Titles
Showing 12,461-12,480 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12461 | B63FE9ED-27E4-41C0-9EEC-E4F3278FF3C8 | M319091 | Eight Short Pieces for Piano, Op. 84 (Huit Pieces Breves) | (not set) | Solo Piano | |
| 12462 | B642C1B3-BF0F-4C6E-B7E2-AB7E3B1EE54C | ST135 | Contrapunctus No. 3 | This expressive piece is written for three marimbas, but the soprano and bass (I & III) may be played on the same marimba, thus requiring only two instruments. | 3 Marimbas Players | |
| 12463 | B64675FB-129B-400D-93EE-6AC02082709F | A877602 | Symphony No. 5 | Carlos Chávez (1899-1978) was born in Mexico City, and began to study piano in 1910. He was self-taught in composition, analyzing the classical works, then began to compose himself in 1918. He composed his first Mexican Ballet, THE NEW FIRE, in 1921, then found himself directly concerned with the vital energies of his own country after. His SYMPHONY No. 5 for string orchestra was written in 1953 and commissioned by the Serge Koussevitzky Music Foundation with a dedication to the Memory of Serge and Natalie Koussevitzky. A count of 8-8-5-5-5 strings are included in the set. | String Orchestra (8-8-5-5-5 in set) | |
| 12464 | B65694A3-BB14-475B-BFF1-9DD793297229 | ST830 | Kyle and Ricky Jive | Snare Drum Duet | ||
| 12465 | B65E31F7-E637-4F83-A838-27EBBC81F448 | M229291 | Libro de Tientos: Vol. 5 | Francisco Correa de Arauxo (1584–1654) was a key figure in helping transition Baroque techniques into Spanish composition. Regarded as the finest Spanish organist of his generation, his works were regrettably long neglected, despite constituting a peak of organ literature in Spain and an exceptional bridge between the Renaissance and the Baroque, although interest continues to grow. His compositions, 69 works all for organ and progressively more difficult to suggest a pedagogical purpose, were published in 1626 in a single volume under the title Libro de tientos y discursos de música practica, y theorica de organo, intitulado Facultad organica. This edition, transcribed and edited by Santiago Kastner, has been released in eight volumes. | Organ | |
| 12466 | B65E376D-A9D1-4E33-835A-864400481A7C | R01339 | This Firmament of Earth: An Adirondak Journey | |||
| 12467 | B6645F45-5056-4D99-B3C6-125A4CD35A4C | SC577 | I Will Always Love You | Both words and music are by Nancy Oliver. This piece is also available for SSA voicing. | Sa | |
| 12468 | B66AD7F5-2F3B-434B-AA50-6FCA73B7336B | SS645 | Wallflower Waltz | 2 Snare Drums | ||
| 12469 | B66E7B35-2DA7-45E0-A9F5-7810998E8392 | 50100136 | Drummers Rule | With clanks, bangs, clatters, and whistles as building blocks, Andrew Balent has crafted the ideal tool for your young percussionists. Beginning instrumentalists will find a fascinating world of tone colors to explore while engaging in the performance of worthwhile music. Let the fun begin! | Concert Band | |
| 12470 | B6710D62-7DF6-4BF4-9550-8EDE5FA6CB85 | BSMIS117 | Intermezzo | Intermezzo is a rather melancholy piece in one movement which capitalizes on the lyrical and expressive nature of the saxophone. In this piece, its mournful voice seems to be in odd contrast to the piano, which is often very active, but the two instruments together really act as a single, complex voice. Alan Durst premiered the piece on his DMA recital in 2003, and Doug Masek and Louise Thomas recorded it on Doug’s CD Eclectsax, released in 2008. Dedicated to Alan Durst. | Alto Saxophone, Piano | |
| 12471 | B671C3B4-354D-4E24-BE94-E6CEAF8C5A78 | LV312CB | Sounds of Christmas | This easy medley for beginning band includes the Christmas favorites: Deck the Halls and Hark the Herald Angels Sing. | Concert Band | |
| 12472 | B6742B4C-1B3C-4BBC-85A5-3874C745035A | B573 | Famous Flute Works: Anthology of Studies for Flute | This outstanding collection of thirty-eight etudes by generations of master flute teachers has been collected and carefully grouped by the area of technique each one emphasizes. Included are studies by Andersen, Koehler, Paganini, Karg-Elert, Furstenau, Bach, Garibaldi, Jeanjean, Berbiguier, Camus and Soussmann. Chapters: I. Tonguing Etudes II. Double Tonguing Etudes III. Triple Tonguing Etudes IV. Slurring Etudes in Groups of Three V. Slurring Etudes in Groups of Four VI. Slurring in Groups of Five or More VII. Etudes Involving Leaps, Lip Slurs and Octaves VIII. Slurring Etudes with a Musical Line IX. Slurring and Tonguing Etudes with Mixed Groupings X. Musical Etudes with Ornamentation | Flute | |
| 12473 | B6757580-27FD-43BD-AF60-F00C3750AC7E | X639501 | Variations for Piano and Two Percussion | (not set) | Piano, 2 Percussion | |
| 12474 | B6764D2A-32FD-4F89-9484-204B1A06AEF6 | S113004 | Trio Sonata No. 3 | Giuseppe Brescianello’s (1690 – 1758) Trio Sonatas for two flutes and continuo, here published for the first time, are dedicated to “Monseigneur le Prince Hereditaire de Württemberg.” The manuscript is located at the Stadtbibliothek in Rostock, Germany. This third Trio Sonata in C Major is in six movements; Aria, Fuga, Aria, Rondeaux, Minuet and a closing Gigue. The present edition is faithful to the original manuscript, where very few dynamics and articulations are marked. | Flute Trio | |
| 12475 | B67655B0-33E9-4BF2-964B-A2635798E878 | A173502 | Don Giovanni, K. 527: Overture [Andre ending] | Wolfgang Amadeus Mozart (1756-1791) wrote the two-act opera DON GIOVANNI, K. 527, in 1787 following a commission from Prague impresario Pasquale Bondini. With the success of THE MARRIAGE OF FIGARO, Mozart turned to the librettist for that opera, Lorenzo Da Ponte, for this new project. The opera tells the story of Don Giovanni, an arrogant and promiscuous nobleman who abuses everyone he meets, killing the father of a woman he assaulted, attempting to seduce the other women that he meets, and abandoning the women he has already seduced. At the end, the man he had killed returns as a ghost and demands Don Giovanni's repentance. Don Giovanni refuses, and is dragged to Hell, with the cast telling the audience that "Evildoers always come to an evil end." The opera premiered in Prague at the Estates Theatre on October 29th, 1787, with Mozart conducting, and was very successful. The opera remains not only one of the best by Mozart, but it is considered one of the best in the opera repertoire, with regular performances continuing throughout the world. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set). Reprint edition of the ending written by Mozart expert Johann Anton André (1775-1842). | 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set) | |
| 12476 | B676DC31-8F2D-45EB-92C8-D3807CF44911 | 50100025 | Funeral March of a Marionette for Developing Band | Andrew Balent has taken this popular Gounod theme, originally written for the unfinished Suite Burlesque, but best known today as the theme song of the Alfred Hitchcock Presents TV show, and created a delightful trip down memory lane. Your audience will be humming along. | Concert Band | |
| 12477 | B67DDAD0-5176-4486-A3CD-5A616C30FED2 | ST974 | On Eagles' Wings | Dedicated to Violet Richman and commissioned by the Wilmington Friends School, Marty Lassman, Music Director | Flute Quartet | |
| 12478 | B6829683-38EA-47AA-BB51-7C247A422E9F | 50100271 | All Aboard! | A treatment of an African American spiritual (The Gospel Train, also known as Get On Board), this is a treat for young players. It has a melody they may well know that lies comfortably on their instruments and has sophisticated sounding rhythms that are easy to perform. A wonderful educational work, it is also one that is sure to be enjoyed by your players. | Concert Band | |
| 12479 | B68A9EE0-FCE8-4F79-8B74-F44EDDCAED2B | J17 | Clarinet Solos (out-of-print) | Lp | ||
| 12480 | B68E4ACE-29F1-40C9-98FD-240DA978799E | SO180C | Three Norwegian Pieces | String Orchestra |