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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11901AE380136-1CC8-47E6-8A82-D87305F2DEB352733051Canon in D for Cello QuartetParts 3 and 4 share continuo.Cello Quartet
11902AE3AF366-C970-4D75-BDEF-75F477B73517J03403Joy to the World (Anniversary Carols)(not set)Male Chorus
11903AE3D40D6-536F-4B48-9706-5C0C569C72BDSS12Saxet No. 3Sax Quintet
11904AE3F06D3-44A6-40C6-833C-F706FF7861CDRCST22Concertstuck Op. 98, Aka Concert PieceFlute, Piano
11905AE413B52-1908-4366-949E-018240945605BSMIS105BalladThe Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. BALLAD is a very melodic, harmonically colorful, and rhythmically vibrant piece for trombone and piano.Trombone or Euphonium, Piano
11906AE44479C-1137-4C9E-99EB-82C22DD7147EA612402Five Mystical Songs for Baritone and Orchestra (and optional Mixed Choir)Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The solo vocalist has several accompaniment choices: piano; piano and string quintet; wind ensemble; and orchestra with optional SATB chorus. It is the last option that Vaughan Williams selected for the work's premiere which took place on September 14, 1911, at the Three Choirs Festival in Worcester, with the composer conducting. The five movements are: 1. Easter (from Herbert's Easter); 2. I Got Me Flowers (from Herbert's Easter); 3. Love Bade Me Welcome (from Herbert's Love [III]); 4. The Call (from Herbert's The Call); and 5. Antiphon (from Herbert's Antiphon [I]). The final movement can be performed by chorus alone or by the soloist alone, with two version in the score and parts to accommodate the preferred approach. Instrumentation: 2.2.2.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set): Solo Bar: Mix Chor (opt.).2.2.2.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set): Solo Bar: Mix Chor (opt.)
11907AE4489A9-0674-404A-9855-DE98D583BF49SC57Take O Take Those Lips AwaySatb
11908AE51141C-740D-4706-8591-89A428F6AE59R00893Fanfare for the Family FarmA boisterous celebration of life on a family-owned dairy farm, this fanfare featuring a percussion section of farm implements. Beginning with the brass heralding the arrival of morning, the strings and wind soon answer to energize the start of the day until, finally, the percussion enters, playing milk cans, pails and a cowbell. The climax arrives at the "milking section" in which the conductor leads the orchestra (milking sounds) in downward milking gestures, which is follwed by a percussion cadenza and a final restatement of the 'energizing' theme.2+Piccolo.2.2.2: 4.3.3.1: Percussion(3): Strings
11909AE51B396-BC42-4D03-9723-2BED29FF4FA5SS600Owen's Own (only-in-b162/adventures)Snare Drum Unaccompanied
11910AE587A41-0C9A-44E2-BB51-94DC51EF75F7SU287Intrada for Viola and PianoViola
11911AE5A248C-9EF1-4554-9704-F0CCB4DDDCDDSU140Petite Piece ConcertanteThis piece for the intermediate to advanced players is a standard for trumpet, great for both contest or recital. It opens with a slow, lyrical passage, before moving to a march that shows off the player's technical skills. This version of Balay's piece, originally written for Cornet in Bb, is transcribed for baritone with both bass clef and treble clef parts provided.Baritone (B.C./T.C.) or Cornet
11912AE5CABE0-2F80-429D-9581-A58D724FF306S007401Capriccio Espagnol, Op. 34Originally intended for solo violin and orchestra, Nicolai Rimsky-Korsakov (1844-1908) later determined that the five Spanish folk melodies used in each of the movements of his Capriccio Espagnol would be better served in a purely orchestral work. Often lauded for its orchestration, the work features a large percussion section and many unique techniques and articulations such as the fourth movement where the violinists, violists, and cellists are asked to imitate guitars. Movements: I. Alborada, II. Variazioni, III. Alborada, IV. Scena e canto gitano ("Scene and Gypsy song"), and V. Fandango asturiano. Instrumentation: 2+Picc.2(1dEH).2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str (9-8-7-6-5 in set). Study score.2+Picc.2(1dEH).2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str (9-8-7-6-5 in set)
11913AE639258-D72A-4121-8004-F528576B1841M916402Ticonderoga March for BandTiconderoga is the only work that Leroy Anderson composed exclusively for band, which is certainly odd given his beginnings as a bandmaster at Harvard. First sketched in 1939, the piece was scored and published in 1945. The first edition had no full score, a condensed score being not only faster but also the tradition of the time. This edition of the march changes none of Anderson's music or scoring but does provide for the first time a full score for the convenience of the conductor.Concert Band
11914AE642A8D-0D7E-487E-839F-49BEF59DD19552733095Mendelssohn Songs vol. 2Collection contains 8 Mendelssohn songs. All bass clef to 4th position.Cello Quartet
11915AE648F5B-33C8-4FDD-BF8D-7A5429C83816X205005Celestial VoicesRecorded by the New Mexico Brass Quintet, Crystal Records CD 563.Brass Quintet
11916AE654B52-A8CC-4C94-92E5-C7CF15D438C3SS56And Now Revived He SpringsBaritone
11917AE66B4B7-F021-4CA4-98F9-C22414F9EF69S548PraisesA very straightforward, easy to interpret work, that opens forcefully, moves to a Romantic middle section before returning to the beginning tempo for the finale. Lower brass must be a little stronger than is normally required for grade 2.Concert Band
11918AE6B044F-8043-4059-A6C5-173F001F1FA1S718CBThemes from La Belle Helene"La Belle Helene", produced in 1864, is among the greatest of Offenbach's hits for the stage and a favorite throughout Europe. The story is a delightful satire of the ancient Greek myth of Helen of Troy, the beautiful daughter of the god Zeus and the mortal woman Leda, and a cental figure in the Trojan War. This story provided Offenbach a vehicle for broad swipes at French politics and institutions, capturing to perfection the foolishness of the day. During the Viennese run of the operetta, Edmund Hansch expanded the brief first act orchestra prelude into a full-length overture. This arrangement by Jim Mahaffey is based on several themes featured in the overture, and should be performed with the high spirit for which the composer was renowned.Concert Band
11919AE6B280B-433F-4DDB-911A-32969046A14610250208Menuet and MarchFrom the Little Note Book of Anna Magdalena Bach, Johann Sebastian Bach is believed to have composed this work. Nelhybel has adapted it for strings and a variety of optional keyboard accompaniments. The Menuet is transposed from the original C minor into D minor. The March is in D major, making this very accessible for young string orchestras. Set includes a full score.String Orchestra
11920AE6ECB0A-37A4-4DBB-90CD-F7BC1DA24EF910610135Stix O' PlentyWritten at a march tempo, this solo for snare drum with piano accompaniment is a perfect early contest or recital selection for the young player approaching intermediate status. A helpful key is provided to avoid any confusion about rudiment abbreviations in the music.Snare Drum Solo and Piano