Titles
Showing 12,901-12,920 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 12901 | BC8D4CEA-65C5-4761-B6A3-88462B0BCCC1 | 52703614 | Ensembles for One World: Traditional Folk Songs Vol. 1 - Latin America (string quartet) | This collection of folk songs from Latin America (Mexico, Costa Rica and Guatemala) are meant to expand young player’s knowledge of music from other cultures or give them pride in the music of their own heritage. The music is mostly in 1st position with only Violin 1 and Violoncello wandering briefly into positions. Players will use pizzicato and a variety of bowing styles. Program Notes: Cielito Lindo (Lovely Sweet One) was popularized in 1882 by Mexican author Quirino Mendoza y Cortés. It is one of the most widely recognized tunes throughout the Spanish-speaking world as a symbol of Mexico. Naci en la Cumbre (I was Born on the Mountain) is a traditional Guatemalan folk song. Vuela, suspiro (Fly, My Sighs) is a traditional Costa Rican folk song. Ay! Tituy is a traditional folk song from Costa Rica. La Cucaracha (The Cockroach) is a traditional Spanish song, also trendy in Latin America. It is about a cockroach who can’t walk. The song came to symbolize the Mexican Revolution (1910-20) and Pancho Villa. | String Quartet | |
| 12902 | BC924A5F-CD98-4EE3-BCD4-465FFFD008B8 | SS40 | Trio No. 1 | (not set) | Flute Trio | |
| 12903 | BC9557D6-646C-4E57-A218-D923B797AC87 | X105011 | One for Five in Seven, Mostly | (not set) | Woodwind Quintet | |
| 12904 | BC980CFE-C33E-45D0-B843-AD65F451B4F3 | 20442187 | Triple Treat | This exciting trio was originally composed for trumpet trio, and is also published for flute trio and saxophone trio and also as a clarinet trio. It has been frequently performed in Ohio Ensemble Contests. Starting with a brief legato introduction, the character changes quickly to a light, bouncy melody that provides a rewarding challenge to developing performers. The key is C for the clarinets, and the fast slurred passages fit right under the fingers making the end result sound much more difficult than it is. | Clarinet Trio | |
| 12905 | BC98AF6D-EC58-4BFD-B4F3-7524495DBAB2 | ST326 | Largo and Allegretto | Tenor Sax | ||
| 12906 | BCA0DBB8-668F-4563-AE2A-FF2B1006DD58 | X551001 | Planxty Bowerbird | Harp, Tape | ||
| 12907 | BCA58323-3D16-42F9-BC43-5066E92CDF85 | SS142 | Concerto, Op. 7 for Oboe | Comtesse de Grandval (1828 - 1907) was a French composer of the Romantic era. She was a person and composer of stature during her life, having studied such composers as Frederic Chopin and Camille Saint-Saens, although she is less remembered subsequently. Many of her works were published under pseudomym. Her Concerto for Oboe, Op. 7, was dedicated to Georges Gillet, first oboe soloist of the Paris Conservatory Concert Society as well as the Italian Opera. | Oboe, Piano | |
| 12908 | BCAA5BEE-67F1-44A1-85AC-2947B1951F94 | X410040 | Piano Sonata No. 3 | Solo Piano | ||
| 12909 | BCAC34C8-C16C-4119-9CF2-A1ABFEDEDB98 | 20420220 | A Romance | (not set) | Oboe Solo | |
| 12910 | BCB3346D-85DD-429D-B275-0F9DA69A5E0D | X534006 | Folk Songs: Set No. 12B | Short song set for four celli; 4 performance scores. Songs: I. In Style of An Armenian Folk Song, II. Love Song | 4 Cellos | |
| 12911 | BCB67C8F-63CD-46AE-A7F8-4D728A25D403 | SU147 | Rondo Capriccioso | This transcription by Ralph Guenther is written for a trio of three standard flutes. | Flute Trio | |
| 12912 | BCB7A60A-BED5-43C5-B2AD-812833AAF562 | SC827 | All Through the Night | (not set) | TBB | |
| 12913 | BCB82BE2-0E97-4497-AA23-1F5FE967F668 | SU441 | Australian Fanfare | 9 Trumpets | ||
| 12914 | BCBFC1E4-025A-48F8-972B-657605CB6D14 | EBM0630025 | Alcina: This is the Heaven All-Delighting | Choral part available seperately for sale from the publisher. | SATB, 2Ob Cont Str | |
| 12915 | BCC46127-F1F4-4312-A923-8750D1412CCF | S758 | Estampie | The title is derived from the old French word "estampir", which means to re-sound. The "estampie" of the 13th and 14th centuries repeated every section. Here, the repetition (re-sounding) is of notes. Commissioned by and dedicated to the Deer Path Junior High School Band, Heather Pettit, director, of Lake Forest Illinois. | Concert Band | |
| 12916 | BCC72EC5-4BFD-4A32-8996-3A968C836FA6 | R01350 | Infernal | (not set) | 2+Picc.2+EH.3.2: 4.3.2.1: Timp.Mallets(1).Drset.Pno: Str | |
| 12917 | BCC8C906-CCEA-4454-A77E-49B8D1E94F96 | SS774 | Quartet No. 5 (out-of-print) | Mixed Clarinet Quartet | ||
| 12918 | BCD0B757-E71E-403D-ADC7-E2780A0C77C9 | ST282 | Dances for Davia | The first set of dances written for the composer's cousin, Davia, who as a child wanted to be a dancer. This set is a compilation of airs and tunes imagined to form a small ballet for young dancers. | Flute and Piano | |
| 12919 | BCD13676-DEC0-4FE2-AAB4-92974CF4CBA9 | SC685 | Gloria | This piece is from "Four Latin Songs". Titles in the series include: I. Kyrie (TBB), II. Gloria (TBB), III. Sanctus (TBB), and IV. Dona Nobis Pacem (TTB). | Tbb | |
| 12920 | BCDA01A5-52E2-4CE4-BF4D-6BB1AFDE5889 | 50200056 | Rob Roy: The Scottish Robin Hood | Hector Berlioz wrote Rob Roy, or more properly, Intrata di Rob-Roy MacGregor, based on historical fiction by Walter Scott. Berlioz conceived and wrote this overture during his time in Italy after winning the Prix de Rome. The first performance in 1833 yielded a lukewarm reception, about which Berlioz later wrote, "Rob Roy overture, a long and diffuse piece, which was performed in Paris a year later [two years, in fact], very badly received by the public, and which I burnt that same day after leaving the concert." Fortunately, a copy survived and was submitted by Berlioz to the Paris Conservatory as a requirement of the Prix de Rome. This arrangement of Rob Roy distills the greatest of the melodies and gives shape to the form. Later in his career, Berlioz recycled some of the more captivating melodies in his symphonic composition Harold in Italy. | Full Orchestra |