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01B5D8AC-BDC7-4463-94CF-E408EC96C2BF
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Update Title: 01B5D8AC-BDC7-4463-94CF-E408EC96C2BF
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Instrumentation
3(1d Piccolo).3(1d English Horn).3(1d Bass Clarinet).2+ContraBassoon: 4.3.2+Bass Trombone.1: Timpani.Percussion(3).Harp: Strings
Commission
Commissioned by the Shepherd School of Music
Dedication
Program Notes
The poet referred to in the title is the early 20th century German poet, Rainer Maria Rilke. He had a visionary experience that shook the foundations of his being, in which he experienced an overwhelming love of God, a profound sense of order regarding all life in the universe, and deep compassion, as well as a sense of the power of his poetry to heal. This represented by the first poem of his DAS STUNDENBUCH (THE BOOK OF HOURS--LOVE SONGS TO GOD). In the music, the poetry is represented by the mood of the Exposition which is preceded by an introductory section of a radically contrasting mood, entitled Prologue: "Eternal Parting". In the rest of the work there is a confrontation and Development of the ideas of the first two sections, and a final statement of Synthesis (which is dominated by the strings alone, adagio espressivo). In the final analysis, programmatic ideas serve as signposts for entry into the life a musical work has on its own, and all types of verbal description fall short, as a composer is driven to create and fashion a metaphor for the life of the human soul. -notes by Michael Mathis
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Premier Performance Memo
-World Premiere, Shepherd School Symphony Orchestra/ Alastair Willis. 1 Nov 96.
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