Titles
Showing 12,821-12,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12821 | BB695AC3-C6B6-43B9-A028-52060B2463F9 | SC326 | O Sacrum Convivium | (not set) | SATB | |
| 12822 | BB6CA02F-F05D-43AD-BDC9-FA79448E5169 | ST843 | Allegro | Oboe Duet | ||
| 12823 | BB706890-EC2D-496F-8B8A-D893D467821C | X099002 | Audistis Quia Dictum Est: Motet for 4 Mixed Choirs (16 Voices) | Audidistis quia dictum est was commissioned by The New York Virtuoso Singers, Harold Rosenbaum, music director, in celebration of their 25th anniversary season (2012-13). It is an a capella setting of one of the most challenging and controversial passages in the New Testament, wherein Jesus says that we ought to respond to violence with non-violence. Includes piano part for rehearsal. (2011) ca. 4' | 4 SATB a capella choirs with rehearsal piano part. | |
| 12824 | BB706B58-646E-455F-A4A3-1CE31AAB996F | A544590 | Vocalise, Op. 34, No. 14 (C# minor) | VOCALISE is the last of Sergei Rachmaninoff's (1873-1943) Fourteen Songs (or Fourteen Romances), Op. 34. Written without words, it was intended to be sung using only a single vowel of the performer's choice. With no words to carry forward a musical idea, Rachmaninoff had to use all of the subtlety, skill, and tools at his command. The long, lyrical melody that is at the heart of this work has given VOCALISE a long-lasting popularity. With the solo customarily performed by a soprano, this flexible Kalmus edition has been arranged by Daniel Braden for solo voice or instrument and string orchestra. Instrumentation: Solo Voice or Instrument: String Orchestra (8.8.5.5.5 in set) | Solo Voice or Instrument: String Orchestra (8.8.5.5.5 in set) | |
| 12825 | BB732E4A-A22A-4028-B30E-461DF3F818D7 | SU796 | Il Pastor Fido (attrib. Antonio Vivaldi) | Flute, Piano | ||
| 12826 | BB7596FA-4DB1-4566-B829-361F16386EDC | BSMSO103 | Rondo Fugato | A work for advanced high school strings using a combination of traditional forms. Grade 5-6. | String Orchestra (8.8.5.5.5) | |
| 12827 | BB760004-0890-4484-A18D-63101FCA60B1 | A700201 | El Sol | [2+2, 2+1, 2+1+Eb, 3 - 4, 3, 3, 1, timp, perc, xyl, str, mx chor] FULL SCORE ONLY | ||
| 12828 | BB7B169F-BACE-4754-9594-0C773AFE8928 | R01540 | Symphonic Impressions of Oman | Dedicated to His Majesty Sultan Qaboos bin Said Al Said, Sultan of Oman, this massive work for large symphony orchestra is comprised of seven movements: I. Prelude and Variations, II. Divertimento, III. Fantasy, IV. Scherzo, V. Interlude, VI. Rondo, VII. Elegy, VIII. Finale. | 3(3dPicc).3(3dEH).3(3dBCl).3(3dCbsn): 4.3.3.1: Timp.Perc(4).2 Hp.Clst.Pno: Str | |
| 12829 | BB7D4152-55E2-4FEC-85F6-9EEFFDDAD374 | SS563 | Allegro Spiritoso | The "Allegro Spiritoso" is the 3rd movement of a Sonata in D Minor. This well known piece is arranged for baritone, euphonium, or trombone. Both bass clef and treble clef parts are provided. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass clarinet, alto saxophone, tenor saxophone, baritone saxophone, bassoon, euphonium/trombone, and tuba. | Euphonium and Piano | |
| 12830 | BB802A03-AF1B-454F-B4F5-227A4E91A213 | ST613 | Ancient Voices, Distant Storms | (not set) | 4M, 1P | |
| 12831 | BB8314C5-7909-4474-BF4A-F03072667690 | W114291 | Suite Dans le Style Ancien | (not set) | Piano Solo | |
| 12832 | BB878367-8E14-4CFA-8AD6-3558EFF30AB8 | MP984002 | Evocations for Double Chorus and Orchestra: Promise of Spring (excerpt) | The second movement of Norman Dello Joio's larger choral work, Evocations, "Promise of Spring" can be performed with orchestral or piano accompaniment. In addition to the main chorus (SSAATTBB), an optional Young People's Chorus, conceived for high school voices, is also available, though the parts are included in the adult mixed choral score should circumstances not permit the Young People's Chorus. The Young People's Choral score is available separately from the publisher. The orchestral accompaniments parts are available for rental from the publisher. | SSAATTBB Chorus.Young People's Chorus(opt): Pno or 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc: Str | |
| 12833 | BB87EB22-72D9-4ED3-9A82-C5E3B9B06CEA | A417902 | Symphony No. 16 in B-flat (Hob. I:16) | Likely written by Joseph Haydn (1732-1809) in 1763, Symphony No. 16 in B-flat (Hob. I:16) was among the first symphonies written when Haydn was employed by the Esterházy family. In three movements, the work includes the following instrumentation: 0.2.0.[1]: 0.0.0.0: Str (4-4-3-3-3 in set; with solo VC) (Cl is included as sub. For Ob.2) (Hns parts do not exist in this edition). The musicians employed by the Esterházy family at the time suggest that the inclusion of horns was possible, and some recordings/performances include horns (doubling other instruments), but no horns are listed on this original score, nor are there any horn parts. | 0.2.0.[1]: 0.0.0.0: Str (4-4-3-3-3 in set; with solo VC) (Cl is included as sub. For Ob.2) (Hns parts do not exist in this edition.) | |
| 12834 | BB88DE14-D271-49A1-A451-A8EBF0636F8A | ST170 | FANTASTIC DANCE NO. 1 | Recorded by Rice University Shepherd School Percussion Ensemble, 1982. Philip Kraus, director. Ca. 3' | Mallet & Percussion Ensemble | |
| 12835 | BB8C5363-3D47-4535-8EB5-C7AD9CFC148C | X531010 | Peaceful Journey | Cello, Piano | ||
| 12836 | BB8C6EB7-7A90-426F-9F5B-E55C98BFB84E | ST75 | Tipsy Tympanist | (not set) | Timpani Unaccompanied (doubling Roto-toms) | |
| 12837 | BB8D9728-52E4-41C5-93E9-85F847EACBF4 | SC424 | Since First I Saw Your Face | (not set) | SATB | |
| 12838 | BB8EE4D9-57A0-47E8-B12A-510418042E25 | SU259 | O Come, O Come Emmanuel | This arrangement for large flute choir is derived from the original Latin plainsong. Solos in the 1st and 2nd flute parts may be played from the audience, off-stage, or from within the ensemble. | Flute Choir | |
| 12839 | BB93D65F-4BBB-4570-8651-4AAF8A35A59E | 10200050 | Overture in A minor from First Suite | This overture is from First Suite in A minor and was composed in 1725. It is one of the most dramatic of all of his works. This edition has been scored by Clifford P. Barnes. Instrumentation: 2.2.2.2: 4.2.3.1: [2 opt. Saxes (AT)]: Timp.Perc(2): Str (9-8-7-6-5 in set). | 2.2.2.2: 4.2.3.1: [2 opt. Saxes (AT)]: Timp.Perc(2): Str (9-8-7-6-5 in set) | |
| 12840 | BB9B3994-2143-4280-88CA-784344BEA581 | M220191 | Six Album Leaves, Op. 2 | (not set) | Piano Solo |