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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13121BFB86C25-629E-4EB8-A021-00BE06C59EE2X641803Retournai: Toccata a Quatre for Flute, Trombone, Marimba and PianoThe anonymous 14th-century Tournai Mass is the earliest known polyphonic cycle of the Ordinary of the Mass. "ReTournai" by revisits the first 11 chords of the Agnus Dei of this Mass, a fascinating example of early functional chromatic harmony. Written for a quartet consisting of flute, trombone, marimba and piano, the first four melodic notes are F-E-F#-G, a sort of twisted version of the famous B-A-C-H motive. In "ReTournai" this material is juxtaposed and superimposed on a percolating toccata whose principal obsession is the way tempo shifts when fast notes of equal value are collected in groups of 3's and 4's.Flute, Trombone, Marimba, Piano
13122BFB87BBF-1A22-4CE9-ACB4-2314F7DC991BSO53CElegy(not set)String Orchestra
13123BFBF6296-2E7D-4989-861C-AC84E476330010100270For Precious Friends in Death's Dateless NightSymphonic Band
13124BFC0C3F0-4964-41C7-B6C6-3C67FCA2C380M362091Fantasy on Ein feste Burg, Op. 13(not set)Organ
13125BFC2C145-603F-4146-B132-70F438266C6650260005Esperance (Hope)Esperance (Hope) ventures into the realm of French impressionism, with luscious, thick harmonies and colorful orchestration for strings and harp. An easy grade 3 for strings, it allows your harp soloist to shine through.Solo Harp, String Orchestra
13126BFC3F49C-333E-4460-A8BC-6F0B314DE21460812001Voice and Lute Collection: A Pilgrimes Solace (excerpts - Part II) and A Musicall Banquet (excerpts) (collection)
13127BFC592D4-6B29-4E9A-9CA0-C7D80651B0E3SS285COGrand QuartetThis quartet for advancing players can be performed by four Bb clarinets or three Bb clarinets and bass clarinet.4 Clarinets in Bb (alt. 3 Clarinets in Bb and Bass Clarinet)
13128BFC7DB77-2BF6-4944-AADD-211CD4D87B75SU836zzzDeclined-The Squaker: A Messy March for Clarinet ChoirClarinet Choir
13129BFC98798-89FA-46CC-A5DD-621FE876CC4250100265Voice of a Departing Soul, TheHere is your opportunity to recreate one of the most important moments in the history of the concert band. Patrick Sarsfield Gilmore, father of the American concert band, had just passed away. Sousa hurriedly arranged this work and opened the very first concert by his band with the tribute. Skillfully edited by Loras John Schissel, this appears in print for the first time ever.Concert Band
13130BFD52A73-F3AD-4DD1-ACF0-7B10CD9A752CC57Fugue in C Major
13131BFD8923C-EC22-42FB-9559-9C70B72974D8A199202Die Zauberharfe, D. 644: Overture (Rosamunde Overture)Due to the fact that Franz Schubert (1797-1828) had the endurance to maintain such a prolific output across the span of his short life, it is no surprise then that he was accustomed to borrowing from earlier work to fulfil new obligations. The DIE ZAUBERHARFE OVERTURE is one such example. The incidental music to Georg von Hofmann’s play was first performed on August 19, 1820 at the Theater an der Wien in Vienna. Three years later, he used it as a replacement for another borrowed overture, this time introducing the incidental music to Helmina von Chézy’s play, ROSAMUNDE. It was heard again in this context at the same theater on December 20, 1823. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set).2.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set)
13132BFD9D8FE-26F3-4A40-921B-001AE5690BF2R00768Masque(not set)1(d Piccolo).2.1.2: 2.0.0.0: Percussion(2).Piano: Strings
13133BFDA9A8E-0257-40CD-B7D0-D7BD3DBE1BD4S632502Sleepers Awake for Flute, Cello and HarpFlute, Cello, Harp
13134BFDB5081-F5F0-432F-A8D5-38AE27976936A205602My Fatherland (Ma Vlast), No. 2: The Moldau (Vltava)Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bed?ich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as a single work in six movements, each symphonic poem reflects the ideals of nationalistic music pioneered in the late nineteenth century, with each depicting an aspect of Bohemia's countryside, history, or legends. The second and most popular of the six symphonic poems, Vltava (The Moldau), describes the course of the Moldau River from its beginnings as two springs to its ends as a majestic and mighty river. Movements: I. The Two Sources of the Moldau; II. Forest Hunt, III. Peasant Wedding, IV. Moonlight: Nymphs' Dance, V. St. John's Rapids, VI. The Moldau at its Greatest Breadth, VII. Vyšehrad Motive (Symphonic Poem No. 1). Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set). Clarinet, horn, and trumpet parts are also transposed; trombone parts include alto/tenor clef and bass clef versions. Study score.2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set)
13135BFE257D6-FC5A-45DB-9549-B9996E706651R00412ORPHEUSPercussion Ensemble(6)
13136BFE2B21A-C4AC-4156-87E5-4F6C8CCAC85152703196Suite for String QuartetPerfect for reception music or a high school quartet, this suite exudes latin flavor. Movements: 1. Tango, 2. Andante, 3. Nocturne, 4. Rondeau.Violin 1, Violin 2, Viola, Cello
13137BFE8690B-F50D-4740-A2A1-796F0204E4A210100183Hatikvah (Hope)A fresh, overture-like work, a bombastic, short opening gives way to an extended legato andantino section featuring all of the woodwind family. Rhythmic excitement and strong ensemble figures (with some tricky yet fun accidentals for woodwinds) make this a musical contrast of storm and peace.A fresh, overture-like work, a bombastic, short opening gives way to an extended legato andantino section featuring all of the woodwind family. Rhythmic excitement and strong ensemble figures (with some tricky yet fun accidentals for woodwinds) make this a musical contrast of storm and peace.Concert Band
13138BFE96046-E885-4FC7-83F8-026DB1186665A908290Jazz Legato for String Orchestra(pf), str
13139BFEFC028-DF21-49A8-99D4-7B09CA87A92AST862Lullaby for AlexandraAlso known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement.Viola
13140BFF001EC-EE97-4733-9AD5-DC08717092E3M274891Romance in F for Viola and Piano, Op. 85Max Bruch (1838-1920) composed the ROMANCE (ROMANZE) in F, Op. 85 for Viola and Orchestra in 1911 as part of a group of works, written between 1909 and 1911, for specific performers with whom Bruch had a close relationship. In this instance, the ROMANCE was written for French violist Maurice Vieux, who gave the public premiere of the beautiful work, although a private concert given on April 25, 1911, by Bruch's conducting student Leo Schrattenholtz and his orchestral society, with Willy Hess as soloist, preceded that public performance. Bruch, known for his deeply rich melodies, was at the height of his compositional powers when he wrote this work, now a staple of the viola repertoire. This version for viola and piano by the composer of this gorgeous work is superb as a lyrical recital piece. The original orchestral accompaniment is available in the Edwin F. Kalmus catalog.Viola and Piano