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12961BD5C34AA-4A95-46CE-98D9-1C48CEB81825A864690Agua De BeberAccessible for a variety of reasons, the novelty of a bossa nova on your concert will set the evening apart. A jazz rhythm section (guitar, bass, piano, drum set, and shaker) lend the arrangement authenticity. Instrumentation: 2.1+EH.1+BCl.2: 2.2.0.0: DrSet.Perc: Pno.AcstGtr(opt).JazzBs: Str (9-8-7-6-5 in set).2.1+EH.1+BCl.2: 2.2.0.0: DrSet.Perc: Pno.AcstGtr(opt).JazzBs: Str
12962BD60093E-93B4-4CD8-A9A8-B95EE2C9196BSO36CContrasts
12963BD637F65-DAE5-45B8-9B68-6F4D2014331F50751005Hymns Of GraceBeautifully adapted for 2 guitars, these eight hymns are the perfect choice for church or wedding services. This collection includes easy chords as well as melodic playing and shifting. Contents: Amazing Grace; Be Thou My Vision; Come Christians, Join to Sing; Jesus Loves Me; Come Thou Long Expected Jesus; Kingsfold; Love Divine, All Loves Excelling; O Waly, Waly.Guitar Duet
12964BD63DF12-A568-46D9-9D99-BB09AE94985F10523432Six Horn QuartetsVerne Reynolds has arranged these six quartets by Franz Joseph Haydn for French horn quartet, classified at a Grade 3 difficulty.F Horn Quartet
12965BD6A310C-F0CE-46D7-801E-5CFC080540A8ST248Little Joke, ABassoon
12966BD6B4EA6-07F9-4849-9D4A-D38B4E6AA61254703001Into the NewUsed in the LG Signature commercial and nominated for best original music in a commercial (Clio), this quartet is sure to please players and audiences with its industrious perpetual motion beginning and soaring violin 1 descant.String Quartet
12967BD6D7F4C-9C1D-45A0-898E-4F5EF45D33C3A134902Hungarian Dances Nos. 1, 3 and 10 (WoO 1) [composer's orchestration]Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms’ most popular works today, and they were the most profitable for him in his own lifetime also. In 1850, Brahms was introduced to “gypsy-style” music through Hungarian violinist Ede Reményi, including the csárdás “Bártfai emlék” (Memories of Bártfa) by Hungarian composer Béla Kéler, which became the basis for Hungarian Dance No. 5. Arranged for many different instruments and ensembles over the years, this orchestration of Nos. 1, 3, and 10 is the composer's original. Instrumentation: 2+Piccc.2.2.2: 4.2.0.0: Timp.Perc(1-2): Str (9-8-7-6-5 in set). Reprint edition.2+Piccc.2.2.2: 4.2.0.0: Timp.Perc(1-2): Str (9-8-7-6-5 in set)
12968BD6E2E28-87A3-4D01-9D37-EFE0F75BDA1FR174Fantasy and Dance for Alto Saxophone and Band(not set)Alto Saxophone Solo: Concert Band
12969BD6E7684-E0D2-475C-9411-46F68702F97AST600Suite of CanzonetsThis suite in three movements has been arranged for bassoon or trombone trio. Movements: 1. The Infant Cupid's Smile 2. Alas, She Holds my Heart 3. Lady, Your Fair Face Opens ParadiseBassoon Trio
12970BD6ECCEA-A3F3-4129-865D-A48FC6DA0B0252250951Rag-A-Muffin MamboThis is a delightful change of pace! The piano and authentic Latin percussion really make this one work. The string parts have easy to play rhythms that intertwine with each other in a very lighthearted way. Nothing is too serious here and everyone is having fun! Instrumentation: String Orchestra, Latin Percussion and Piano.String Orchestra, Latin Percussion and Piano
12971BD6F8CFD-E905-475C-A49F-28D26A9AC1BCM369691In Dulci Jubilo"In Dulci Jublio", translated in English "In sweet jubilation", is Chris Hazell's arrangement of a popular traditional Christmas carol which dates back to the Middle Ages. Instead of SATB, this version is written for brass ensemble and organ.Brass Ensemble and Organ
12972BD71B569-81E4-4A5A-8948-D4D1E36359E1TC180Cantava La Piu Vaga Pastorella(not set)Five-Part Chorus of Mixed Voices a Cappella
12973BD746CC8-489F-44EA-BC95-DC31131A2F08EBM0620007From Every Horizon for Band: A Tone Poem to New YorkSubtitled "A Tone Poem to New York," both band and orchestra versions are available from the publisher.Band: 3152 2ASax TSax BSax 4330 Timp 4Pc 2Cor BsBaritone Bs
12974BD7AFBD1-36D2-4D1E-BF41-57BB7757A279A546202Suite Algerienne, Op. 60: Marche Militaire FrancaiseThe Suite Algérienne, Op. 60, sparked by a trip that Camille Saint-Saëns (1835-1921) took to Algeria in 1873, debuted in Paris in December 1880 with Edouard Colonne conducting. For the rest of his life, the composer nurtured a deep appreciation for the country which inspired the work. The fourth movement, Marche militaire française, has become popular with audiences. Its patriotic energy, contrasted with the exoticism of the last three movements, serves as a time capsule of occupied Algeria and the feelings of security that the composer felt on meeting French troops and other sights that reminded him of his homeland. Instrumentation: 2+Picc.2.2.2: 4.2+2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.2+Picc.2.2.2: 4.2+2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set)
12975BD7D4289-97AD-4A13-A1B2-1C0BE5F73E5FA348202Lucia di Lammermoor, Act I: Regnava nel silenzio (soprano)LUCIA DI LAMMERMOOR is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott’s 1819 historical novel, THE BRIDE OF LAMMERMOOR. Donizetti wrote the opera in 1835, shortly after Gioachino Rossini had retired and Vincenzo Bellini had died, leaving him the only Italian opera composer of genius still working. That, coupled with the interest in the culture and history of Scotland that is the focus of the story, led to the steady success that the work received. It premiered on September 26th, 1835 at the Teatro di San Carlo in Naples. In the Act I, Scene 2 aria REGNAVA NEL SILENZIO, Lucia tells her handmaid Alisa that she saw the ghost of a girl who was killed by a jealous ancestor of the man she adores. Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Hp: Str (4.4.3.3.3 in set): Solo S.2.2.2.2: 4.2.3.1: Timp: Hp: Str (4.4.3.3.3 in set): Solo S
12976BD89F908-29B2-4786-AB6B-717306382F10SU155Gypsy SongViola
12977BD8A504A-4B9A-49FF-9155-D082B649277DSC376Angel SongSatb
12978BD914BD0-5199-461B-B2D2-81432A782163EBM0610005Commedia, for Almost 18th Century OrchestraCommedia, subtitled "for (almost) 18th-century orchestra," boldly trots out some of the orchestral cliches of the late 8th and early 19th centuries. It was influenced, as its title suggests, but the commedia del 'arte (albeit distrantly) - the stock characters tossed against eachother in a variety of situations, often comic, but, as evidenced in the paintings of a Longhi or a Magnasco, not without a dark side. Much of the piece consists of a tarantella or saltarello in fast 6/8 time. Commissioned by the Saint Paul Chamber Orchestra and premiered by the orchestra under Sydney Hodkinson in March, 1972.2.2.1.2: 2(or4).0.0.0: Timp(ad.lib): Pno: Str.Soli (1.1.0.1),Tutti
12979BD94DAF9-2AFE-4EAA-9E56-898DB869DD48A232102Les Contes d'Hoffmann (The Tales of Hoffmann)2, 2, 2, 2 - 4, 2, 3, 0, timp, perc, hp, pf, str (2.2.1.1.1)
vocal soli (15 roles, SSSSSATTTTBBBBB), chorus, banda
12980BD9AF343-37BB-4AE9-ACFD-2A7FAEDD48CDA219602Concerto for Violin in D, Op. 35Peter Ilyitch Tchaikovsky (1840-1893) originally dedicated his CONCERTO FOR VIOLIN in D, Op. 35, to Leopold Auer. The Hungarian violinist concluded that it was too difficult. The concerto finally premiered on December 4, 1881, Adolph Brodsky performing the solo part with the Vienna Philharmonic under the direction of Hans Richter. Influential 18th century music critic Eduard Hanslick’s complaint about the length of the concerto gradually succumbed to its growing reputation as a challenging yet irresistibly melodic touchstone for aspiring violinists all over the world. Instrumentation: 2.2.2.2: 4.2.1(opt.).0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set. Reprint edition.2.2.2.2: 4.2.1(opt.).0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set