Titles
Showing 13,021-13,040 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13021 | BE3D5537-411B-4D71-90E1-B195BEAD7AE5 | M258291 | Symphony No. 4 in G minor, Op. 32 | French organist and composer Louis Vierne (1870-1937) was a student of César Franck and Charles-Marie Widor and worked as the organist for Notre-Dame de Paris from 1900 until his death, which took place on the organ bench at a recital. He composed many works for organ, among them six organ symphonies and a Messe solennelle for chorus and two organs. His six symphonies express the highs and lows of his personal life, and all are written in minor keys. Vierne's Organ Symphony No. 4, Op. 32, is in G minor. Movements: I. Prélude; II. Allegro; III. Menuet; IV. Romance; V. Final. | Organ | |
| 13022 | BE40F650-7489-47CA-AD4A-544BEB7DF0B8 | ST708 | Petite Piece (Little Piece) | With editing by David Hite, this is a true performer's edition of one of Debussy's short conservatory pieces. | Clarinet and Piano | |
| 13023 | BE483F0B-F066-4CE6-B7B8-14CE71EA52EC | R01138 | Flux | String Orchestra | ||
| 13024 | BE4D0935-DCAF-4FA4-9145-3C3345850B90 | X816201 | The Child Is a Song | Hand Bell pt. | High Voice, Guitar, Handbells | |
| 13025 | BE513C0B-15AA-456E-BAD5-DF820A6D532C | BSMIS101 | Oliver's Birthday for Trumpet and Piano | The Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. The solo composition OLIVER'S BIRTHDAY from award-winning composer Bruce Broughton has become a sought-after work by today's trumpet players. With a naive, relatable melody that spins off into a flurry of mixed meters and tonality, the work is perfect for contest or recital. Recorded by Philip Smith for the International Trumpet Guild. Also transcribed for band accompaniment. | Trumpet, Piano | |
| 13026 | BE555C41-82B4-4262-8955-D5C3D4C6A1F0 | D814046 | 20 Songs Vol. 2: Le son du cor s'afflige from Trois mélodies | (not set) | Voice, Piano | |
| 13027 | BE555CE0-97D7-409F-8708-6771FA616693 | X154010 | Dancing Doll | Hungarian composer Ede (Eduard) Poldini (1869-1957) was largely known in his home country for his many operas. In the 1890s, Poldini composed a collection of seven pieces for piano under the title MARIONETTES, IEP 17, the most popular of which is the 2nd movement, LA POUPÉE VALSANTE (THE DANCING DOLL), with its fleet, graceful introductory melody. A transcription for violin and piano by Fritz Kreisler is what made Poldini famous internationally. This transcription for saxophone quartet has been completed by Michael Cunningham. | SATB Saxophone Quartet | |
| 13028 | be62198c-9e3c-11f0-a418-0022482c9682 | Z267491 | Veni Sancte Spiritus, K. 47 | Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear this was intended for use during the church service's offertory. The text is derived from a Pentecostal antiphon, Ad invocandum Spiritum Sanctum. | Soli SATB: Mix Chor: Pno | |
| 13029 | BE6440E1-F799-4489-83DA-C6C7DB89A5BE | SS993 | International Folk Suite | Movement titles: I. In the Town (France), II. Carol of the Bagpipes (Sicily), III. The Wassail Song (England), IV. Sumer Is Icumen In (England), V. Lovely Moon (Germany), VI. Valencianita (Venezuela) | Bass Clarinet and Piano | |
| 13030 | be6abc58-9e3c-11f0-a418-0022482c9682 | Z269991 | Mass in C minor, K. 427/417a (Schmitt) | Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly after he had moved to Vienna in 1781, and Mozart wrote in a letter that he made the promise before having married Constanze, a decision which his father Leopold disapproved, though he only really began the work after the marriage, completing all that he did in 1783. The work remained uncompleted from the sense of a liturgical mass, missing some of the Credo movements, all of the Agnus Dei, and parts of the Sanctus and the Benedictus, and Mozart called it a "half a mass" in a letter to his father. Despite this, all that was completed was performed at a liturgical mass on October 23, 1783, at St. Peter's Church in Salzburg during Mozart and Constanze's three-month sojourn there to introduce Constanze to the family. It is believed that Mozart borrowed from other works to make it complete for a liturgical performance, and it is thought likely that Constanze sang the high first soprano solo part. The work remained in this state until German musicologist Alois Schmitt's work to complete the mass was published in 1902. The Schmitt edition became the standard edition throughout the 20th century. | Voice, Piano | |
| 13031 | BE6B1D11-53B7-432D-9291-76A0D503E0B0 | A151102 | Funeral March for a Marionette (composer's transcription) | 1+1, 2, 2, 2 - 2, 2, 3, 1, timp, perc, str | ||
| 13032 | BE6BDAE8-4264-4E31-B658-DC6A8B5A7E46 | S44 | Nightfall On The Prairie (out-of-print) | Concert Band | ||
| 13033 | BE6D323A-7F9A-4F68-85BC-335D6A12469C | R01467 | Christmas in Vienna: Five Carols as if Composed by Johann Strauss, Jr. | A whole new twist on Christmas favorites. David Ott has transcribed five beloved carols just as if Johann Strauss had composed them himself. | 3.2.2.2: 4.2.2.3: Timp.Perc(2).Hp: Str | |
| 13034 | BE6DC001-F0E4-49E0-B562-5CA09A6CFEFA | TC102 | Werfet Panier auf im Lande | "Werfet Panier auf im Lande" (Wave all the Flags in the Country) is attributed to Georg Philipp Telemann and based on Jeremiah's prophecy predicting the destruction of Babylon. | Four-Part Chorus of Mixed Voices | |
| 13035 | BE72D3FF-9242-46A7-99BE-A311DEB0CCE6 | 50100161 | Island Rhythms | Unusual percussion sounds begin and highlight this calypso-inspired work that retains the sonority of the modern concert band. It is rhythmic yet maintains a melodicism certain to have your band singing. The mallet percussion part may be played on any ins | Concert Band | |
| 13036 | BE769A7B-9A1C-46BB-9272-86171D3ACCEC | B485 | Songs for the Holiday Season | Vocal | ||
| 13037 | BE784FF4-3F72-4FD4-8AF9-B46FC2B2540B | S157002 | Choral Varie Op. 55 | (not set) | Tsax/Pno | |
| 13038 | BE7A3423-D90D-4D0A-AC61-DDB368D28F3F | 52710011 | I Can Play Beethoven for Violin and Piano | Eight easy solos with easy piano parts in friendly keys for beginning to intermediate players taken from some of Beethoven's best known works. Contents: German Dance No. 1; German Dance No. 2; "Archduke" Trio; Sonatina in G; German Dance No. 3; Minuet; Two Country Dances; Violin Concerto Theme. | Violin, Piano | |
| 13039 | BE7CEE0F-3B22-473A-A899-17265FC0FA43 | 12300104 | The Big 230 | THE BIG 230 is a collection of short studies that are designed for speed and accuracy. They are based on the RUDIMENTS OF DRUMMING by Emil Sholle. Rudiments included: 5 Stroke Roll; Flam and the Flam Tap; Flamacue; Flam Paradiddle; Five Stroke Rolls with Flams; Seven Stroke Roll; Flam Accent; Nine Stroke Roll; Ruff; Single Drag; Double Drag; Single Ratamacue; Double Ratamacue; Triple Ratamacue; 13 Stroke Roll; Single Paradiddle; Double Paradiddle; Drag Paradiddle. | Snare Drum | |
| 13040 | BE7E74BC-AF43-44CE-90D6-6E987EBBA6A7 | 52730559 | Six Meditations for Cello and Piano | Kurt Kaiser has created six lyric settings, all in bass clef, for the developing cello soloist who wants to play for church services or sacred concert settings. With expressive and very playable piano accompaniments, these hymn-based settings will reinforce shifting skills, tone production, vibrato and sensitive playing. Titles: Abide With Me; O Master, Let Me Walk with Thee; Pass Me Not, O Gentle Savior; Fairest Lord Jesus; Were You There?; and Long Journey. | Cello and Piano |