Titles
Showing 13,081-13,100 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13081 | BF15CF8F-9435-4C69-B64D-E6829E4AEC2A | ST351 | Nocturne | (not set) | Clarinet | |
| 13082 | BF19DDAA-6A36-4EE7-A029-CE4B08CD185E | LV226CB | Tune for Guitars | (not set) | Concert Band | |
| 13083 | BF1B1A23-EFE4-43DB-A602-7EE90271FE14 | R98 | Cullen Overture | This piece opens with a stately fanfare in the brass that starts in the trumpets before adding horns, trombones and tuba, with each entrance restating the theme. When the winds, strings, and percussion join them, the music picks up tempo before it slows back down and transitions to a beautiful melody played by celli. The brass rejoin with a solemn chorale-like section before the entire orchestra comes together for a rousing finish. | Full Orchestra | |
| 13084 | BF1C5914-F73C-4851-A3A2-DD4E8DE0561F | B339 | Southern Special Marimba Solos | Southern Special Marimba Solos has been written with the intention of providing a large body of original material for the instrument, from the easiest through the intermediate levels. An honest attempt has been made to create these solos in a variety of keys, meters, and styles, utilizing gradually more difficult rhytms and all 12 major keys, plus several minor keys. Several four-mallet and one three-mallet solos are included, as well as duets that are intended as teacher-pupil or pupil-pupil duets. Song titles: 1. The Quarter Horse, 2. Moving Time, 3. Love Song, 4. Waltz in F, 5. Tango in G, 6. United Way March, 7. Celebration March, 8. Tres Blues, 9. Two Keys, 10. Kangaroo Jump, 11. The Paradise Hut, 12. A Chromatice Jazz Piece, 13. Winter Walk, 14. Stick With It, 15. Minor League, 16. Gypsy Dance, 17. Hey Johnny Polka, 18. Twist-A-Wrist, 19. Clef Jump, 20. Fiesta Por Dos, 21. Five By Five, 22. Sharpie, 23. Perpetual Motion, 24. Crazy Maze, 25. Masquerade for Marimba, 26. Monring Mist | Marimba Unaccompanied | |
| 13085 | BF1CBA30-FBF6-4BA9-B71A-A068EB36813C | ST222CO | Clarinet Poem | This clarinet choir written by Lucien Cailliet includes optional parts for Ab Sopranino clarinet and Eb contra alto clarinet. | Clarinet Choir | |
| 13086 | BF1FE5E0-E35A-4516-BAD2-99F5B016199B | M804090 | Intermezzo and Barcarolle | The Barcarolle is the most famous melody from the The Tales of Hoffman, despite not having been written for the opera originally. Offenbach's immense popularity is evidenced by the memorable melody that will sing its way into your heart. | String Orchestra | |
| 13087 | BF2DDBBD-A0E6-44E2-B2CE-9A8571AED3B2 | M983590 | Prince Igor: Polovtsian Dances | From the opera PRINCE IGOR, this excerpt is a great showpiece of the Russian nationalist style, and it will make a tremendous addition to your orchestra's repertoire! Includes several different melodies, all of which will be familiar. Edited from the original with only a few changes to allow for today's instrumentation, this is a selection that advanced orchestras everywhere will love! | 2+Picc.2.2.2: 4.2.3.1: Perc(6): Str (9-8-7-6-5 in set) | |
| 13088 | BF3312E3-AA92-43E5-A55A-F300C5772D61 | A600890 | The Peanut Vendor (El Manisero) | (not set) | 2, 1, 2, 2, 3sax - 2, 2, 1, 0, timp, perc, pf, str | |
| 13089 | BF34AEDD-07F4-4FC9-A2DE-2FADEB859ADB | ST759 | Adagio and Rondo | (not set) | Flute, Piano | |
| 13090 | BF395888-4A5C-4937-95DF-BAA42652C87C | A551790 | Komm Susser Tod, BWV 478 (Come, Sweet Death) | KOMM, SÜSSER TOD (Come, Sweet Death) was originally written for solo voice and basso continuo as part of the 69 SACRED SONGS AND ARIAS that J. S. Bach contributed to MUSICALISCHES GESANGBUCH by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736. Taking text by an anonymous author, Bach, by means of melody and harmony, expresses the desire for death and heaven. Among his most popular works, it has been adapted by several composers, including this orchestration by the famed Leopold Stokowski. Instrumentation in set: 3.2+EH.2(opt)+BCl.1+CBsn: 4.3.4.1: Timp: Hp: Str (9-8-7-6-5 in set). | 3.2+EH.2(opt)+BCl.1+CBsn: 4.3.4.1: Timp: Hp: Str (9-8-7-6-5 in set) | |
| 13091 | BF3A9DC5-7815-4EB1-8B8C-4E5CA5848C6F | R00685 | Sojourner Truth | Based on a speech by former slave Sojourner Truth at the 1851 Women's Rights Convention | Actress 1.1.1.1: 2.1.0.0: Strings (minimum: 1.1.1.1.1) | |
| 13092 | BF41D33C-7A98-4583-96D5-A1C9FAB22B0F | S985CB | Three Cornered Hat, The: Suite No. 2 | Concert band | ||
| 13093 | BF462B1B-6A03-44DC-AF22-C4EB24567B51 | S622502 | Solar Music | |||
| 13094 | BF477D60-D714-425E-9D09-BA4E892C48FF | M984390 | Triumphal March from Aida | Full Orchestra | ||
| 13095 | BF4C6826-3253-48DE-BD25-31116C7FDD7D | A847490 | Le Cid: O Souverain, O Juge | Le Cid by Jules Massenet (1842-1912) is an opera in four acts with ten tableaux. It tells the the story of the historical Spanish knight Rodrigue, who led Spain’s army to victory of the Moors, earning him the name Le Cid. The tale of his rise is framed by his love for Chimène, whose father Rodrigue is forced to kill in a duel when Rodrigue's father demands revenge for an insult Chimène's father gave. While Chimène demands justice and the execution of Rodrigue for the murder of her father, Rodrigue begs for a stay to lead the fight against the moors, where is victorious. Rodrigue offers his life as punishment for the murder, but Chimène pardons him with a declaration of love. Le Cid premiered at the Paris Opéra on November 30, 1885, Ernest Altès conducting, and it was performed 150 times in Paris by 1919, when it faded from the repertory. Numerous performances around the world have taken place throughout the 20th and 21st centuries, and Paris finally held a revival of the work in 2015 at the Palais Garnier. Rodrique sings the beautiful and fervent prayer to Saint Jacques de Compostelle, Ô souverain, ô juge, ô père, during Tableau 7, while waiting in his tent on the eve of the battle with the moors. An image of Saint Jacques promises Rodrigue victory in response. Instrumentation: 2.2.2.2: 4.2.3.1: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set): Solo Tenor Voice. | 2.2.2.2: 4.2.3.1: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set): Solo Tenor Voice | |
| 13096 | BF4DEEFB-81B0-4C50-BC20-A5BB4661D26C | 50100334 | Prohibition Era March | A uniquely styled arrangement of a march popular in the early days of the Prohibition era, this features an optional xylophone solo the first time through the Trio. Just the sort of different march to make your concert a little spicy. | Concert Band | |
| 13097 | BF51A5E8-4154-4FB7-9498-3E42C607CF24 | R01235 | Concerto for Violin and Orchestra | Commissioned by and written for Andrzej Grabiec. | Violin Solo: 2.2.2.2: 2.3.3.1: Timp.Perc(3).Pno.Hp: Str | |
| 13098 | BF55CCBF-037C-406B-98D4-5EBD9AADC547 | X800041 | Folk Songs: Set No. 10 | The 1st, 2nd, and 4th movements of Reza Vali's work has been here reduced for voice and piano by Mehran Rouhani, while the 3rd movement is extracted from the score as that movement is for voice and percussion only. Songs: I. Love Song, II. Song from Luristan, III. Lament, and IV. Popular Song from Tehran. The orchestral version was recorded by Janna Baty, soprano, the Boston Modern Orchestra Project, Gil Rose, Naxos 8.557224 | Soprano or Mezzo-Soprano Solo and Piano | |
| 13099 | BF56F90B-E181-45EE-ADA6-8B274CF276F1 | BSMCHM106 | Four Flutes with Fugue | (not set) | Flute Quartet | |
| 13100 | BF62C823-1618-409F-83D9-E4E5C4CFCB34 | SS155 | Concerto in C Major | Originally scored for flute, strings and two French horns, this edition for flute and piano was revised and transcribed by Ary Van Leeuwen, who also wrote the cadenzas. The edition for solo flute with orchestra is also available from the publisher. | Flute and Piano |