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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
12541B75665DB-B960-4A1F-A6AB-B3F8799EDB99M14719110 Pieces(not set)Organ Solo
12542B75F18FE-B4B5-4436-A863-0F634F1C2720SS792Andante and Allegro for Clarinet and PianoLefebvre "Andante and Allegro" was composed for oboe and piano. Lucien Cailliet's masterful adaptation of this work for clarinet and piano has added one of the most popular pieces to the repertoire for clarinet. This 1998 revised edition is the first appearance of the work in which Cailliet's revised solo part is published with the piano accompaniment. A band accompaniment is also available from the publisher, as are solo versions for oboe and alto saxophone.Clarinet and Piano
12543B7644656-4AA9-46F8-8A7A-2522EC7AD128A775102Sinfonia No. 11: String Symphony in F(not set)timp, perc, string orchestra
12544B766D29B-378C-4325-9915-60909761F0EAST529Blue WoodThis piece for solo marimba gives advancing students the opportunity to improve on four mallet technique and quick alterations of duple to triplet figures.Marimba Unaccompanied
12545B76DD16A-9B12-4CD4-A089-0B7CC2F2023A50100207The Traffic CircleImagine the sight and sound of a busy traffic circle at rush hour, with the roadway clogged with tourists and regular commuters trying to wend their way home after a long day at work. The madness and mayhem are brilliantly brought to life in this David Bobrowitz invention.Concert Band
12546B76DFB25-95E7-4823-9647-F0E2B6D21A29D18Music for Band Vol 18Cd
12547B76E7995-C287-4340-B030-FAC876BBB18CJ91100Gloria In Excelsis Deo!This setting of the "Gloria in Excelsis Deo" for SSAA choir includes keyboard/synthesizer accompaniment. A version for SATB voicing is also available.Treble chorus
12548B770C8C7-5EF0-4A15-B093-E084CB1810CEX064008Quartet for Oboe and Strings (Violin, Viola, Cello)Composed for the New York Chamber SoloistsOboe, Violin, Viola, Cello
12549B77277BC-6719-4C16-93A6-82D43BAA95E7A601690Tango de la LunaSholom Secunda (1894-1974), a Ukrainian-Jewish composer whose family emigrated to the United States in 1907, began his musical career working in a comedy theater chorus. Following his formal education at the Institute for Music Arts in New York, he worked at the Odeon Theatre, the Metropolitan Opera House, and Liberty Theatre, and went on to write the melodies for the popular Yiddish songs "Bei Mir Bistu Shein" and "Donna Donna". TANGO DE LA LUNA (TANGO OF THE MOON) displays his remarkable adeptness in composing for a variety of musical styles. Instrumentation: 2(2nd d. Picc).2.2.2: (3Sax): 4.3.3.0: Timp: Perc(4): Str (9.8.7.6.5 in set); Pno Cond Sc in set.2(2nd d. Picc).2.2.2: (3Sax): 4.3.3.0: Timp: Perc(4): Str (9.8.7.6.5 in set); Pno Cond Sc in set
12550B7761E6F-EADB-459F-AFEE-C3D3DAD8D0EAST486COInstant Festival, Set C1(not set)Mixed Instruments
12551B776D583-001B-4877-B4AE-48F8EC80390B50100090Imperial EdwardThis is Sousa with a stiff upper lip! Written in honor of his friend, King Edward VII of England, the march quotes (none too subtly) God Save the King and is now available in this expertly edited edition by Sousa scholar Loras John Schissel.Concert Band
12552B777D8B4-88D7-45EF-8CC7-5D351D5A95F5S1008CBAmerican Guernica, 2nd EditionAMERICAN GUERNICA began as a technical challenge to Adolphus Hailstork to combine gospel-flavored material with contemporary compositional techniques. That led to the idea of an interrupted church service, which called to mind the bombing (in which 4 girls were killed and another child was blinded) in Birmingham, Alabama, September 15, 1963. What would that moment (and music reflecting that moment) contain? Sunday School music, explosion sounds, chaos, anguish, screaming. Eventually, there would be a funeral. This work is in two major contrasting sections. (Allegro and Solemn) with an extensive coda. Each section is interrupted by a piano solo. This new 2nd edition has been newly engraved with revisions made by editor Brent Levine in collaboration with Adolphus Hailstork. A 9x12 score comes with the set, and both 9x12 and an oversized score are available separately to order.3+2Picc.3.3+ECl+BCl(optAltoCl).2+CBsn: AATB Saxes: 4.3.3.Euph(2).3: Timp.Perc(6): Pno.Clst: DB
12553B7793D8F-5D9D-4A2D-84CD-273EF7B8D4F9F39Musidex Alphabetical Guides A-to-z, BlueForms
12554B77D153C-22AE-41B7-8B6E-546BB498BC4752711041Six Violin Duos(not set)Violin Duet
12555B7834EA9-73EE-44C5-B185-ADEBEEC7D5F3A307302Traviata, La, Act II, Aria: De' miei bollenti spiriti (tenor)(not set)1+1, 2, 2, 2 - 4, 2, 3, 1, timp, str
12556B789E778-6EC3-43F4-995F-B852D073F0D1R00557Soli IVFlute, Oboe, Double Bass (or Cello), Harpsichord
12557B78C9AD8-C32B-423F-875F-1312F9CF62FFR01457Pampas for 6-Player Tango EnsembleThe vast plains between the populated centers of Central Argentina and the Patagonia are called the pampa. In this tango, Schifrin conveys the feeling of infinity, of vast spaces and solitude by transforming the title into "Pampas" in plural. There is a feeling of nostalgia but also of hope iwhich reflects the echoes of Argentinean folk music.Violin, Clarinet in Bb, Piano, Bandoneon, Bass, Percussion
12558B7947254-B25D-4D83-8DD4-0AD680965D8FM361291Six Songs, Op. 7(not set)Voice and Piano
12559B79BF4F0-182E-45BC-91B2-FFDB73E0B7CDA888802La Bayadere: Act IIThe ballet La Bayadère (“The Temple Dancer” or “The Temple Maiden”) was created in 1877 for famed French choreographer Marius Petipa to music by Ludwig Minkus (1826-1917). In four act and seven tableaux, the ballet tells the story of the bayadère Nikiya and the warrior Solor, lovers who are beset by jealous rivals, arranged marriages beyond their control, murder, an opium-fueled hallucination of the afterlife, and a vengeful god that destroys the temple and everybody in it as revenge for Nikiya’s murder. It was first performed on February 4, 1877, by the Imperial Ballet in St. Petersburg, Russia. It was hailed as a success and masterpiece immediately after the premiere, particularly The Kingdom of the Shades scene in Act II, an excerpt which remains a major standalone work for the ballet repertoire. Modern performances of La Bayadère are almost always derived from a 1941 version sated for the Kirov/Mariinsky Ballet by Vladimir Ponomarev and Vakhtang Chabukiani, which incorporates additional music by Minkus, Drigo, and Pugni. Act II takes place after Nikiya is killed by a concealed venomous snake. A depressed Solor smokes opium, resulting in a vision of Nikiya’s spirit dwelling in the Kingdom of the Shades, a nirvana in the Himalayas. The two lovers reconcile among the shades of other bayadères in a Pas de deux, then Solor is awakened just in time for his arranged marriage to another woman. This orchestration of Act II has been completed by William McDermott. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2): Harp: Str (4-4-3-3-3 in set).2.2.2.2: 4.2.3.0: Timp.Perc(2): Harp: Str (4-4-3-3-3 in set)
12560B79E8A4C-F1B6-447D-8433-BB05A23C3867M387591Trois Aquarelles (Three Watercolors)Philippe Gaubert's Trois Aquarelles (Three Watercolors) might imply by title that these three are miniatures or character pieces, but to the contrary, they are fully developed, substantial movements. Gaubert completed them in 1921 and intended them to be played by a standard piano trio; violin, cello and piano. As an afterthought, he decided that they might also sound well with flute, cello and piano. And surprisingly, it is in this combination that the work became known. The first movement, Par un clair matin (On a clear morning) is cheerful and energetic. The second movement, Soleil, d'automne (Autumn sun) is more subdued and gentle with a touch of melancholy. The third, entitled Serenade, has a Basque flavor, which is the region where Gaubert had a summer home. This is a first class work which deserves to be heard in concert and will also be enjoyed by amateur players.Flute or Violin, Violoncello and Piano