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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13061BEC6159F-1886-4745-BB91-10D9A84563A6MP503003Fairy Tales (from the Brothers Grimm)Movements: 1. Silly March, 2. The Fisherman and His Wife, 3. Jorinda and Joringel, 4. The Frog Prince, 5. The Hare and the Hedgehog - Silly March IIViola, Cello, Bass
13062BECD7702-FFB9-4CF8-83A4-B055AD66E709SS543Trio SonataFlute, Oboe
13063BECF2729-63B0-4391-AD58-A0482C7E07A1X504058Oh Gesualdo, Divine Tormentor!A set of madrigals and madrigal-inspired pieces for string quartet combining arrangements of Gesualdo and original material.String Quartet
13064BED25989-36B3-477F-B525-9FDBBE8C3747SS537QuintetWoodwind Solos & EnsWoodwind Quintet
13065BED9EBAC-0932-4F60-92B1-10CC84097491J95101Il Est Ne Le Divin Enfant (Anniversary Carols)IL EST NE LE DIVIN ENFANT is a traditional French melody with a text which first appeared about 1875. The decision to set this familiar tune in English left enough to be desired that the composer decided to maintain some of the French style lost in the lingual translation. Historically, this arrangement also compares nicely with the old Normandy hunting tune's original appearance in 6/8 meter. The tambour is a drum similar to a snare drum but played with the snares off. A "bolero" rhythm begins quietly in the tambour and continues throughout the song. There is a dance in the vocal rhythms, as well, but an additional striking quality is the singers' silky phrases that seem to pull and stretch and weave layer upon layer of resonance. Lush sonorities provide the wrapping to this charming arrangement.SATB Chorus with Tambour (SD), Harp, and Double Bass
13066BEDCAC07-2907-43AA-B4A0-F91B5B514D79R00754From Life to Greater Life2(1d Piccolo).2(1d English Horn).2.2(1d ContraBassoon): 4.3.3.1: Timpani(d Triangle).Harp: Strings
13067BEE04DFC-7B29-44A3-8E5B-2A1DAFB500E2S344NEW YORK JOURNAL MARCH
13068BEE0C3C9-D102-4C43-A324-0B9F2FC28B91S528CBLas Mananitas(not set)Concert Band
13069BEE2DDB3-409D-45A5-99A8-AEC602E214AAS793CBFolksongs for Band Suite No. 3Each of the folksongs suites is based on tunes from Great Britain. Like the folk-music settings of Percy Grainger, they use original melodies in a variation or passacaglia-like form. The third suite consists of three such settings: "Droylsden Wakes," Lord Bateman," and "Three Ships and Lisbon".Concert Band
13070BEEE6F40-1862-4203-A14A-26722FE1B603SS8Ridley RiddleSnare Drum Unaccompanied
13071BEEFF35F-BDC2-43E0-A7A9-61E87178913F50442001Song and PolkaOriginally written for three trumpets, Song and Polka has become so popular that the composer has written versions of the piece for flutes, clarinets, and saxophones. All versions have been written in the same concert key so virtually your entire band can rehearse at the same time. Some independence in rhythms is required, with each player getting a brief solo passage. The trio opens with a very short and simple eight measures of legato playing, and quickly moves into a moderate polka tempo and style. The polka begins with all playing the same rhythms, but branches into some independent rhythms. This is an excellent choice for a first trio experience in contest.Bb Clarinet 1, 2 and 3
13072BEF1ABFB-62F9-4A0F-9B50-51DFE567888350100269Sesqui-Centennial Exposition March“The Sesquicentennial Exposition of 1926 was held in Philadelphia, the occasion being the 150th anniversary of American independence. Sousa composed this march at the request of exposition officials and dedicated it to the mayor of Philadelphia, W. Freeland Kendrick.” -Paul E. Bierley, website of the U.S. Marine Corps Band. This premiere edition for the modern concert band was prepared by the Library of Congress senior musicologist and foremost Sousa scholar, Loras John Schissel.Concert Band
13073bef2afaf-9e39-11f0-a418-0022482c9682A202102Overture, Scherzo and Finale, Op. 52OVERTURE, SCHERZO AND FINALE IN E MAJOR, Op. 52 is an orchestral piece by Robert Schumann (1810-1856). Following the successful premiere of his SYMPHONY NO. 1, he decided to express his triumphant feelings with a symphony lacking the customary slow movement. First referred to by the composer as a “suite,” then a “sinfonietta,” the work took shape in the span of three weeks. He declined to consider it a symphony because he felt that each movement could be performed separately. Dedicated to Johannes Verhulst, the work premiered at the Gewandhaus in Leipzig in December 1841. Instrumentation: 2.2.2.2: 2.2.3(opt).0: Timp: Str (9.8.7.6.5 in set).2.2.2.2: 2.2.3(opt).0: Timp: Str (9.8.7.6.5 in set)
13074BEF529D1-DBB4-45A1-8ED1-75FFDB83812E52702358Airs and GracesSubtitled "An Unusual Collection from the Baroque Era for String Trio." A nice collection of lesser-played gems of the Baroque by de La Guerre; Fiocco; Wesley; Handel; Pachelbel and more. Includes an optional violin 2 part that substitues for Viola.Violin 1, Violin 2 /Viola and Cello
13075BF06C838-F9F0-46B9-A354-59012B11BB9DA003890Snow Maiden, The (Snegurochka), Act III: Dance of the Tumblers (Simpson)Dazzle your audience with this blazing composition! The composer's exciting selection from his opera THE SNOW MAIDEN has been used by orchestras, bands, even drum corps because of its flash and fire. Now advanced orchestras can play an edition that's so close to the original it works even better than the original. With instrumentation adjusted to fit the standard school or community orchestra, this is a great selection to open your concert! Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3-4): Str (9.8.7.6.5 in set). Edited by Carl Simpson.2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3-4): Str (9.8.7.6.5 in set)
13076BF06EF00-555E-472E-AC6B-D15021B743E010100080Baroque SuiteMany of the old German composers used the old French Dance forms for their compositions and this Suite is made up of the Rigaudon, the Minuet and La Lutine (a player of the Lute which was a popular instrument to accompany singers).Developing Band
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13077BF0B877C-8221-453F-9E18-AE3779B8AC9BR01373Living, Breathing Earth Symphony (Symphony No. 1)Described by the composer as a "love song to the earth," Warshauer's symphony eloquently presents our planet as a living organism through natural sounds transformed into stirring musical phrases and vivid instrumental writing.3(all dPicc).2+EH.2.2: 4.3.3.1: Timp.Perc(2).Hp.Pno: Str
13078BF0D6C60-CCFE-437F-96BF-04320939CE9710451183Two BuckaroosA fun piece for early student ensemble or competition, TWO BUCKAROOS captures the bouncing excitement and exploration of rhythm and harmonization with a western flair.E-flat Saxophone Duo and Piano
13079BF0E8204-B415-4B7A-A16B-31058738408B20404233Two Welsh Folk SongsTWO WELSH FOLK SONGS was written in 1984 for The Braden Junior High School 7th Grade Wood-Wind Quintet of the Buckeye Local Schools in Ashtabula, Ohio."All Through The Night", known as "Ar Hyd Y Nos" in Wales and as "Poor Mary Ann" in England and "The Ash Grove", known as "Llwyn Onn"in Wales are two of the best known melodies of the folk tradition of Wales. "The Ash Grove" was also used by John Gay in his Beggar's Opera in 1728. Both originated as instrumental pieces for the Welsh harp and as such are built around the tonic, sub-dominant, and dominant. Both folk melodies have been set to several hymn texts.Woodwind Quintet
13080BF0F54A8-6937-410A-A6BB-1DF610FF5834A936490Iberia, Suite for Orchestra, No. 2: La Fete Dieu a SevilleIBERIA was originally a suite for piano composed by Isaac Albéniz (1860 – 1909) between 1905 to 1909, published in four books comprised of 3 movements each. Albéniz wrote these in an impressionistic style to evoke Spain. After Albéniz attempted to arrange the pieces for orchestra, he became impatient and enlisted his friend and conductor Enrique Fernández Arbós to do the arrangement. Arbós arranged five of the pieces: Evocación, Fête-dieu à Séville, Triana, El Puerto and El Albaicín. Fête-dieu à Séville is the French name for one of the most important feast days of the Catholic Church. On this day in Seville, there is a procession through the city with the streets strewn with flowers. Occasionally spectators would improvise unaccompanied songs (saeta) and pass them between groups. Albéniz recreates this scene with an alternating processional march and mournful saeta ending with distant church bells. Instrumentation: 3(3rd d. Picc).2+EH.2+ECl,BCl.2+CBsn: 4.4.3.1: Timp: Perc(5-6): 2Hp:Clst: Str (9.8.7.6.5 in set). Reprint edition.3(3rd d. Picc).2+EH.2+ECl,BCl.2+CBsn: 4.4.3.1: Timp: Perc(5-6): 2Hp:Clst: Str (9.8.7.6.5 in set)