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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
13221C1458422-3D26-434B-849D-EB97C8CCDADBRCSS821Musical Snuff BoxFlute Choir 3PC/2Flute
13222C14D98C9-6AFE-445D-A880-7BB527743C43A016890La traviata: sempre liberaVerdi's memorable melodic gift is readily apparent in this excerpt from "La Traviata." The piece closes the first act of what is perhaps the most performed opera in the repertoire.Full Orchestra
13223C14DDBDD-4A76-4DE2-BC66-39E588ACFC5610100417Toccata, Adagio, and FugueThese masterworks of J.S. Bach's organ oeuvres are respectfully and masterfully presented in this wonderful transcription by the late John P. Paynter. A terrific recording is also available through Ludwig Music/ELF CD, Masterworks, 30991010.Symphonic Band
13224C1569078-5AC5-4BDE-8164-0398ECBE0FCB52702477Italian Concerto(not set)Violin 1 or Flute , Viola or alt. Violin 2 and Cello
13225C15A333B-2AC0-403E-AD47-2C774AC23C4DSU134Dramatic InterludeHorn
13226C15B8B46-98BB-4865-9A71-F6F1920DD74510620452Four Movements for MarimbaThis virtuosic work for solo marimba is in four movements: Improvisation, Perpetual, Ethereal, and Mécanique. It was dedicated to John Beck. Length ca. 14', Grade 5.Marimba Solo
13227C15D1CBE-99F8-47ED-BF96-AA4BC4AF2E23A212402Ein Heldenleben (A Hero's Life), Op. 40Written in a Bavarian mountain resort in 1898, Richard Strauss' (1864-1949) eighth tone poem Ein Heldenleben (A Hero's Life) was a response to Beethoven's Symphony No. 3 ('Eroica'). Although he played a bit coy when asked the question, many believe that Strauss had cast himself as the hero given the numerous musical references to his own previous works and his acknowledgement that the violin solo depicted his own wife. This likely self-reference was described by one critic as "a monstrous act of egotism and as revolting a picture of this revolting man as one might ever encounter. He is, then, honest." But Strauss' swipe at his critics in "The Hero's Adversaries" section, where he portrayed them unflatteringly with both chattering woodwinds and leaden brass shows that he took his critics' dislike for him in stride. While the work is through-composed, it originally had six titled sections: 1. The Hero, 2. The Hero's Adversaries, 3. The Hero's Companion, 4. The Hero's Battlefield, 5. The Hero's Works of Peace, and 6. The Hero's Retreat from the World and Fulfillment. While the music has not changed in anyway, this critical edition by Clinton Nieweg and Stuart Serio, which consults six different sources, does not show the section titles as the composer himself had requested that they be removed. Instrumentation: 3+Picc.4(4dEH).2+Eb+BCl.3+CBsn: 8.5.3.2: Timp.Perc(4). 2Hp: Str(9-8-7-6-5 in set).3+Picc.4(4dEH).2+Eb+BCl.3+CBsn: 8.5.3.2: Timp.Perc(4). 2Hp: Str(9-8-7-6-5 in set)
13228C15E4D45-DB86-4C55-ABC9-6474506D1A6DA016790Cossack DanceMazeppa, Symphonic Poem No. 6 featured this stirring march movement. The sparkling colors of the Romantic period are in full play all the way to the exciting conclusion.Full Orchestra
13229C160692A-9BA8-41FB-967A-7FE2E0090C64M801390Swan Lake: Three Dances, Set 2Russian Transcriptions Ballet/Excerpts Dances Waltzes Youth/Community Orchestra, StringMastersString Orchestra
13230C16C9B95-BBB6-4D1A-A139-B6154FD99300ST368Variations on a Theme of Robert Schumann for Bassoon and PianoConcert band accompaniment also published by Southern Music. (S537CB)Bassoon or contrabassoon, Piano
13231C16D4707-E0C9-4D5B-976D-17E3A706DA26R00874Second Concerto for Piano and Chamber Ensemble
13232C16D8019-C4F6-444B-AF85-5AF8810F135DSC568Come, Live With PleasureText by Thomas Morell. The highest note in the soprano is an E. Versions for SAB and SATB are available from the publisher.Sab
13233C1755326-4241-4AFE-B608-8D4224F74F0AST447COCentone No. 9(not set)Brass Quintet
13234C1757D9A-9FC5-4827-9B1D-AEBA7CBC89E660852004Album of Songs, Vol. 1: Two More Songs Low VoiceA reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Rosemonde (W298, 1878) and L'Été (W303, 1894) complete the Vol. 1 collection. These two songs were removed from Vol. 1 publications (M397891, M399691, M403391) due to being originally from a different publisher.Low Voice and Piano
13235C1757E30-CCC4-43F0-9C59-55015D4B973EST485COInstant Festival, Set B1(not set)Mixed Instruments
13236C17CDD96-788F-4F26-8586-DA9AB8ACB108SC15Time, What an Empty Vapor 'tisSatb
13237C17E3874-554B-48F4-B2E4-8F4ABFA9D65DA332502Luisa Miller; Act II, Finale: (includes Quando le sere al placido)Marking the onset of his middle period, LUISA MILLER gave Giuseppe Verdi (1813-1901) a great deal of trouble with the Teatro San Carlo in Naples. When the management rejected his initial proposal for a new opera, he tried to maneuver out of the contractual obligation. The opera did premiere, though, on December 8, 1849. The libretto was written by Salvatore Cammarano, who steered Verdi away from a revolutionary subject and instead suggested a recycled plot idea that Verdi had suggested in 1846 so as to appease the conservative censors. In the finale to Act 2, Rodolfo wistfully recalls the happiness he once shared with Luisa. Having failed to challenge the man she loves to a duel, he despairingly submits to Count Walter’s advice that revenge will be better served if he marries the Duchess Federica. Instrumentation: 2+Picc.2.2.2: 4.2.3+BsTbn.1: Timp: Str (4.4.3.3.3 in Set): Solo Ten.Solo Bs: Mens Chor.2+Picc.2.2.2: 4.2.3+BsTbn.1: Timp: Str (4.4.3.3.3 in Set): Solo Ten.Solo Bs: Mens Chor
13238C17E417E-6B3D-4F7A-9C8A-43208FECAB9AA115090Concerto Grosso, Op. 6, No. 1 in G, HWV 319George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330), are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo, and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli's concerto da chiesa and concerto da camara than on Antonio Vivaldi's three-movement form adopted by J.S. Bach, these 1739 works were composed to be performed during the intermissions of Handel's oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. No. 1 in G Major, HWV 319, borrows from the overture of Handel's Italian opera Imeneo, reworking it completely for the first movement. The fifth and final movement also quotes liberally from Domenico Scarlatti's Keyboard Sonata in G Major, K. 2. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. (2 oboes were later added by Handel, and those are included in Kalmus number A7858, critical edition.) This urtext edition has been edited by Wilhelm Weismann.Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc
13239C1854BBC-EA0E-40B2-8138-DFB3AB104BAC50250066MeadowlandsThis quintessential Russian folksong brings the steppes and plains of the world's biggest country into your concert hall. The dark, forceful tune conjures images of forests, peasant villages and Siberian tigers.String Orchestra
13240C18CD3BF-B106-475B-9855-F8738FA24DDFSC342Buttercups and Daisies(not set)Ssa