Titles
Showing 13,141-13,160 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13141 | BFF29158-4418-4C46-A2D5-B4A4D4E9F6F6 | ST25 | Gainsborough | A three movement piece for five players on mixed percussion. Instrumentation includes: Two marimbas, vibraphone, bells, triangle, snare drum, two tom-toms, chimes, timpani, bass drum, gong, hand cymbals, attached cymbal, and suspended cymbal. | 2M, 3P | |
| 13142 | BFFD6D07-7048-4F80-BAC4-F6FB264F0A06 | R00749 | Twelve on Death and No | Composed for the Oakland Symphony Orchestra. | Tenor Solo SATB Chorus 1(d Piccolo).1.1.1: 1.1.1.0: Timpani.Percussion(1): Strings (maximum 4.4.3.2.1) | |
| 13143 | C003A441-6A4A-4691-85F6-4F6E53F38691 | R01171 | Chasm | Commissioned by the North Hills High School Symphony Band, David G. Matthews, Director of Bands. | 2+Picc.2+EH.3+Eb Clar+BCl.2: AATB Saxes: 4.3.3+Euph.1: Timp.Perc(4) | |
| 13144 | C00A84C9-0F85-4ABE-84C9-416EF5264557 | W101491 | Sonata In Bb, Op. 107 | (not set) | Clarinet and Piano | |
| 13145 | C00BBDE4-F638-4D43-9F23-1810CC8637A2 | ST267 | A Cappella Clarinet | This work was recorded by Robert Lowry on Golden Crest Clinician Series, #CR1003. It is a masterclass level workout for the accomplished clarinet student. | Clarinet Unaccompanied | |
| 13146 | C00EC767-45D8-4B23-8BD6-6B3F5A678902 | X504086 | Thirteenth String Quartet | Movement titles: I. Flexible tempo II. Slowly, freely III. Tenderly with a bit of motion IV. Very fast V. Slow, mysterious | String Quartet | |
| 13147 | C00F98BE-0D54-4E08-88C5-7B15A4251C52 | A314402 | Traviata, La: Act I, Brindisi: Libbiamo, ne' lieti calici (excerpt) | Performed in the first act of Giuseppe Verdi's (1813-1901) opera, LA TRAVIATA, this famous duet is sung by the characters Violetta and Alfredo Germont, the young man who loves her, at a late-night party. A brindisi (drinking song), "Libiamo ne' lieti calici" ("Let's drink from the joyful cups"), is begun by Alfredo after Violetta encourages him to show off his voice, then he is joined by Violetta and the rest of the chorus at the party. One of the most well-known melodies in opera, this excerpt is a popular performance choice for tenors. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set): Vocal Soloists (ST): Mix Chor. The score and parts are available separately from the publisher. | 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set): Vocal Soloists (ST): Mix Chor | |
| 13148 | C011F73C-5510-4A40-9838-18C94C982648 | M217191 | Chaconne, Op. 32 | One of Carl Nielsen's most frequently performed compositions for piano, the Chaconne was written intending to emulate Bach's beautiful Chaconne for solo violin. It was premiered by Alexander Stoffregen in 1917 and was considered a great success. Reprint edition. | Piano Solo | |
| 13149 | C013045C-3E6C-4AA7-8B33-84E5878AA694 | 10100052 | Ballet Music from William Tell | (not set) | Concert Band | |
| 13150 | C0156E11-3286-4130-9C41-000F744EFED9 | R52C | Concerto for Tuba or Bass Trombone and Orchestra | Originally conceived as a Sonata for Tuba or Bass Trombone, the orchestral version was written for The Juilliard School. It is recorded by Stefan Sanders with the Czech Philharmonic Chamber Orchestra for Albany Records. Later arranged for band the Concerto has become a contest and recital favorite. | Tuba or Bass Trombone Solo: 2.2.2.2: 2.2.2.0: Timp.Perc(3): Str | |
| 13151 | C016F308-1C97-435C-AF90-44E329BBBD54 | 20100717 | Noble Spirit March | Here's an appealing traditional style march for intermediate bands with some creative surprises. The effective use of playable chromatics provides an tuneful twist along with off-beat accents throughout that add to the catchy and delightful nature. Each section of the band has its own soli passage which adds to the interest for the players and listeners. Definitely enjoyable! | Band | |
| 13152 | c017ef11-9e39-11f0-a418-0022482c9682 | A205802 | My Fatherland (Ma Vlast), No. 4: Z Ceskych Luhu a Haju (From Bohemia's Forests and Meadows) | MÁ VLAST (MY FATHERLAND) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as a single work in six movements, each symphonic poem reflects the ideals of nationalistic music pioneered in the late nineteenth century, with each depicting an aspect of Bohemia’s countryside, history, or legends. The fourth movement, Z Ceských Luhu a Háju (From Bohemia’s Forests and Meadows), rather than following a narrative program, begins with an impression of the Bohemian woodlands. It concludes in a spirited evocation of a village festival. Movements: I. The Two Sources of the Moldau; II. Forest Hunt, III. Peasant Wedding, IV. Moonlight: Nymphs' Dance, V. St. John's Rapids, VI. The Moldau at its Greatest Breadth, VII. Vysehrad Motive (Symphonic Poem No. 1). Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set). Reprint edition. | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set) | |
| 13153 | C01C0A0D-78C5-48EB-86EB-87D699081A33 | 50250075 | Simple Hoedown | This upbeat piece has it all: an energetic key (G major), simple syncopation, a variety of bow strokes to work on, melodic interest in all parts, and even a passage where you may allow violin 2 and viola to lay their instruments in their laps and strum li | String Orchestra | |
| 13154 | C0219E8C-DB7B-46CB-93D4-6AFF72428323 | A782290 | Five Spirituals: Swing Low, Sweet Chariot | Morton Gould (1913-1996) began writing and arranging African-American spirituals for "string choir" in the 1940s, and these were the first of his orchestral works to enter the repertoire. Gould preferred the term "string choir" to describe these works as he planned to use the strings like a vocal choir in an orchestral context. Kalmus offers Five Spirituals, each available separately. Included are settings of: Go Down, Moses (A7820); Nobody Knows the Trouble I've Seen (A7821); Sometimes I Feel Like a Motherless Child (A7819); Swing Low, Sweet Chariot (A7822); and Deep River (A8787). Instrumentation: Hp.Clst: 6 Str (6.6.5-5-5-5). | Hp.Clst: 6 Str (6.6.5-5-5-5) | |
| 13155 | C02254CC-F5C8-4425-991F-AE89E3CDD6B3 | S418 | March Grandioso for Concert Band | This edition for concert band of a famous Roland Seitz march was created by Alfred Reed. The complete set comes with a condensed score. | Concert Band | |
| 13156 | C02F8AFA-E337-4F9C-B09B-A1F3B8A11870 | SS311 | Piece De Concert | Trumpet | ||
| 13157 | C0300D7C-E1F6-4E9F-8DC6-BEE59073DF60 | SC740 | Flowery Banks Of Doon | Text by Robert Burns. Versions for both TB and TTB available from the publisher. | Tb | |
| 13158 | C033DB17-F798-43D6-AAC7-C2FA844DEA39 | SC475 | Welcome, Sweet Pleasure | (not set) | Ssa | |
| 13159 | C04058DC-8E52-4F4D-A464-9419137DF3A0 | 52703526 | Four-Rosin Rock | Thom Sharp's creativity shines again in this collection that features hard rock, Latin rock, and even a rock ballad. Players will get a good rhythmic workout with parts written at an advanced intermediate level. Suggested solos are written in parts that also have changes provided for those who prefer to improvise. Movements: 1. Igneous Rock; 2. Rondo at the Station; 3. Topaz Tears; 4. Obsidian; 5. Cayo Coco. | String Quartet | |
| 13160 | C04114A2-F682-4AF6-ADE1-97BFC7163FB1 | A104702 | Adagio for Strings, Op. 3 | The Belgian composer Guillaume Lekeu (1870-1894) is one of music's might-have-beens, beginning to compose prolifically at age 15 before dying from typhoid just nine years later. His Adagio for Strings, Op. 3, written in 1891) has the following instrumentation: Str (8Vns-4Vas-4Vc-1Bs): Solo Str Trio in set (1-0-1-1-0). | Str (8Vns-4Vas-4Vc-1Bs): Solo Str Trio in set (1-0-1-1-0) |