Titles
Showing 13,001-13,020 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13001 | BDED5F6A-EAEE-4C95-978D-0DDE75258DEC | 10250014 | A Little Bit Of Space Time | A contemporary American work for medium-easy strings. Recorded by Michigan State University Orchestra on the CD, Teaching Music Through Performance in Orchestra Volume 1 Pepper #5973728. | String Orchestra | |
| 13002 | BDF0738E-BC27-4348-A143-D6E6F0B0FB75 | 50260021 | Concertino for Cello and Strings | An intermediate solo in classical style, this concertino is the perfect vehicle to feature an up-and-coming student. It is pleasantly melodic with appealing sequences. It utilizes positions 1 – 6 (highest note B) with a brief section in tenor clef. There is a flashy but playable cadenza which can be taken at liberty to accommodate different ability levels (or it can be omitted entirely). | Cello Solo, String Orchestra | |
| 13003 | BDF4EF94-64CA-4A78-8991-53DFD87B59E8 | 50394015 | Renaissance and Baroque Suites, vol. 3 - F | This collection of four suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers included: John Playford, J.S. Bach, Tielman Susato, Claude Gervaise, G.F. Handel, G.P. Telemann, Girolamo Frescobaldi, Guglielmo Ebreo da Pesaro, Fabritio Caroso, Richard Farrant, Pierre Phalese, and Nicolas Chedeville. Books for all instrument keys and clefs are available from the publisher. This is the third of three volumes of progressive flexible quartets, with ten total suites included across all three volumes. | Flexible Quartet, F instruments | |
| 13004 | BDF70241-1CA1-47FB-A066-562E20A0520A | 50100275 | This Train | A traditional American gospel song, This Train was popular during the 1920s. It became a gospel hit in the 1930s when recorded by singer-guitarist Sister Rosetta Tharpe. Also known as This Train Is Bound for Glory, it has remained a favorite of singers in many genres and is often sung and recorded to this day. | Concert Band | |
| 13005 | BDFEB5C5-8F7C-4502-BFCC-7288625CFE03 | LV128CB | Cowboy Tune | This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. | Concert Band | |
| 13006 | BE005B63-7C29-4A32-9FB5-31ED64A18E57 | A423202 | Five Pieces for String Orchestra, Op. 16 | Pursuing an education in violin and composition at the Moscow Conservatory, Paul Juon (1872-1940) completed his studies in Berlin and went on to train a generation of composers including Hans Chemin-Petit and Stefan Wolpe. He published his FIVE PIECES FOR STRING ORCHESTRA, Op. 16, in 1901. Uniquely for a string orchestra work, the piece includes ad libitum parts for triangle and tambourine. It endures as a prime example of opulent, late Romantic string writing. The titles of the movements are: 1. Kleine Ballade 2. Schlummerlied 3. Terzen: Intermezzo 4. Elegie 5. Tanz. Instrumentation: String Orchestra (8-8-5-5-5 in set): Perc(2 opt.). | String Orchestra (8-8-5-5-5 in set): Perc(2 opt.) | |
| 13007 | BE030529-93B3-41F1-9C3B-F656B1CD1EC2 | SC516 | Evening Prayer | (not set) | Satb | |
| 13008 | BE0486A7-D1CA-4395-B8A6-54F8E83E9310 | A586002 | Patriotic Songs | Tom Kennedy includes arrangements for full orchestra of the following patriotic songs: America (G; Henry Carey); America the Beautiful (C; Samuel A. Ward); Battle Hymn of the Republic (Bb; William Steffe). Instrumentation: 2.2.2.2: 2.2.2.1: Timp.Perc(3): Str (9-8-7-6-5 in set). | 2.2.2.2: 2.2.2.1: Timp.Perc(3): Str (9-8-7-6-5 in set) | |
| 13009 | BE04AF77-9147-4634-8760-F641BCB0F775 | R00643 | Visions: The Isle of Patmos | (not set) | 1.1.2.1: 2.1.1.0: Timp.Perc(1).Pno.Hp: Str | |
| 13010 | BE0FD225-0F1A-4D15-A695-9757BB231728 | MP211004 | Essay for Horn and Organ | Essay for Horn and String Orchestra is a short lyrical piece which endeavors to utilize the expressive qualities of the French Horn. The thematic material stated in the first four measures constantly recurs in varied form throughout. Horn solo with organ reduction. | Solo Horn and Organ | |
| 13011 | BE13B27C-1292-42DD-86B6-14550D8EB02F | M245691 | Three Ulster Airs | (not set) | Voice and Piano | |
| 13012 | BE15441E-12DF-435F-B8AB-559603B0F789 | SS959 | Occhi Miei Che Vedeste (out-of-print) | Brass Quintet | ||
| 13013 | BE15597F-6CA8-4D8A-BF42-E36AF659C0C0 | EBM0660014 | Praeludium for Organ and Vibes | Audio: Marilyn Mason, organ, and Michael Udow, vibraphone. Composed November 3-9, 1969. Dedicated to and premiered by William Albright, organ, 1970. | Vibraphone, Organ | |
| 13014 | BE1A27E4-1856-480B-96F5-0E6652F00B4B | X541003 | Layla (Folk Songs, Set No. 18) for Singing Contrabass Player and Piano | Laylâ (Folk Songs, Set No. 18) is in ten movements: I. Night, II. Scat 1, III. Laylâ, IV. On the Khâjoo Bridge, V. Fairies, VI. Forty Windows, VII. Day, VIII. The Reign of Eternity, IX. Ranâ, X. Scat 2. Versions for singing contrabass and piano and voice, contrabass, and piano are available from the publisher. | Singing Contrabass and Piano | |
| 13015 | BE21C8F2-A256-48C5-93F7-5E91495DDBFD | S510014 | Four Virtuoso Showpieces for Unaccompanied Violin | This collection contains four of the most dazzling and technically demanding pieces written for the violin: H.W. Ernst's The Last Rose of Summer and Erlkönig, P.A. Locatelli's Labyrinth and the Preludio e Fuga by F. von Vecsey. Meticulous care and attention to every detail has been taken in the notation, bowing and fingering of these works by editor and Jascha Heifetz protégé, Endre Granat. Program Notes: Heinrich Wihelm Ernst (1812-1865) was a brilliant violinist, violist, chamber musician and composer. In his compositions he combined Paganini’s technical innovations (harmonics, double harmonics, pizzicato and use of the entire range of the instrument) with a more sophisticated and advanced compositional style. The Last Rose of Summer is a set of 4 Variations and Finale on a traditional Irish tune. This work is part of Ernst’s Polyphonic Etudes for violin. The Erlkönig (King of the Alders) is based on the famous lied by Schubert, not a transcription but a tour de force of innovative composing for violin. Pietro Antonio Locatelli (1695-1764) was a violinist and composer of virtuoso violin music. His 12 Concertos op. 3 with their 24 Caprices set the technical standard for virtuoso violinists. The unaccompanied Caprices were meant to be exercise pieces aimed at mastering the difficulties of the Concertos. Labyrinth is a treasure trove of studies of double stops, chords, arpeggios, trills, harmonics and various bowings, but most of all unusually wide stretches. Locatelli’s works have greatly influenced Paganini’s writing, especially in his 24 Caprices. Franz von Vecsey (1893-1935) was a veritable child prodigy. By age 10, he was considered one of the finest violinists in Europe. For a while Bela Bartok was his piano accompanist. At age 12 he received the dedication of the Sibelius Violin Concerto, which he performed the following year. Vecsey dedicated the Preludio e Fuga in C minor to his teacher Jenö Hubay. | Solo unaccompanied violin | |
| 13016 | BE256DAD-3353-4AED-9425-C5E909298FC9 | R00505 | Mar Aca | (not set) | Flute Solo:(d Maracas): 0.1.2(1d BCl).0: 0.1.1.1: Perc(1).Pno.Hp: Str (single or multiple players per part) | |
| 13017 | BE298971-4D26-48C0-BC63-546C5F424D3A | EBM0690010 | Simple Stories for Mezzo Soprano, SATB and Quintet | Premiere: The Collegiate Chorale, Robert Bass conducting, Martina Arroyo, mezzo-soprano, Carnegie Hall/NY, January 25, 1992. Movements: 1. Dancers (for Mezzo-soprano and SATB a cappella), 2. Wheel of the Oxcart (for SATB with Fl., Cl., Hn., Vcl., Pno.) | SATB a capella (Mv.1) and with accompaniment: Flute, Clarinet, Horn, Cello, Piano (Mv. 2) | |
| 13018 | BE2C79D8-8BCA-4C34-9699-222E458B11CB | R00012 | Stillness: Poem for Orchestra | 2222-4231-Perc.-Celesta-H-Strings | ||
| 13019 | BE3B10E9-141B-4961-801A-02F95734E6B9 | S961CB | Autumn Leaves (Les feuilles mortes) | The iconic tune Autumn Leaves "Les feuilles mortes" by Hungarian-born composer Joseph Kosma hardly requires an introduction to jazz afficionados. The music was originally set to French lyrics by Jacques Prévert, and later English lyrics by Johnny Mercer. This classic band arrangement by Alfred Reed showcases the rich harmonic language that underlines the melody with thick, sonorous orchestration. This piece can be the perfect change of pace when placed among works with quicker tempi or more rigorous demands on the players. | Concert Band | |
| 13020 | BE3B14C8-0FFB-4636-ABDD-097CEB0AB35B | B315 | Drum Tunes, Vol. 1 | (not set) | Snare Drum Unaccompanied |