Titles
Showing 12,581-12,600 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12581 | B7F71910-4F49-48D5-8B6F-2E788C760B7E | S560005 | Walzer dall' Op. 18 Pt | Guitar Solo | ||
| 12582 | B7FECD69-A349-4833-97C0-32FEE0F14038 | SS272 | Adagio Religioso from Concerto, K622 | This adagio is from the 2nd movement of Mozart's Clarinet Concerto in A Major, Op. 107, K. 622. This transcription for English horn is by Albert Andraud. | English Horn and Piano | |
| 12583 | B8002286-D65E-4A8F-94A5-02DEFF7A0DCE | ST931 | Two Waltzes | (not set) | Alto Sax; Piano | |
| 12584 | B801DC8C-9C2C-41BD-9CD3-6D1C1463DDED | W107191 | Five Mystical Songs | Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The solo vocalist has several accompaniment choices: piano; piano and string quintet; wind ensemble; and orchestra with optional SATB chorus. It is the last option that Vaughan Williams selected for the work's premiere which took place on September 14, 1911, at the Three Choirs Festival in Worcester, with the composer conducting. The five movements are: 1. Easter (from Herbert's Easter); 2. I Got Me Flowers (from Herbert's Easter); 3. Love Bade Me Welcome (from Herbert's Love [III]); 4. The Call (from Herbert's The Call); and 5. Antiphon (from Herbert's Antiphon [I]). The final movement can be performed by chorus alone or by the soloist alone, with two version in the score and parts to accommodate the preferred approach. | Baritone Solo, optional Chorus, and Piano | |
| 12585 | B809D4AA-5481-446A-9415-57A6BB40F5A5 | A677402 | Symphony No. 7 in D minor, Op. 70/B. 141 (critical edition) | While his Symphony No. 9 is better known, Antonín Dvo?ák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No. 3, and with a commission from the London Philharmonic Society, Dvo?ák composed a work with his darkest and most passionate content, writing to one of his friends: "Now I am occupied with my new symphony (for London) and wherever I go I have nothing in mind but my work which must be such again as to make a stir in the world, and God grant that it may." This symphony, which shows comparatively few traces of the composer's folk Czech background, was dedicated to the London Philharmonic Society that commissioned it and is sometimes to referred to as the "London Symphony." It was premiered by the London Philharmonic Orchestra in St. James' Hall, Dvo?ák conducting, on April 22, 1885. This Critical Edition based on the composer's manuscript was edited by Otakar Šourek. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set). Study score. | 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set) | |
| 12586 | B80E4477-992D-4371-BFB8-86A58F1E528C | A761102 | Nonetto No. 2, H. 374 | Bohuslav Martinu (1890-1959) set down his Nonetto (Nonet) No. 2, H. 374 in January 1959, the last year of his life. The Czech Nonet ensemble commissioned the work, giving the first performance on July 27 at the Saltzburg Festival. One of his final compositions, it serves as a wistful time machine back to the folk traditions of the Czech village in which he was born. Scored for a grouping of five winds and four string players, it is constructed in three short movements: 1. Poco Allegro 2. Andante 3. Allegretto. Instrumentation: 1.1.1.1: 1.0.0.0: Vn.Va.Vc.Bs. | 1.1.1.1: 1.0.0.0: Vn.Va.Vc.Bs | |
| 12587 | B81663F4-39BB-418C-A9D3-4DB972C2D1BB | R01018 | The Night of Power | Commissioned by The School of Computer Science, Carnegie Mellon University. | 2 Trumpet, Horn, Trombone, Tuba, Perc(3), Pno(d Clst), Electric Instruments*, Violin, Cello,*Electric Instruments (1 player): MIDI keyboard-controller, Yamaha tx 816 Synth, Roland d-550 Synth, Lexicon PCM effect processor, and MID | |
| 12588 | B816CE54-0A7D-4449-AFFA-E48CDCB3FE75 | SS699 | Skyrocket (out-of-print) | Baritone | ||
| 12589 | B8192B96-5F9D-4B5C-9800-24045927F1BD | M908002 | Nutcracker Suite II: Characteristic Dances | Rogan, John Mackenzie/ McAlister, Clark/ Reed, Alfred | Concert Band | |
| 12590 | B81C19B8-4063-423E-94EE-4203129A1A4D | R00821 | Celebration - Sequent II | 4.2.4.2: 4.4.4.0: Timpani.Percussion(3).Mandolin.Banjo.Piano.Harp: Strings (maximum 16.16.12.12.8) | ||
| 12591 | B81F10C8-67A2-43C0-8850-194887F19FDB | 50100091 | America: Tone Poem | A stunning original work by our beloved “March King,” America paints a beautiful and exciting picture of the building of a great nation. Complete with clanging steel, burnished axes clearing the forests, anvils, and even an optional organ (synthesizer) part, this dramatic yet playable work will grace 4th of July and other patriotic programs for years to come. | Concert Band | |
| 12592 | B81FF95C-EBC5-4E64-BE6F-114E1DFF279B | A461202 | Don Carlo (1886 Version in 5 or 4 Acts) | This grand opera about love stymied by the political intrigue of Spain during the Inquisition, is well-known for the many versions that have been created to accommodate the work's length. Originally written as a five-act opera with ballet at its French premiere in 1866, the 1867 Italian premiere in London started the trend of making cuts, authorized or not, from the performance, including the omission of both the entire first act and the ballet. Further performances continued to make alterations to shorten the length until Verdi himself decided to address the matter, creating two versions: the 1883 Milan version that omitted Act I and the ballet while also making other smaller cuts, and the 1886 Modena version, which retained Act I, though the ballet was still removed. The four-act Milan version remained the preferred path for performance until a notable 1958 staging of the 1886 five-act Modena version. Both the Milan and Modena versions have grown in popularity since the 1950s, becoming a stardard part of the opera repertoire. This Kalmus edition is the 1886, five-act Modena version, which also notates the optional omission of Act I, offering opera companies flexibility in which version they would prefer to perform. | 2+Picc.2+EH.2.4: 4.2+2.3.1: Timp.Perc: Hp: Str(4.4.3.3.3): Vocal soli (11 roles, SSSATTTBBBB): Chorus: Banda (0.0.2+D0: 4.2+4+bs.3+2.2) | |
| 12593 | B82C7D4A-FAE3-4FDD-9D7C-7857D1CFCA3B | ST331 | Invocation | Flute | ||
| 12594 | B82D6203-D92B-4B86-99C1-7C921EC963A3 | SC694 | The Pirate | For TB acappela chorus with rehearsal piano part, words and music by Patti DeWitt. | T | |
| 12595 | B8303FD6-4FE5-4E46-B2E6-12EED3AD7106 | ST916 | Gypsy Song | Clarinet | ||
| 12596 | B833090B-2A31-4864-900F-E4098319F6D4 | 10420170 | Two Minuets for Oboe | These Two Minuets from J.S. Bach's Clavier Book of Anna Magdalena Bach have been arranged for the teaching repertoire. This is a wonderful selection for the developing or intermediate player to take to contest or recital. Versions for oboe and violin are available from the publisher. | Oboe and Piano | |
| 12597 | B8344B05-98BA-4DC7-819C-94C0544732C7 | A794902 | Jokey Polka (Polka Schnell), Op. 278 [arrangement] | Jokey-Polka, Op. 278, by Josef Strauss (1827-1870) was written originally for piano in 1870. This arrangement for orchestra of the fast polka (polka schnell) was completed by Austrian composer, arranger, and conductor Max Schönherr (1903-1984). Instrumentation: 1+Picc.2.2.2: 4.3.3.1: Timp.Perc(2-3): Accordian: Str(8-8-7-6-5 + 2VnOblig in set): Pno Sc in set. | 1+Picc.2.2.2: 4.3.3.1: Timp.Perc(2-3): Accordian: Str(8-8-7-6-5 + 2VnOblig in set): Pno Sc in set | |
| 12598 | B836C55C-8FF7-49D3-9E54-D5F447F6D20A | EBM0620024 | Theme and Fantasia for Band | Performed and recorded in 1969 by the High School Symphonic Band of the National Music Camp, Interlochen, Michigan, George C. Wilson, conductor | Concert band | |
| 12599 | B83D0CEC-B07E-4D0B-97F5-3A2BB645B299 | 50710004 | Suite Based on American Folk Songs | Movements: 1. Fare Ye Well, My Darlin' 2. Little Bird 3. The Mermaid 4. Cod Liver 'Ile 5. Johnny Stiles 6. What Shall I Do With a Drunken Sailor | Violin, Piano | |
| 12600 | B83FE701-C8E7-4384-9E43-F06E8344B548 | S206PT | BRAZILIAN HOLIDAY |