Titles
Showing 12,701-12,720 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12701 | B99D4FD7-0AEF-4C92-B352-47A34FA19505 | W118891 | Four Hindu Poems | (not set) | Vocal | |
| 12702 | B9AAA0A3-004A-4405-AF86-B50224511F14 | X140001 | After a Dammit to Hell | Bassoon Solo | ||
| 12703 | B9ACA24E-21F4-4E84-8153-69C8FE41C6E7 | 50608001 | Traveling Music | (not set) | Large Percussion Ensemble | |
| 12704 | B9BB9149-4F53-40AA-8ED3-A3A0D60CD7FB | X105007 | Theme and Variations for Woodwind Quintet | Composed 1971; duration ca. 7'. | Woodwind Quintet | |
| 12705 | B9BD816F-E016-45CA-B6A4-35D8AA0A9211 | A589402 | Gotterdammerung, WWV 86D: Act III: Trauermusik beim Tode Siegfrieds (Siegfried's Death and Funeral Music; concert arrangement) | The fourth and final opera of Richard Wagner's (1813-1883) DER RING DES NIBELUNGEN (THE RING OF THE NIBELUNG, or THE RING CYCLE for short), the three-act drama GÖTTERDÄMMERUNG (TWILIGHT OF THE GODS) premiered at the Bayreuth Festival on August 17th, 1876 with Hans Richter conducting the first performance of the entire cycle. "Siegfried’s Death and Funeral Music" (Trauermusic beim Tode Siegfrieds) depicts the tragic end to the heroic life of Siegfried. Stabbed in the back after betraying the Valkyrie Brunnhilde under the influence of a potion, he recalls his love for her with his last breath. A solemn march (Trauermarsch), weaving the Siegfried motif into its strains, follows his funeral journey back to the Gibichung hall. The concert arrangement by Ludwig Stassny is here presented in this Kalmus edition. Instrumentation: 2 (2nd d.Picc).2.2.2: 4.2.3.1: Timp: Perc(3): Hp: Str (9.8.7.6.5 in set). | 2 (2nd d.Picc).2.2.2: 4.2.3.1: Timp: Perc(3): Hp: Str (9.8.7.6.5 in set) | |
| 12706 | B9C4FCC0-0D10-499F-98AA-8CEFA8315C6D | MP430006 | Four Preludes on Jewish Melodies | |||
| 12707 | B9C5C732-D084-4878-91F8-95F49A2C2179 | MP814045 | Old Addresses | |||
| 12708 | B9C99944-DFDF-4210-A442-F8718B4DAABE | S912FS | The Last Days of Pompeii | Concert Band | ||
| 12709 | B9CCEBC6-C170-459D-B6AD-EE5571A28C39 | SS683 | Cymbalistic (out-of-print) | Percussion Ensemble | ||
| 12710 | B9CF6CFB-2AE7-48DE-A26A-E25BE27AA506 | A136702 | Joyeuse Marche, D. 62 | After España, the short work Joyeuse Marche is French composer Emmanuel Chabrier's (1841-1894) second most popular composition. The joyous and at times comical piece was originally written for piano, which Chabrier orchestrated in 1888, and that version premiered that same year on November 4 in Angers with the composer conducting. The title went through several iterations, first being called Marche française, then Marche Joyeuse, before Chabrier settled on Joyeuse Marche. The latter two titles are used fairly interchangeably excepting in France, which uses the final version as the standard title. Instrumentation: 2+Picc.2.2.4: 4.2+Crnt.3.1: Timp.Perc(4): Hp: Str (9-8-7-6-5 in set). | 2+Picc.2.2.4: 4.2+Crnt.3.1: Timp.Perc(4): Hp: Str (9-8-7-6-5 in set) | |
| 12711 | B9D16B63-89EF-484D-BD50-922DC3F1134D | R01365 | Gimpel the Fool: An Opera in Two Acts | An opera in two acts by David Schiff based on the story "GIMPEL THE FOOL" by Isaac Bashevis Singer. | Main Cast of 11: Flute (d Picc), Clarinet in Bb (d Eb, BCl), Soprano Saxophone (d Asax,Tsax), Trumpet in Bb, Tuba, Percussion, Accordion, Harpsichord, Mandolin, 2 Violins, Viola, Cello, Bass | |
| 12712 | B9D18F82-F708-4F6E-98A9-0211B9906B53 | ST822 | Andante Con Moto | This arrangement for trombone quartet by Ernest Miller is from Schubert's String Quartet No. 4. | Trombone Quartet | |
| 12713 | B9D19270-DE38-426D-A3B4-5E50EDB6801E | LV445MB | Yellow Jacket | (not set) | Marching Band | |
| 12714 | B9D2E98D-D444-42A7-862C-CA026123437A | ST382 | Three Bulgarian Dances | (not set) | Clarinet | |
| 12715 | B9D7DB49-F970-458E-BB8A-59F7D4340CE6 | SS743 | Sonata for Alto Saxophone | A very versatile piece for alto saxophone, this work is recognizably American in quality, and is filled with energy, lovely melodies, and some jazz harmonies. | Alto Sax, Piano | |
| 12716 | B9DD05AD-8A87-4951-9E63-BD546B49FDF4 | M367191 | Duets, Op. 2 | 2 Horns | ||
| 12717 | B9DDE50B-FC35-42CA-B394-D2BC81020B31 | SU811 | Romance for Flute and Piano | Romance for flute and piano is based on an original vocal work of the same title by the composer. This version was created for and dedicated to the world-reknown flutist Rita D’Arcangelo. Southern Music is proud to present this publication as part of the "New Flute Works" series, designed to introduce players of all abilities to noteworthy contemporary works and composers for flute. | Flute, Piano | |
| 12718 | B9DDEA82-399C-4D7D-9293-A5AB564B4A3E | MR00479 | Ann Arbor Saturday | Commissioned by and Dedicated to the Ann Arbor Symphony's 90th anniversary of Music in the Key of A2. It evokes the sights and sounds of the city of Ann Arbor as the nation's favorite sport, football, prepares to kick off. | 2(2dblPicc).2(2dblEH).2(+BCl).2: 4.3(1dblPiccTpt).2(+BsTbn).1: Timp.Perc(3): Pno: Str | |
| 12719 | B9E7D22F-6D39-4700-BCB8-1874891563F0 | 10100327 | Lauds | Commissioned by the United States Air Force Band, Lauds (Praise High Day, one of the seven canonical hours) is an exuberant, colorful work that expresses feelings of praise and glorification. An ensemble celebration throughout, it is a joyful addition to any concert program. | Symphonic Band | |
| 12720 | B9ED01EB-8431-4C0D-86E5-756C8C850960 | A116601 | Choral Fantasy, Op. 80 | (not set) | 2, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo piano, mx chor |