Titles
Showing 12,521-12,540 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12521 | B71D3D35-676C-42F4-8427-0A391948FF74 | R00547 | The Armies of the Night | 3.3.3.3: 4.4.3.1: Timpani.Percussion(2).Piano.Harp: Strings | ||
| 12522 | B720CCD2-C914-4963-A1C8-BC5B89CE929F | MP111004 | Graceful Ghost Rag - Concert Variation for Flute and Piano | A fantastic new adaptation of a popular piano solo piece by the Pulitzer-prize winning composer William Bolcom - a perfect recital piece! | Flute, piano | |
| 12523 | B720FC6B-5C7A-422A-9152-FF83D6AA7D78 | R00787 | Impresiones: Fantasy for Trumpet and Orchestra | Commissioned by Trumpeter Doc Severinsen. Movement titles: 1. El Poeta 2. La Campana 3. La Voz 4. El Rio 5. Chacona 6. La Ciudad de Fiesta. (1990) ca. 29'. | Trumpet Solo 2+Picc.2+EH.2+BCl.2+Cbsn: 4.3.3.1: Timp.Perc(5).Piano(d Celesta).Harp: Str | |
| 12524 | B721E011-D0D5-43BF-A74E-3D1CA16B162B | MP509001 | Like a White Daisy Looks | This new publication from veteran composer Robert Jager was written in honor of Elizabeth Green, the esteemed music educator who had a profound effect on so many successful band and orchestra conductors. Robert’s gentle, sensitive movement is contemporary writing at its very best and well suited to a string orchestra looking for top quality literature. Get the Robert Jager CD on Naxos, as conducted by John Thomas Dodson. Contains Kokopelli Dances, Suite from ‘Edvard Munch’, I Dream of Peace, and Like a White Daisy Looks. | String orchestra | |
| 12525 | B727C84D-26A3-4D7C-AEC7-775D5BAB21D1 | A115202 | Concerto Grosso in E minor, Op. 6, No. 3, HWV 321 | str, hpchd, soli vn(2), vc concertate | ||
| 12526 | b72b6292-9e3c-11f0-a418-0022482c9682 | X815203 | Aeternum: Requiem for Soprano, Violin, and Viola | Aeternum – The Chamber Requiem is a uniquely intimate and accessible mass ideally suited to small memorial services as well chamber music performances. Its poignance, drama, and uplifting nature bring all religions together with a universal expression of faith, hope and love. Written for solo soprano with violin and viola accompaniment, the work may also be performed by a small choir of sopranos and up to six players for each of the violin and viola parts, available from the publisher through rental (R01683). A version for SATB chorus and small orchestra is also available to rent (R01655). | Soprano, Violin, and Viola | |
| 12527 | B730BBC7-0CCD-41F8-BD6F-35D9658B7A0C | R01287 | Concerto in One Movement for Piano and Orchestra (single performance score) | Concerto in One Movement for Piano was written in 1991 for pianist Betty Oberacker and the Santa Barbara Symphony and in 1992 was a finalist for the Kennedy Center Friedheim Music Award. The 25-minute work is multi-sectional, somewhat resembling the four successive contrasting movements of a classical symphony. The composer spent many hours of youth listening to the great piano concertos of the 19th and the early 20th-Centuries including the work of Chopin, Grieg, Tchaikovsky, Rachmaninoff, Ravel and Gershwin. The vital and expressive qualities of these concertos were part of the inspiration for this piece. | Pno/ Pno red | |
| 12528 | B731BF84-20F3-4C61-BD23-AA409AD1605D | R00091 | Images of Childhood | (not set) | 3.3.3.3: 4.3.3.1: Timp.Perc(2): Str | |
| 12529 | B7349E83-C704-489D-8EEB-408E6CECC7B4 | C96 | BADINERIE | |||
| 12530 | B73633B8-3E6A-4BFA-BF3D-0DD227B7A80D | R01342 | Sinfonietta No. 2: Generations | Recorded by Chicago Sinfonietta on Cedille Records, this work for string orchestra draws on a wide range of influences, displaying the Perkinson's wit and uncommon ability to transform familiar melodies. Movements: I. Misterioso-Allegro, II. Alla sarabande, III. Alla Burletta, and IV. Allegro vivace | String Orchestra | |
| 12531 | B736C9A1-BDBA-41E5-830F-3F22E39ABC24 | S647CB | Symphonic Overture | A Romantic-Style work of large proportions and challenging instrumental parts, Symphonic Overture was commissioned for the 50th Anniversary of the USAF Band in 1991 and has been performed since then at the band's anniversary concert. | Concert Band | |
| 12532 | B7373403-85EA-41BD-8254-CA46FBABDB0F | SS44 | Hora Exotique | Oboe | ||
| 12533 | B7388450-87E8-4524-9032-9CA81492970F | ST317 | Two Uncomplicated Trios | (not set) | Trumpet Trio | |
| 12534 | B73A4338-4DEC-43C5-A47A-D3F552E38637 | M905702 | Hark! The Herald Angels Sing: A Christmas Carol for Concert Band and Optional Chorus | The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas. | SATB Chorus with Concert Band | |
| 12535 | B73FCF39-DD78-49CB-9CC3-F493337C4F5B | SU314CO | Voluntaries for Brass Choir Mvt. 1: Intrada on Lobe den Herren | This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at the National Cathedral in Washington, D.C., as well as in concert. Dedicated to the Mount Union College Brass Choir in memory of Mrs. John C. Kunz. | Brass Choir | |
| 12536 | b742e5dc-9e3c-11f0-a418-0022482c9682 | X815304 | Two Lyrics of Gerard Manley Hopkins for Soprano and String Trio | Steven Gerber has set two texts by Gerard Manley Hopkins for high voice and string trio. Lyrics: 1. The Habit of Perfection; 2. Heaven-Haven: A Nun Takes the Veil. | High Voice, String Trio | |
| 12537 | B75015B6-7291-4E36-ABC9-A731BCC8AC46 | S004101 | Carmen Fantasy, Op. 25 (Bizet) | Spanish violin virtuoso and composer Pablo de Sarasate (1844-1908) was a child prodigy raised in a musical family. Following an education at the Paris Conservatoire, which he entered at the age of twelve, he began life as a touring soloist while still a teenager. Taking popular operas and creating potpourris from their tunes was standard for a virtuoso such as Sarasate. Despite the failure of Georges Bizet’s (1838-1875) opera Carmen at its 1875 premiere, it began its conquest of the opera world soon after Bizet’s death. By the 1880s, the opera was extremely famous and successful, prompting Sarasate to add it to the list of other famous operas that he chose to craft into concert fantasies. He completed the orchestra version in 1881, premiering it in Madrid with the Sociedad de Concertos de Madrid, Mariano Vásquez conducting, on April 17 of that year. He produced a version with piano accompaniment a year later in 1882. Effectively in five movements (a prelude plus four movements) without pause, the work includes the following tunes from the opera: the Aragonaise (Entr’acte from Act Four), Habanera (Act One), an interlude (based on Carmen’s mocking treatment of Zuniga in Act One), the Séguidilla (aria from Act One), and the Bohemian/Gypsy Dance (Act Two). Upholding the dignity of the original opera from which it is derived, Carmen Fantasy (officially titled Concert Fantasy on themes from Bizet’s Carmen, Op. 25) remains one of Sarasate’s most popular operatic fantasies. Instrumentation: 2(2nd dPicc).2.2.2: 4.2 Crnt.3.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Violin in set. Study score. | 2(2nd dPicc).2.2.2: 4.2 Crnt.3.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Violin in set | |
| 12538 | B751F622-BBE4-4018-AFE1-8E7E17F93FAD | W106291 | Coronation Anthem No. 2: The King Shall Rejoice, HWV 259 | SATB Chorus, Piano | ||
| 12539 | B752F096-E4CF-427E-A874-1FC13B534E3A | SU673 | Children's March: Over the Hills and Far Away for 2 pianos | This publication of Grainger's 2 piano - 4 hands setting of his celebrated "Children's March" has been carefully revised and edited by Mark Rogers to reflect most closely the composer's original intentions. | 2 Pianos, 4 Hands | |
| 12540 | B755EAC4-CF16-4590-9D5E-E9951F567C3C | R00011 | Night Journey for Chamber Orchestra | (not set) | 2(1d Picc).2.2.2: 4.2.2.0: Timp.Perc(1).Hp: Str |