Titles
Showing 12,681-12,700 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12681 | B967499E-D9FC-4056-9330-FB38A5D3D2EC | M371391 | Variations on a Theme of Rossini | Flute/piano | ||
| 12682 | B9743FAC-4DA8-42A3-B304-0FDA856840C6 | X504035 | Quartet for Leap Year | Commissioned by Ronald and Marilyn Krentzman on the occasion of the 16th birthday of their daughter, violinist, Laura Krentzmanon February 29, 2000. Movements: I. A Jolly Rag, II. Light Waltz, III. Fast Fiddling, IV. Walking Bass. | String Quartet | |
| 12683 | B974903D-14B4-4157-AFE1-1C67BA153295 | ST385 | Sonata No. 5 in C | This sonata, transcribed for tuba and keyboard, was originally one of six cello sonatas composed in 1732. The transcribers have taken great care to preserve Marcello's intentions, only altering some of the dynamic and phrasing indications with the tuba player's specific needs in mind. | Tuba | |
| 12684 | B97B02B2-9C1B-405B-8FF8-1A3C215B8E24 | A555302 | In Exitu Israel | (not set) | str (2.2.1.1.1), hpchd, mx chor | |
| 12685 | B97CF74D-7309-4A55-883D-B346C444FE25 | W711991 | Summerland | (not set) | Piano Solo | |
| 12686 | B97EE27C-C1E2-4FDE-9BB5-71FFA6DF4DE7 | 18803013 | Never Alone Again | (not set) | SA, Piano, Autoharp (optional) or SA, 2 Violins, Cello, Autoharp (optional) | |
| 12687 | B986236B-F43E-4554-AB28-88B09FDD038C | 50394009 | Renaissance and Baroque Suites, vol. 2 - Eb | This collection of three suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers include: Daniel Eberlin, John Playford, Fabritio Caroso, J. C. Pezel, Adrien Le Roy, Jean-M. LeClair, Georg Muffat, Pierre Attaignant, Thomas Tallis, Thomas Morley, Jean-Baptiste Besard, and John Moss. Books for all instrument keys and clefs are available from the publisher. This is the second of three volumes of progressive flexible quartets, with ten total suites included across all three volumes. | Flexible Quartet, Eb instruments | |
| 12688 | B986BB82-049E-4973-BFC9-F86C204F26F8 | ST367CO | Concerto | (not set) | Woodwind Quintet | |
| 12689 | B98B8FC8-FA71-4500-A737-67C6D0EA0322 | ST479 | Brass Duet Notebook, Bk. 1 for Trumpet | (not set) | Trumpet Duet | |
| 12690 | B98D8E80-6A5E-41E4-A6D2-B52AA9AC8DF4 | X511045 | Netsuke: Six Movements for Violin and Piano | Netsuke are Japanese miniature carvings that were originally made to secure objects suspended from a man’s sash. This piece was inspired by six exquisite carvings from the Bushell Collection at the Los Angeles County Museum of Art. | Violin, Piano | |
| 12691 | B98F9B1E-D338-494C-9DDA-AB88B4F5C8FD | 20100600 | Marching Through Georgia | Band | ||
| 12692 | B98FEDC3-0D1F-405D-BAED-9234558AE86A | X410009 | Post-Modern Homages, Set I | While not stricly composed to be performed as a set, each of the three short 'homages' in the collection is both a tribute to, and a substantial transformation of, an existing piece of music and composed for a specific occasion. | Solo Piano | |
| 12693 | B990F866-2C48-4005-B47A-8D84A27F16C0 | M242291 | Sonata No. 2, Op. 35 | (not set) | Violin and Piano | |
| 12694 | B9915661-E759-4448-B002-79AD0879C839 | S876CB | The Rough Rider | (not set) | Concert Band | |
| 12695 | B994DAD2-266F-441E-9932-1E40918FA6EA | M268391 | Six Etudes, Op. 111 | Saint-Saens' Opus 111 was first published in 1899, and each of the six etudes are dedicated to a different piano virtuoso. Etudes: 1. Tierces majeures et mineures 2. Traits chromatiques 3. Prelude et Fugue 4. Les Cloches de Las Palmas 5. Tierces majeures chromatiques 6. Toccata | Solo Piano | |
| 12696 | B996D0F4-F356-429B-85E7-AAD0C0E7D8D9 | SC522 | Lo! He Comes With Clouds Descending | (not set) | Satb | |
| 12697 | B997E8EC-5E00-4FD8-A901-FAB1D0F480F9 | X530003 | Night Rubrics: Phantasy for Solo Cello | Fantasy portrayal of the half-conscious state of mind between wakefulness and dreaming commissioned by American cellist Angela Schwartz. | Cello Solo | |
| 12698 | B9987AFF-39A1-4B41-8403-3CF3DCE37D3C | SC105 | First (1st) Pair Of Heels | Ssa | ||
| 12699 | B999E1AA-9236-4FA5-BDCB-218F0EA15854 | 50250123 | Spontaneous Combustion | An energetic romp in the key of g minor, SPONTANEOUS COMBUSTION utilizes drum set to help drive the string orchestra. Some position playing is required of both violin parts and double bass. This could well be the perfect concluding number for your program. | String Orchestra | |
| 12700 | b99b161a-9e3a-11f0-a418-0022482c9682 | B401602 | Centennial Fanfare-March | CENTENNIAL FANFARE-MARCH was commissioned by the Modesto Junior College Symphonic Band, Dr. Lloyd S. Jensen, Director, on the occasion of the 100th anniversary of the founding of the City of Modesto, California. The music was first performed by the commissioning band during the festivities of Modesto's Centennial Ball, October 30, 1970, and was subsequently broadcast by the Voice of America. Shortly after its Modesto premiere it was programmed by Edwin Kruth at San Francisco State College, by George Cavender at the University of Michigan, and by Jonathan Elkus at Lehigh University. Richard Franko Goldman conducted the New York premiere at Lincoln Center. CENTENNIAL FANFARE-MARCH was the opening selection of the 1971 series of Guggenheim Memorial Concerts played by the Goldman Band. | Symphonic Band |