Titles
Showing 12,761-12,780 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12761 | BA90270A-894B-4A5E-9126-0C49634A5EE0 | 10100113 | The Good Daughter: Overture | NICCOLO PICCINI (1728 - 1800), an Italian operatic composer, was born in Bari, but in Naples asserted his talent for music at an early age, entering the Conservatory at the age of 14. His opera buffa La Buona Figiuloa (The Good Daughter), which appeared in 1779, began a war between his followers and the Gluckists, who favored the reformed method of opera. Piccini was a prolific composer; in addition to opera, he wrote songs and much sacred music, including masses. His works are charming and melodious and show him to be a man of great genius. This transcription for band of the overture from The Good Daughter has been completed by Eric Osterling. | Concert Band | |
| 12762 | BA9C192C-D33F-4119-AFA0-E2B6584B8E8F | 50548003 | Canzon Terza a Quattro | Gabrieli's music has been a staple of brass repertoire for years. The low brass quartet gives this music a warm, robust character that other combinations lack. | Euph/ Tuba 4tet | |
| 12763 | BA9D9A2D-BAED-4DAD-90DF-66C2014B15A8 | A017290 | Rigoletto, Act III Aria: La donna e mobile | There's a reason Verdi is one of the most popular opera composers of all time: soaring, ecstatic melodies. This canzone is one of his most popular of all. | Full Orchestra | |
| 12764 | BAA2ED95-9B31-44A1-9C66-4C8E31B831A1 | A464602 | Triumphal March, Op. 40 | (not set) | 3d1+alto, 2+alto ob, 3+1, 2+1 - 4, 3, 3, 1, timp, perc, str, mx chor | |
| 12765 | BAA60ADE-4397-4CA2-881C-1DAFDA89B176 | A910290 | Blue Tango - NOP see Alfred 00-26662 | 2+1, 2, 2, 2, (3sax) - 4, 3, 3, 1, timp, perc, str | ||
| 12766 | BAB2F21E-2F74-442B-B5E2-A350D5C6CB39 | A538402 | Gianni Schicchi (reduced orchestration) | Gianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a death, the work premiered at the Metropolitan Opera on December 14, 1918. It tells the story of four family members anxiously discussing the contents of their very recently deceased family member, Buoso Donati, only to discover to their horror that he had left everything to a monastery. Gianni Schicchi, not related to the family, arrives and concocts a scheme to have a new will written as nobody but the family knows Buoso is dead. But when the notary arrives Schicchi, pretending to be a Buoso on the mend, dictates that his house, mule, and mills should be left to Gianni Schicchi, which allows him to offer marriage between his daughter Lauretta and Donati family member Rinuccio. Lauretta's soprano aria, O mio babbino caro (Oh, my dear papa), is among the most well known in opera and is frequently sung as an encore in recitals or concerts. Instrumentation: 2(2nd dPicc).1.2.1: 2.2.1.0: Timp.Perc(3): Harp.Clst: Str (4-4-3-3-3 in set): Vocal soli (15 roles, SSSAATTBBBBBBBB). This orchestra reduction is completed by Ettore Panizza. Reprint edition. | 2(2nd dPicc).1.2.1: 2.2.1.0: Timp.Perc(3): Harp.Clst: Str (4-4-3-3-3 in set): Vocal soli (15 roles, SSSAATTBBBBBBBB) | |
| 12767 | BAB36D4E-9A64-4C4D-AEEB-D1DCB23BFDA8 | X533002 | Journeys for Three Celli | This two-movement work was commissioned by cellist Zon Eastes and the Brattleboro (VT) Music Center. The first movement, "Dancing til Dawn," displays patterns overlapping, coalescing into jagged rhythms of homophony, diverging and then coalescing again. This is a playful and bouncy movement. The second movement, "Light Rising," opens with a theme, featuring repeated 16th-notes (perhaps specks of light). The music grows in dynamics, tempi and intensity before a break least to a return of the opening theme, which now rises into the high register, as a celebration of light. | 3 Cello | |
| 12768 | BAB3E882-C4F8-41FE-8508-D398D6F1AF7F | M223791 | Sonata in D minor, H. 125 | Frank Bridge (1879-1941) wrote his only cello sonata between 1913-1917. A transitional work between his early lyrical style and the more modern style he adopted at the time of World War I, the work is in two movements, with the second movement displaying Bridge's pacifism and despair over the war. It was premiered on July 13th, 1917 by Felix Salmond (cello) and William Murdoch (piano) at Wigmore Hall in London. | Violoncello and Piano | |
| 12769 | BABA685C-F984-41DF-B5A8-3B1DEABA130E | ST733 | Prelude and Fugue | (not set) | Flute Choir | |
| 12770 | BABB1F84-2FE0-4081-B98B-42789773F9D2 | 10410533 | Ballade | (not set) | Flute and Piano | |
| 12771 | BABE0643-83FE-428A-A502-3733A06DF45A | S520003 | Bop Caprice Two | |||
| 12772 | BABEDA9D-E8F0-40AD-8617-0D38E610B2D8 | MR00441 | Montezuma: An Opera in 3 Acts | The story of Sessions’ Montezuma is told retrospectively by one of the Spanish conquistadores. The arrival of Cortez and the reaction of the Aztecs, who identify him, at first, as one of their gods, lead to the love of Cortez for a captive Indian princess. | Cast: 3.3.4.3: 4.4.3.1: Timp.Perc.Pno.Cel.Hp: Str | |
| 12773 | BAC09D3D-058F-4298-80A6-C3D2286E669B | LV418MB | Gemini | (not set) | Marching Band | |
| 12774 | BAC13267-0790-4160-9191-22BAB22EDAF5 | 52723002 | Brandenburg Concerto No. 6 for Viola Quartet | Every violist's favorite Brandenburg Concerto, now for viola quartet. The solo parts are passed throughout the ensemble so that everyone has a chance to experience the thrill of Bach's masterpiece for viola! | Viola Quartet with optional piano | |
| 12775 | BAC38AFE-D448-40D0-BF79-34F5292FBF32 | SS591 | Charlie's Horse | Snare Drum Unaccompanied | ||
| 12776 | BAC773FF-DD43-4D51-9FD9-446053F4DAC2 | B395 | Six Concert Solos | Each of these snare drum solos was written with concert, contest, or performance recital in mind. Each solo can be performed individually or can be combined with two or three others to form a suite of your own choosing. | Snare Drum Unaccompanied | |
| 12777 | BAD270D0-D496-4AF3-BD6A-E6C43D110018 | X816207 | Cantos de Advenimiento, Op. 25 for Mezzo-Soprano, Cello and Piano | Cantos de Advenimiento is a collection of three songs for Advent: Suplica, Vispera, and Dulzura. Song texts by Daniel de la Vega and Gabriela Mistral. For mezzo, cello and piano; length approx. 10 min. | Mezzo-Soprano, Cello, Piano | |
| 12778 | BAD3B03D-C931-4409-9D52-DD51ECD4D97F | A202202 | Concertpiece (Konzertstuck) in F for Four Horns and Orchestra, Op. 86 | CONCERTPIECE (KONZERTSTÜCK) IN F MAJOR, Op. 86 is a piece for four horns and orchestra by Robert Schumann (1810-1856). He composed it in 1849, while living in Dresden, after hearing Joseph-Rudolph Lewy perform on the valve horn which had recently been developed. Acknowledging the unusual instrumentation, the composer described it to his friend Hiller as "one of my best pieces." The first performance took place on February 25, 1850 with the horn players of the Leipzig Gewandhaus under the direction of Julius Rietz. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Soli Hn(4) in set. | 2+Picc.2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Soli Hn(4) in set | |
| 12779 | BAD4CBB9-2022-44CC-AF17-DEFB389711FF | R00876 | Winter Moons (Ballet) | Based on Native American stories. | storyteller 1(d Piccolo).0.0.2(optional 1d ContraBassoon): 2.1.0.0: Percussion(1).Piano: Strings | |
| 12780 | BAD56E8B-08E5-4B88-9028-58A2F9906682 | A272902 | Stabat Mater: No. 2 from Quattro Pezzi Sacri (Four Sacred Pieces) | 3, 2, 2, 4 - 4, 3, 4, 0, timp, perc, hp, str (2.2.1.1.1), mx chor |