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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
12441B5EEEE13-AB6E-4021-BA68-0C713756ED7CR00673Five American SongsSATB Chorus, Piano
12442B5F4458B-22AC-4A40-A451-F5917E44D343A218602Swan Lake, Op. 20 (complete)One of the most popular ballets, Pyotr Ilich Tchaikovsky (1840-1893) composed SWAN LAKE in 1875-76. Tchaikovsky borrowed from the Russian and German folk tales to tell the of story a princess, Odette who was turned into a swan by an evil sorcerer’s curse. SWAN LAKE premiered on March 4, 1877, at the Bolshoi Theatre in Moscow. The present edition by Carl Simpson is based upon the full score issued by P. Jurgenson sometime between 1881 and 1896 and the Nikolai Kashkin piano reduction. Instrumentation: 2+Picc.2.2.2: 4.2+2Crnt.3.1: Timp.Perc(5-6): Hp: Str(4.4.3.3.3 in set).2+Picc.2.2.2: 4.2+2Crnt.3.1: Timp.Perc(5-6): Hp: Str(4.4.3.3.3 in set)
12443B5F63512-6555-421C-B728-A8B5553B7C3BSC632To Thee, O Lord, Our Hearts We RaiseText is from Psalm 65 and was adapted into lyrics by William Dix (1837 - 1898).Tb
12444B5F78A6A-4969-403D-A951-21B667BF379ESC448I Will Lift My EyesThe text comes from Psalm 121. Includes optional piano accompaniment for rehearsal.TB
12445B5FBB83A-7BB5-449A-852C-312AAFE72C66ST813SuiteThis suite is dedicated to William Dietz. It consists of four movements consisting of diatonic and modal melodies.Bassoon and Piano
12446B5FBCE76-6FB3-4572-B7F3-CFDAD8FABCBCA695402Concert Etude Op. 49 for Solo Trumpet and StringsAlexander Goedicke (1877–1957) composed his CONCERT ETUDE, Op. 49, in 1929 for trumpet and piano, a brilliant showpiece that quickly became one of the most frequently performed solo works in the trumpet repertoire. A professor at the Moscow Conservatory and a prominent figure in Russian musical life, Goedicke wrote the piece to highlight both lyrical expressiveness and dazzling technical virtuosity, qualities that have made it a favorite in competitions and recitals ever since. In recent years, Donald Miller has created a transcription for trumpet and string orchestra, expanding the work’s sonic palette while preserving its virtuosic character and charm. Today, the Concert Etude—in both its original and transcribed forms—remains a cornerstone of the trumpet repertoire, admired for its brilliance, accessibility, and enduring appeal on the concert stage. Instrumenation: Solo Tpt in set: Str (8.8.5.5.5 in set).Solo Tpt in set: Str (8.8.5.5.5 in set)
12447B5FC65AE-51C6-4453-B306-47188D9EDC58TC531Woodwind QuintetWoodwind Quintet
12448B600DFD0-1DA4-4967-AF0A-D0A29B29AA1ELV422MBGrandpa's March(not set)Marching Band
12449B60662D0-D194-44BA-B43D-EAC4E2197D5C10100135PrologueWritten at the age of seventeen while he was still a student at Winter Park High School in Florida, PROLOGUE is dedicated to the composer's father, who provided him his early training and was a past president of the Florida Bandmaster's Association. The full score is a reproduction of the composer's original manuscript score.Symphonic Band
12450B608EFE2-E87C-4C04-B468-3C9C589CC04E50702005Appalachian TidbitsFeaturing favorite folk tunes such as Old Joe Clark, Johnny Has Gone for a Soldier, and L'il Liza Jane, this medley for string ensemble is flexible to fit your ensemble and fun!Violin 1, 2 (or Viola), 3 (or Viola) and Violoncello
12451B6193143-B7BF-46C7-BA82-BC27887AEAF9MP430002Chorale Prelude on Abide With Me
12452B61B1865-B0C4-4952-9F02-0B66303269A8SC758SeasonsTexas UIL Sightreading for 1B and 1C Varsity Treble (SSA) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Treble (SSA) Choirs. It was adapted from "Tempus Fugit" by Christina Rossetti (1830-1894). Versions for SA and SSA voicings are available from the publisher.Ssa
12453B61B33C8-6F75-4BD1-BFD9-BC2E66B6DC9C20100762Magic CarpetMark Fabio gives life to youthful imagination in this carefully crafted original work. The sonorities will take your audience to a place of magic and excitement, allowing them to soar on a carpet over castles, camels, and sand. Traditional percussion instruments, some chromaticism and syncopation work to create an exotic sound and the illusion of riding on a magic carpet.Concert Band
12454B61BB412-F4B0-4299-9EC6-597FFB3A0C61A241002Concerto for Piano No. 1 in D-flat, Op. 10Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May 18, 1912 under the baton of Konstantin Saradzhev. On July 25, his performance of the work for the Saint Petersburg Conservatory earned the Anton Rubinstein Prize and a newly-built grand piano. About thirteen minutes in length, it is performed in one continuous movement, displaying the ambitious energy of the young composer. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(1) Str (9.8.7.6.5 in set) [solo piano not included]. Reprint edition.2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(1) Str (9.8.7.6.5 in set) [solo piano not included]
12455B61CF5AE-DDDB-466E-8A22-DE93B4FB9BBDO49CDThe Ten Minute Jazz Improv Play-along CDCd
12456B6236F2F-B34E-4C00-8416-4029C5729485R118Ballet for Band(not set)Concert Band
12457B62665E2-0653-44AA-8F5C-1D8D33D56E73X665001Suite for Horn and String QuintetCommissioned by the International Horn Society for Douglas Hill.Horn, String Quintet
12458B627B664-9211-4C72-94FC-603495E4D1FC52730015Allegretto for Violoncello and PianoVery little is known about Claudine Smidt. However, this sweet and romantic short piece is quite the find. Encompassing the solo range of the cello, this is perfect for teaching shifting, finger substitution shifts, and beautiful tone production.Violoncello, Piano
12459B638F599-224C-4E0E-A46B-CA6633221D81A141302Symphony No. 6 in D, Op. 60/B. 112Dvo?ák’s Symphony No. 6 bears many similarities to the symphonies of Brahms and Beethoven, and incorporates several Czech folk tunes. It was first performed in Vienna in 1883 by the Gesellschaft der Musikfreunde, with Wilhelm Gericke conducting. The piece was well received throughout Europe, and enjoyed a special popularity in England.2(2nd d.Picc).2.2.2: 4.2.3.1: Timp: Str (9.8.7.6.5 in set)
12460B63AE8DC-BFC9-42EE-89BB-4D23E471D0A9A683302Carmen-Quadrille, Op. 134Carmen-Quadrille nach Motiven der gleichnamigen Oper von G. Bizet (Carmen quadrille based on motifs from the opera of the same name by G. Bizet), Op. 134, was written by Eduard "Edi" Strauss (1835-1916), one of three brothers in the Strauss musical dynasty that dominated Viennese light music for decades. The quadrille was a lively, stylized dance for four couples, arranged in a square. The dance developed from military parades in which four horsemen performed square-shaped formations or figures. The performances became quite popular, prompting people to perform quadrilles without horses. While Strauss was known as 'The Waltz King,' he wrote music for dances in all of the currently popular forms, including the quadrille. This version of the quadrille dance incorporates themes from the famous opera by Bizet in its six short sections: 1. Pantalon, 2. Été, 3. Poule, 4. Trénis, 5. Pastourelle, and 6. Finale. Instrumentation: 1+Picc.2.1+Eb.2: 4.2.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set): Pno Cond Sc only in set.1+Picc.2.1+Eb.2: 4.2.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set): Pno Cond Sc only in set