Titles

Showing 12,561-12,580 of 17,576 items.

#	ID	Titlecode	Title Name	Marketing Copy	Instrumentation

12561	B7A1AC16-F85C-4521-A64D-6AAE1ABC70A2	A820490	Cello Concerto, Op. 85		2d1, 2, 2, 2 - 4, 2, 3, (1), timp, str, solo cello
12562	B7A621DE-88A1-4C89-80F3-A3A8255DEF07	X520007	The Play of Winds	Commissioned by the California Music Center for the 2000 Irving M. Klein International String Competition.	Solo Viola
12563	b7a7ce62-9e3c-11f0-a418-0022482c9682	X816213	Sonatina for Flute, Soprano and Guitar	A short work in three movements: Pasorale, Song Without Words, and Finale. Orginal version composed for the D'Amore Duo for oboe and guitar. This arrangement for flute, soprano and guitar by Marisol Gentile has the soprano sing only the middle movement with guitar accompaniment, with the two outside movements being for flute and guitar. approx. 7 min.	Flute, Soprano, and Guitar
12564	B7A8973C-AD0C-4086-85E3-33D9B87B4F7A	52733393	Chamber Suite in D Major	This Chamber Suite in D Major by G. F. Handel has been arranged for cello quartet or cello choir by Carole Neuen-Rabinowitz.	Cello Quartet
12565	B7A9D000-324B-48A1-BA8D-C4A4CA2ECFA4	R00231	Concertino for Violoncello and String Orchestra	After the Third Sonata of Attilio Ariosti (1666-1740)	Cello Solo Timpani(3): Strings
12566	B7B11416-AFEC-444D-A6A5-D96CE4143946	A001890	Lyric Pieces: Wedding Day at Troldhaugen, Op. 65/6	Scandinavian Weddings Youth/Community Orchestra Transcriptions, Concertmasters	2d1, 2, 2, 2 - 2, 2, 0, 0, perc, str
12567	B7B3FBE4-2726-4BF0-B26B-D5C0B87FA1EE	SC816	Spring	2009 Texas University Interscholastic League Sightreading for 2b, 3C, and 2C Varsity Mixed (SAB) Choirs and 2A and 1A Non-varsity Mixed (SAB) Choirs.	SAB
12568	B7C15A3F-35B2-4A18-9749-D85A63FE7D38	A000390	NOP - See A1367 - Marche Joyeuse		2, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str
12569	B7C3F404-5A3E-44C3-8BC7-F5B24CE65F2A	EBM0630056	Mass In G Major, D. 167	This edition for SATB, String Orchestra and Organ was edited by Walter Ehret.	SATB Chorus, Soprano, Tenor, Baritone, Organ, String Orchestra
12570	B7C6A025-10D6-46DA-A59B-F1C3FB9336AB	10100071	Welsh Folk Suite	The Welsh, as a nation, have given the world some of the most beautiful folk songs. This suite includes three of the better-known tunes in a colorful arrangement for symphonic band: I. Jenny Jones; II. All Through the Night; III. Men of Harlech.	Concert Band
12571	B7D29223-9160-4B93-876F-250A8EC13074	X503049	Lament	Premiered at Festival at Sandpoint, Idaho. With YoungNam Kim, Sally Chisholm performing.	String Trio
12572	B7DA2DE1-B323-49CB-BF4D-B247B8C3BDEC	50100029	New Era Overture	New Era was composed for the United States Air Force Academy Band (Colorado Springs, CO) and refers to the mixture of software, hardware, technology, and tradition in present day life - the 'new era.' Diverse and tuneful throughout, Bruce Broughton has crafted a marvelous overture for opening your next concert!	Concert Band
12573	B7E22B66-6F36-4432-A792-F8A26BAEB87D	M263591	Sonata In Bb, Op. 8	(not set)	Violoncello and Piano
12574	B7E4DE36-C0AE-4DE7-B69F-C9DFAC6663E8	MP159001	Gospel Preludes: Free Fantasia on "O Zion, Haste" and "How Firm a Foundation"
12575	B7E72163-F70B-4142-A348-407EFF8E2050	SU425	Alleluia (a Round)	William Boyce (1701-1779) was a notable London organist and composer of church, orchestra and stage music, and was master of King George III's orchestra. This arrangement of his Alleluia by Jon Bohls is a study in 1. unison tuning, 2. light style and 3. tonguing, both regular and slurred. Since it is a round (or canon), the same melodic passage occurs in all parts and can be practiced at the same time to match up all aspects of playing.	Trombone Quartet
12576	B7E92E88-BADE-41AC-B636-C2492C32019F	S475CB	Hunter Park	Almost everyone has a place where he can go to be alone with his memories. For me, a little park in my home town is that place. There, I can walk in the beauty of nature and recall my childhood joys - playing cowboys and Indians, or conquering the world with one swoop of my wooden sword. But that park also forces me to recall those things I have lost that I loved. It stirs in me the realization that everything one loves must ultimately be lost. Yet I can feel a rather pleasant sadness through it all since I can identify my fate with that of all mankind. Then I find the strength to continue, for I know ultimately peace comes only in death. - James Barnes	Concert Band
12577	B7EDDCAD-6C83-43D4-8EE5-6CAB833BB66B	A003590	POP - SEE M983590 - Prince Igor, Act II: Polovtsian Dances		2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str
12578	B7F0AD6C-AD69-4B9E-B942-BB13F4D0D343	M150791	Sea Pictures, Op. 37	Edward Elgar’s Sea Pictures, Op. 37, was first performed in its version for contralto and orchestra under the direction of the composer on October 5, 1899 at the Norfolk and Norwich Festival. Donning a mermaid dress, Clara Butt performed the vocal part.	Contralto Voice and Piano
12579	B7F379EC-F685-49FB-B561-A0C8821A4C3E	SC691	Windy Nights	(not set)	SAB
12580	B7F466A3-FB43-4A95-8906-8CD774F18B6C	A811502	Symphony No. 2 'A London Symphony' (1920 version)	Ralph Vaughan Williams (1872-1958) wrote A London Symphony (also called Symphony No. 2, though never by the composer) between 1912 and 1913 at the prompting of his friend and fellow composer George Butterworth, to whose memory the work is dedicated. Premiering successfully on March 27, 1914 at Queen's Hall, Geoffrey Toye conducting, Vaughan Williams sent the score to conductor Fritz Busch in Germany, but it was lost during the chaos of World War I. Reconstructing the score from the parts with the help of Geoffrey Toye, Butterworth, and critic E. J. Dent, Vaughan Williams saw a second performance on February 11, 1915 by the Bournemouth Municipal Orchestra under the baton of Dan Godrey. Several revisions took place until the final version was published in 1936, resulting in three major versions, of which this 1920 revision is the middle. Vaughan Williams includes cues in the parts so that instruments can be omitted if necessary. Instrumentation: 3(2nd&3rd dPicc).2+EH.2+BCl.2+CBsn: 4.2+2Crnt.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set).	3(2nd&3rd dPicc).2+EH.2+BCl.2+CBsn: 4.2+2Crnt.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set)