A62F8 | 52733009 | Three Spanish Dances for Cello Quartet (extra score) | Moritz Moszkowski (1854-1925) was a Prussion-born pianist and composer. He composed his five Spanish Dances, Op. 12 for piano four hands at the age of 17. They were an almost instant success and remain popular to this day. This arrangement by Joanne Martin is fully compatible with the violin and viola ensemble versions of Three Spanish Dances, so that any combination of violin, viola, and cello may play together. | Extra Score- Cello | |
| 245 | 0303D901-3E9C-4269-B530-9C90B27FA151 | LV438MB | Old Bill Bailey | |||
| 246 | 0304593C-9C11-4B82-966D-995FFF851912 | M333491 | Theme and Variations, Op. 80 for Flute and String Quartet | Amy Marcy Beach (1867-1944) composed Theme and Variations, Op. 80 in 1916. In A minor, the theme is followed by six variations. Sections: Theme: Lento di molto, sempre espressivo; Variations 1: L'istesso tempo; Variation 2: Allegro giusto; Variation 3: Andantino con morbidezza [quasi valzer lento]; Variation 4: Presto leggiero; Variation 5: Largo di molto, con grand espressione; Variation 6: Allegro giocoso. Instrumentation: Flute and String Quartet. | Flute and String Quartet | |
| 247 | 030693AB-D7A5-4B8B-AE3B-7130ED9FB02F | F27 | Musidex Master Schedule Card | Forms | ||
| 248 | 030E6EBA-98BC-408F-A8E1-993BD9CECA96 | R00951 | Summer Ballet | 2.2.2.2: 3.2.2.1: Timpani: Strings | ||
| 249 | 03112AD8-986E-41C1-A8F4-6EB53CC7CFE8 | 10800108 | Gay Robin is Seen No More | The madrigal, which originated as an art form in the 14th Century Europe, is a poem for two or more voice in combination. It is a special feature of the madrigal that all vocal lines, not only the treble, should have melodic interest. The young English composer Brian Schlotel (b. 1927) composed this madrigal GAY ROBIN IS SEEN NO MORE, and also FIRST SPRING MORNING, while on a visit to the U.S.A. in 1959. | SATB a capella Chorus (with rehearsal piano) | |
| 250 | 0311AC05-7969-4CBA-B4A0-75A5C14B699E | SO15C | In the Forest | This single-movement rhapsodic piece is for the advanced string orchestra. It is a semi-programatic piece that takes listeners through various scenes of an imaginary forest. | String Orchestra | |
| 251 | 03169020-3F81-496D-844D-206FE64BC849 | 10100562 | Gliding Girl, The | John Philip Sousa wrote music in a variety of styles and was particularly adept at dance music, which, of course, was the original purpose of the march. The Gliding Girl is a tango, and its relaxed tempo and style will provide an effective contrast to his standard marches. | Symphonic Band | |
| 252 | 0317C06C-05AD-4E35-9819-017F9CE49F23 | 10310120 | Sound Training: 26 Chorales of J.S. Bach, Score | A collection of instructional chorales and supplementary materials playable by any combination of instruments. Order as many books as you need for your particular instrumentation, in the clefs of the instruments. Easy enough for early grade levels, helpful for musical training of all levels of players. | Flexible instrumentation | |
| 253 | 0318BE6E-2920-4272-BF6C-4ABDAC5E3068 | X520008 | South Wind | For Randolph Kelly. | Solo Viola | |
| 254 | 031C54CB-3CC7-4074-BEE6-6FF21F7AE1AB | 50605003 | Battle Scene | An exciting work for younger performers, BATTLE SCENE uses three mallet players and three non-pitched percussionists to weave a description of an imaginary battle. Two-mallet playing is required. There is some flexibility with personnel to enable some expanded instrumentations. | Percussion Sextet: Orchestra Bells, Chimes, Xylophone (or Marimba), Snare Drum, Crash Cymbals/Bass Drum, Timpani/Triangle | |
| 255 | 031DC4ED-E380-48EF-9148-33D5935C2E32 | SU513 | Visions of Light: Concerto No. 2 for Trombone (reduction) | Inspired by the photographs of Ansel Adams, this concerto for trombone was commissioned by Indiana University and the Midwest Clinic for Joseph Alessi and the Indiana University Wind Ensemble, conducted by Ray Cramer. In addition to the original wind ensemble, an arrangement with orchestra accompaniment by the compsoer and a piano reduction arranged by Mark Rogers are available from the publisher. (2003) ca. 22'. | Trombone, Piano | |
| 256 | 032509BE-04EF-45B2-B402-B94EA6E99AC7 | EBM0610201 | Brass Symphony | "Perillo’s Brass Symphony, a swinging, three-movement work that actually features the full orchestra in support of the title instruments, offers moods both playful and solemn, and lasts not a moment too long." -David Hurwitz, Classics Today. In 3 movements, length ca. 12 | Brass soli, orchestra | |
| 257 | 032DF420-0D0A-4572-B76C-B9DB65223B22 | S485CB | To Be Fed By Ravens | Commissioned by and dedicated to the Texas Music Educators' Association. | Concert Band | |
| 258 | 032ff702-9e3b-11f0-a418-0022482c9682 | M131391 | Larghetto for Horn and Piano | Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expressive, calling to mind a lament sung by an alto or tenor. The work was first performed on May 5, 1877, in Paris at Salle Pleyel, with Jean-Henri Garigue playing horn and accompanied by the orchestra of the Société nationale de musique. The work was not published in Chabrier's lifetime, however, and it was only rediscovered amongst his possessions after he passed. This piano reduction by Marcel Labey was published in 1913, the same year that the orchestra version was published. Reprint edition. | Horn and Piano | |
| 259 | 0330D457-3BD4-4BB0-90AB-EDDC4AE6DF7D | X503044 | Fun der Alte Welt | "Fun der alte welt" ("From the Old World") is based on familiar Yiddish tunes such as Der rebbe tanzen and Oyfn Pripetchik. In celebration of its 10th Anniversary Season, the Pittsburgh Jewish Music Festival presented a special chamber music recital on December 17, 2012. The program, which featured the world premiere of "Fun der Alte Welt", was part of the Music at Rodef Shalom concert series. | Violin, Cello, Piano | |
| 260 | 03313F17-5E01-441F-9DFF-9F1411AAA3FD | S646CB | Misty Rain, Softly Falling | Commissioned by the Wisconsin Elementary Band Directors' Assocation for the 1992 Youth Band. | Concert Band |