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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
12601B846F6EB-AAC0-4756-A264-9B611515080BSS879Concerto No. 13 (out-of-print)Flute
12602B84BAEB9-032C-4F6C-88FB-60CE299571A5SC679Make a Joyful Noise2003 Texas UIL Sightreading for 1B and 1C Varsity Tenor-Bass (TB) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-varsity Tenor-Bass (TB) Choirs.Tb
12603B84E8320-CDE1-4408-9BC7-B6ED6DDB7833ST594COTerzetto No. 1This arrangement by Himie Voxman of Terzetto No. 1 by Jospeh Pranzer is for three flutes, but can also be performed on any three like treble clef instruments.Flute Trio
12604B8522A00-DE00-4B77-9C23-D7521E3A6496S510003Violaerobics for Violin
12605B8584E40-C195-47E7-987B-C6AECCD69EEBSS899Sonata No. 2Written by Louis Mercy (c. 1690-1750), this Sonata has been edited by William Kaplan, who also realized the continuo. Movements: I. Adagio, II. Allemanda, III. Ala Scotseza, IV. Minuetto.Bassoon
12606B866B94B-600B-4291-9827-ED14BB8AC91DA229902Orfeo ed Euridice [Vienna and Paris versions combined]2, 2d2, 2, 1 - 2, 2, 3, 0, timp, perc, hp, str (2.2.1.1.1)
vocal soli (3 roles SST), chorus, banda (ob, hp, str)
12607B869FFB5-2A23-4559-BDEC-9B781BF7BCDF20454456Dance-A-JigThe tune is original, but based on the rhythm, meter and style of an Irish jig. However, it is more of a concert jig than one for dancing because of the ritards and a tempi, which also make it a more significant musical experience in the skill of ensemble playing. Keys are D and G major, and the meter is 6/8. There is plenty of activity for all five voices. It is scored for 2 altos, 2 tenors and baritone, but an optional 3rd alto part is included to replace the 1st tenor. The pitches not slurred should be lightly tongued, which is a challenge for the developing saxophone players.Saxophone Quintet (AATTB; 3rd Asax part included to sub for TSax1)
12608B86A38C7-C3E4-42D2-9C48-564562AA5378SU22AdagioSoprano Sax
12609B86A8EF2-CD9C-4470-AD55-285C09BEBBB3S642502Quartet for Oboe and Strings (Violin, Viola, Cello)(not set)Oboe, Violin, Viola, Cello
12610B874FB35-B6A5-4134-8C0B-85BF62499035LV314Merry Xmas (out-of-print)Concert Band
12611B876398E-41CE-4B6D-A823-685D3D2D2431A817790Miroirs No. 2: Oiseaux TristesA five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the French avant-garde artist group Les Apaches. Ravel later orchestrated both the third movement called "Une barque sur l'océan" ("A Boat on the Ocean" - dedicated to Paul Sordes) and the fourth movement named "Alborada del gracioso" ("The Jester's Aubade" - dedicated to Michel-Dimitri Calvocoressi) himself. Ernesto Halffter later orchestrated the fifth movement ("La vallée des cloches" - "The Valley of the Bells" - dedicated to Maurice Delage), as did Percy Grainger, while Felix Günther scored movement two ("Oiseaux tristes" - "Sad Birds" - dedicated to Ricardo Viñes). Orchestrations of movement one ("Noctuelles" - "Moths" - dedicated to Léon-Paul Fargue) are more recent. This orchestration of "Oiseaux Triste" (Sad Birds) has been arranged by Felix Guenther and edited by Joseph Mady. Guenther has offered various options in instrumentation to permit flexibility for smaller ensembles. Instrumentation: Small Orchestra: 1.0.1.0: 3Sax(AAT): 0.2.0.0: Perc(1): Str (7 Pts:5/5/4/4-7-6-5 in set); Grand Orchestra: 2.2.2.2: 3Sax(AAT): 2.2.0.0: Perc(1): Hp: Str (7 Pts:5/5/4/4-7-6-5 in set).Small Orchestra: 1.0.1.0: 3Sax(AAT): 0.2.0.0: Perc(1): Str (7 Pts:5/5/4/4-7-6-5 in set); Grand Orchestra: 2.2.2.2: 3Sax(AAT): 2.2.0.0: Perc(1): Hp: Str (7 Pts:5/5/4/4-7-6-5 in set)
12612B884AA96-38D0-45F0-A58A-2753CCD94F50R01417The Rainbow SignFirst in a planned set of American Songs for Orchestra, based on the Spritual "Hold On" or "The Gospel Plow." Can be performed together or separately as overtures.2+1.2.2.2: 4.3.3.1: Perc(2): Str
12613B884E52F-DB8C-46A3-B053-000B1CE7DA94A277102Carmen: Act II (No. 14): Toreador Song: Votre toast, je peux vous le renderWhile it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the "Habanera" and "Toreador Song" among the best known of all opera arias. The "Toreador Song" is the popular name for "Votre toast, je peux vous le rendre," sung by the bullfighter Escamillo in Act II, describing the act of bullfighting to a cheering crowd.1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Bar: Men's Chor
12614B88B06E5-CABE-4963-AF32-45CEE0B4006FM400491Anthology of Spanish Organ Music Bk 7This ANTHOLOGY OF SPANISH ORGANISTS OF THE SEVENTEENTH CENTURY comes in eight volumes, and is transcribed and edited by Higinio Angles.Organ
12615B895D1BB-E8BE-4C17-92EE-FB5BCA189F58M340491Six TangosThese newly-composed works for string trio are light-hearted addition to the chamber music idiom. This edition includes score and parts.Violin, Viola and Violoncello
12616B896FC90-C33F-4B82-A998-B85345BD1054C19Canzonetta: Mvt. 2
12617B89C8431-BEC1-4E41-AF62-E8CFAC7B13A1MR00500Burning Blue: Fanfare-Overture for Winds, Brass and PercussionIn April 2003, Major Larry H. Lang, commander and conductor of the USAF Heritage of America Band at Langley Air Force Base in Virginia, contacted the composer about the possibility of composing a work for his ensemble “dedicated to the men and women of the United States Air Force, especially during our current world situation.” The response was this spirited and patriotic sentiment. Since the mission of the Heritage of America Band is to promote our nation’s heritage and to support Air Force community relations through performances and recordings, this composition is intended to be an uplifting and spirited work that will reflect the courage and nobility of United States armed forces in the air.Concert Band
12618B89E3559-0150-44C2-9FFA-E98597F9862ESJ690503Freddypoo Pts
12619B8A0D737-6893-4DA6-BC15-77D71EC69754A269202Regina Coeli in C, K. 276/321bRegina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer’s time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Regina coeli (Queen of Heaven), it remains the best-known setting of the Latin Regina Caeli for Eastertide Mass. Written for four soloists, choir, and orchestra, it is a one movement work in which the soloists alternate with the full chorus. Instrumentation: 0.2.0.0: 0.2.0.0: Timp: Org, Str (4-4-0-3-3 in set): Solo SATB: Mx Chor.0.2.0.0: 0.2.0.0: Timp: Org, Str (4-4-0-3-3 in set): Solo SATB: Mx Chor
12620B8A161B5-1A5F-4C22-8F14-6AC5C34CEAE0M273791Two Pieces: Pierrette, Op. 41 and L'Ondine, Op. 101(not set)Solo Piano