Titles
Showing 12,501-12,520 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12501 | B6DD64C8-D418-49A2-A5E6-FE716B15DB80 | ST188 | Dialogue | Flute Duet | ||
| 12502 | B6DF5185-3800-4199-B3DC-98EA366357DE | SO156C | Third of Three: Theme from Symphony No. 3, Mvt. 3 | The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at what was probably the artistic peak of his career. It is also popularly known as the Organ Symphony, since two sections out of four use the pipe organ. Of the composition Saint-Saëns said, "I gave everything to it I was able to give. What I have here accomplished, I will never achieve again." The composer seemed to know it would be his last attempt at the symphonic form, and he wrote the work almost as a type of "history" of his own career: virtuoso piano passages, brilliant orchestral writing characteristic of the Romantic period, and the sound of a cathedral-sized pipe organ. This arrangement for string orchestra is the serious, C minor 6/8 theme from the scherzo movement of the symphony. | String Orchestra | |
| 12503 | B6E0EC47-5F1B-44D7-8C8A-70DF1BABFEBA | SS61CO | Trio for Flutes, Op. 51 No. 2 | This trio may also be performed on any other equal treble clef instruments. Benoit Tranquille Berbiguier (1782 - 1838) was a famous flute player. He was intended for the law, but the love of music being too strong for him, he ran away from home and entered himself at the Concervatoire in Paris. As a composer, he was very fertile in music for his instrument, both solo and accompanied - 11 concertos, many fatasias and variations, 140 duos, 32 trios, with quartets and symphonies. All three of Berbiguier's Trio for Flutes, Op. 51 are available from the publisher (edited by Elwyn Wienandt). 18 Exercises by Berbiguier (edited by Judith Thomas) is also available. | Flute Trio | |
| 12504 | B6E80978-AEBC-4668-B73F-E7AD7F20F75C | M206091 | Polonaise, Op. 77 | (not set) | Two Pianos Four Hands | |
| 12505 | B6EB75EA-441D-4DD3-A101-A8D7723548F4 | SS814 | Concertino | Little known in the United States, Russian composer Mitushin Alexander was largely self-taught. | Horn Quartet | |
| 12506 | B6EF4114-C73D-4659-84FF-5C09BBB46512 | A721002 | Concert Piece No. 2 (Konzertstuck) in D minor, Op. 114 [arrangement] | Between 1832 and 1833, Felix Mendelssohn (1809-1847) composed two works for a trio of clarinet, piano and basset horn: Concert Piece No. 1 in F Major, Op. 113 and Concert Piece No. 2 in D minor, Op. 114. They were composed for clarinetist Heinrich Baermann and his basset horn-playing son, Carl Baermann, and they stand out as the only compositions Mendelssohn wrote for basset horn. This arrangement of Concert Piece No. 2 (Konzertstücke) in D minor, Op. 114 for solo clarinet and solo basset horn with wind septet has been completed by Graham Sheen. Instrumentation: 1.2.0.2: 2.0.0.0: Soli Clarinet & Basset Horn in set. | 1.2.0.2: 2.0.0.0: Soli Clarinet & Basset Horn in set | |
| 12507 | B6F084F2-642B-43F4-9DA9-A9B8F2547C4A | M231791 | Seven (Sept) Improvisations, Op. 150 | Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote the SEPT IMPROVISATIONS, Op. 150 for organ in 1917. | Organ | |
| 12508 | B6F36BFB-BD81-49C9-99CA-E2DAF5A54408 | SC401 | Communion Service | Includes two song titles: I. Glory to God in the Highest, II. Holy, Holy, Holy. Text is from the book of Common Payer, Rite II, with accompaniment written for organ. Commissioned by the John Schaefer for the Choir of Grace and Holy Trinity Cathedral, Kansas City, Missouri. | Satb | |
| 12509 | B6FFC11E-7F8F-44D7-AEA1-B24329B568C4 | X814017 | Take, O Take Those Lips Away | From Two Songs for Baritone and Piano | Bass or Tenor, Piano | |
| 12510 | B701ADA5-6319-4BD5-ADA9-A2744D3BB9A5 | BSMIS114 | Three Romances for Flute and Piano | Movements: 1. As a Wing Unfolds; 2. The Inward Eye; 3. Take Yourself Lightly. | Flute, Piano | |
| 12511 | B7060853-BACE-4BFC-950B-44508B0C8CD8 | MP504004 | Variations on Home on the Range | Variations on Home on the Range (1979) for String Quartet by Stephen Chatman. Duration ca. 12' | String Quartet | |
| 12512 | B706CC5C-F6AD-493E-B274-A8844448B7CC | R00854 | On the Shoulders of Giants | A five movement work written in memory of Franz Bibo, commissioned by the Erie Philharmonic Orchestra. | 4(2d Piccolos).2+English Horn.2+Bass Clarinet.3(1d ContraBassoon): 4.4.3.1: Timpani.Percussion(4).Piano.Harp: Strings | |
| 12513 | B709D071-4B4B-49B0-AC75-4C4AE697BC11 | O31JB | Goober's New Dune Boogey | (not set) | Jazz Band | |
| 12514 | b70ab5d6-9e3c-11f0-a418-0022482c9682 | X815009 | My Soul Will Wander Free for Soprano and Violin | This work for soprano and violin was written after the passing of Dorothea Barlowe, the composer's mother. In the midst of making final arrangements after Dorothea's passing and packing up before a move, a small black notebook was found in the back of a bookcase. In flipping through the pages, the poem by Dorothea, a well-known nature illustrator, was discovered. The poem is a prayer that, if her soul can only wander through the forests and nature that she loved, she would not mind so much leaving her life behind. The work is a beautiful work for those that wish to express their love for nature. | Soprano and Violin | |
| 12515 | B70CFA60-24C2-4B50-B436-9765F5EB6C71 | S233CB | Nina | (not set) | Concert Band | |
| 12516 | B711F814-01B7-4E82-85EB-1930B70FD328 | SU398 | Long, Long Ago Op. 12 | "Long, Long Ago: Fantasie" (Lang, lang, ist's her") is a wonderful selection for the advancing player looking for a contest or recital piece that offers four progressive variations with distinctly contrasting styles. Versions for the standard Bb clarinet, Eb clarinet, Eb alto/contra alto clarinet, and Bb Bass/ Contrabass clarinet are available from the publisher. | Clarinet and Piano | |
| 12517 | B71213A1-51FA-475A-9B92-BAA0D6776AA5 | M180291 | Rhapsody, Op. 13 | (not set) | Violoncello and Piano | |
| 12518 | B712A0D8-66F8-4569-AD26-04606BF77CF8 | SC465 | Say Love If Ever | U.I.L. Sight Reading Selection for 3A. | Sab | |
| 12519 | b7138810-9e3c-11f0-a418-0022482c9682 | X815010 | Three Poems of Ben Jonson for Voice and Viola | These three poems by Ben Jonson have been set for voice with viola accompaniment: 1. Slow, Slow, Fresh Fount; 2. Gypsy Songs; 3. Come, My Celia. The work was written by Steven Gerber for a November 20, 2013, concert to celebrate his 65th birthday. | Voice and Viola | |
| 12520 | B71A63EC-C86F-4B19-9358-47CBE6A3C95E | 52702427 | Keeping Christmas | This set of English carols is very readable and will add holiday joy to any occasion. Includes: Good King Wenceslas; Coventry Carol; God Rest Ye Merry, Gentlemen; What Child is This; Ding Dong Merrily on High; Love Came Down at Christmas/The First Noel and Deck the Halls. | Violin 1, Violin 2 or Viola and Cello |