Titles
Showing 13,101-13,120 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13101 | BF66897F-53DC-4E4B-BDD0-9043E67779D0 | X662810 | Mise-en-Scene | A Boston Musica Viva commission. | Flute, Clarinet, Violin, Cello , Piano and Percussion | |
| 13102 | BF6AD4C2-8BB1-4039-973C-EBC3E09DD06C | SU201 | Reflections | Violin | ||
| 13103 | BF7A0189-7888-4F97-9358-A731DBA28181 | EBM0610191 | Lime Jello Marshmallow Cottage Cheese Surprise | "Lime Jello Marshmallow Cottage Cheese Surprise" is a satirical novelty song by the American composer William Bolcom. It is written for voice with piano or orchestra accompaniment (arranged by Michael Borowitz), and Bolcom frequently performs it with his mezzo-soprano wife, Joan Morris, accompanying her on the piano. Composed in 1980, It is based on his experiences, in his youth, of playing the piano for women's clubs, and being fed absurd and unappetizing cuisine, including foods resembling Jello salad. | Mezzo-soprano: 2(Pi).1.2.1: 2.1.2(BsTbn).0: Timp.Perc: Str | |
| 13104 | BF7A3F96-C1A5-4FAA-9E1C-61091075CB6F | A270702 | Mass in C, Op.169 | While Josef Rheinberger composed a significant number of works for worship, his MASS IN C MAJOR, Op. 169 for soloists, mixed chorus and orchestra is the only mass to include orchestral accompaniment. The MASS IN C may be performed authentically in two ways: a) with full orchestra (1.2.2.2: 2.2.3.0: Timp: Str [9-8-7-6-5 in set], but without organ) or b) with string orchestra and organ, the organ being a substitute for the winds. The string parts in the two versions are identical. The organ part is included in the full set item to give flexibility to the ensemble depending on instrumentation plans. In addition Rheinberger recommended that the trombones should be added to the orchestra only if the choir is large. | 1.2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set) or Org: Str: Soli SATB: Mx Chor | |
| 13105 | BF7F37A0-AEA9-4F53-A9BD-31F33EE52AA4 | A178102 | Concerto for Bassoon, K. 191/186e | The BASSOON CONCERTO IN B-FLAT MAJOR, K. 191/186E, was composed in June 1774 by eighteen-year-old Wolfgang Amadeus Mozart (1756-1791). It is widely believed to be the result of a commission by Thaddaeus Freiherr von Durnitz. Mozart went on to write four additional bassoon concerti, some of them likely at the amateur bassoonist’s request. This single surviving work has become the most popular and frequently-performed concerto for the instrument. Instrumentation: 0.2.0.0: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Bsn. | 0.2.0.0: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Bsn | |
| 13106 | BF82CA44-AFF2-4336-8F30-BFC1379FFA24 | ST562 | Festival Polka | Violin Duet | ||
| 13107 | BF82D8FF-E3BD-4B89-ACD5-5EFBD7336E16 | EBM0610065 | Seattle Slew: Complete Ballet and Dance Suite for Orchestra | Premiere: Pacific Northwest Ballet with members of the Seattle Symphony Orchestra, Stewart Kershaw conducting, Seattle, WA, March 5, 1986. While the complete ballet is five movements, the inner three Dance movements may be used as an orchestral suite titled THREE DANCES IN FOREQUARTER TIME. Movements: 1. Horse Overture; 2. Dance I: Derby Dressage; 3. Dance II: Preakness Promenade; 4. Dance III: Belmont Breeze; 5. Epilogue: A Slew of Slews. The same rental materials may be used for both the ballet and the orchestral suite. | 3(3rd dPicc).3+EH.2(BCl).3: 4.2+Flg.3(3rd BsTbn).1: Timp.Perc(3): Pno.Hp: Str | |
| 13108 | BF891F6B-10AC-4CB6-BB2C-42DD7CA6C0CA | SU516 | Concerto for Violin | Vn: String Solos & Ensem | Violin, Piano | |
| 13109 | BF8EC32A-0AD1-4D10-A040-336FC369E08F | R00730 | On a Dream | Composed for violist Ken Harrison and the Cabrillo Festival. | Viola Solo 1.2.1.2: 2.0.0.0: Percussion(1): Strings | |
| 13110 | BF8F3BB4-9DF7-470E-BCA6-C61B76546BC2 | X504059 | Eighth String Quartet | (not set) | String Quartet | |
| 13111 | BF93B921-FDDF-4BA9-9FA6-BF660D24DE1E | SS624 | What a Drag (only-in-b170/so-special) | Snare Drum Unaccompanied | ||
| 13112 | BF97DABE-2BD5-4581-9691-F5A5992C1677 | 10620245 | Flight of the Bumblebee | Here's a versatile transcription that lets you feature your talented mallet player on this well-known "perpetual motion" show-piece. Band and orchestra accompaniments are also available from the publisher. | Mallet Instrument Solo and Piano | |
| 13113 | BF98BC0D-EA7F-4052-98EB-679DB81792D7 | A014590 | Coronation March | This is one of the best-known and most popular concert marches, taken from the grandest of grand operas. This new version retains all the majesty of the original but is practical for use by modern orchestras. | 2+1.2.2.2: 4.3.3.1: Timp.Perc(2): Str | |
| 13114 | BF9C4B7C-B450-4F54-832E-2C1D72BA8C87 | S154012 | Quartet Op. 17 No. 6 | (not set) | Saxophone Quartet | |
| 13115 | BF9DC08E-0A8E-4605-8219-4D644C3F046E | S473CB | Wind River Portrait, A | Commissioned by and dedicated to the Brinkley Arkansas Senior High Concert Band, Jon Barbarotto, conductor. | Concert Band | |
| 13116 | BF9FEF78-5180-4894-B43A-8982EBE24888 | LV107CB | Band Song | This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. | Concert Band | |
| 13117 | BFA36D3B-3624-4E70-9056-D5EB769CADCD | SS817 | Concertino for Alto Saxophone | Alto Sax | ||
| 13118 | BFABAD67-3152-44AF-A9C7-31FA39D5BBB3 | SU322 | The Wedding from Four Hebraic Pictures | "The Wedding" is part one of the work "Four Herbraic Pictures in the Klezmer Tradition," a musical portrait by Grzegorz Fitelberg. This arrangement for clarinet and piano was created by Simeon Bellison and edited by Sidney Forrest. The piece is in two sections: I. The Preparation of the Bride and II. Procession. | Clarinet and Piano | |
| 13119 | BFAE788A-391A-4033-86ED-CCEF3A0C37B6 | SC343 | Grace | This short a cappela arrangement can be used for both sight-singing or as a short selection in a sacred concert program. | Sa | |
| 13120 | BFB7A46F-9F46-41C3-A2A7-CCE4233C0CE8 | A790890 | Mock Morris [Room Music Tit-Bits, No. 1] | <div>Composed by Percy Aldridge Grainger (1882-1961) in 1910 originally for 2 pianos, MOCK MORRIS has been arranged for various ensembles, many of them by Grainger himself. Delightfully upbeat and lively, this Grainger classic arranged by Otto Langey for salon/theater orchestra in 1915 will lighten up any performance and provide a bit of musical history at the same time. Written in the style of a morris dance, it is completely original and was inspired by the motto "always merry and bright," which may be the best way to describe it. It moves along at a brisk pace, surprisingly rhythmic and tuneful, and the light, jaunty style will stand out on any program. Instrumentation: 2(2nd dPicc).2.2.2: 2.2.3.0: Perc(3-4): Str (9-8-7-6-5 in set): Pno Cond Sc in set.</div> | 2(2nd dPicc).2.2.2: 2.2.3.0: Perc(3-4): Str (9-8-7-6-5 in set): Pno Cond Sc in set |