Titles

Showing 11,861-11,880 of 17,576 items.

#	ID	Titlecode	Title Name	Marketing Copy	Instrumentation

11861	AD9C5203-7B81-4F3A-9DE0-38C057B386E9	50250210	Carol of the Shepherds	The spritely Bohemian Carol of the Shepherds gives first violins a chance to play in third position, and celli also have some fun stretches. The mood here is light and dance-like. Warning: the tune may get stuck in your head!	String Orchestra
11862	ADA7BB76-1E12-45CD-9A38-EBE24A2459BD	A193102	Concerto for Piano in C-sharp minor, Op. 30	Nicolai Rimsky-Korsakov's (1844-1908) Piano Concerto in C-sharp minor, Op. 30, was written at the request of Mily Balakirev and was premiered at one of his Free Music School concerts in St. Petersburg, Russia in 1884. Rimsky-Korsakov dedicated the work to Franz Liszt, as Liszt's concertos were used as a model for composing a piano concerto in a single movement. Using a single theme (No. 18 from Balakirev's collection of folk songs), each section contrasts but flow into each other without boundaries. The score and parts are also available separately from the publisher.	2 Pianos, 4 Hands
11863	ADA95138-E499-4F6E-8994-4D79B174CAF4	B319	Complete School Band Program (Pop)		Text
11864	ADAA8545-D856-4F08-8BE9-F4DBEBE0023C	SC592	For the Beauty Of The Earth	Texas University Interscholastic League Sight Reading for 2B, 3C & 2C Varsity mixed (SAB) Choirs & 2A & 1A Non-Varsity mixed (SAB) Choirs. A version for SATB choir is also available from the publisher.	Sab
11865	ADAEF1DE-5EC8-47D2-8EE3-6E671D3D5BBB	M252991	Four Pieces For Piano Solo	(not set)	Solo Piano
11866	ADB0652C-77B2-489B-BB71-915734D186A5	R152.14	Sketches of a Sunday: 14. End Of Fiesta (Fin De Fiesta)	The Introduction and Mexican Dance (Introduccion, danza Mexicana) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo).	2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str
11867	ADB4D31D-B398-4100-A581-97DC65461E68	SC281	Heidenroslein (Heather Rosebud)		Satb
11868	ADB5443E-B580-4305-82C9-634723CD16A4	X155002	Faces of the Blues	Baker combines both classical and jazz elements in such a way that neither idiom loses its idiosyncratic identity throughout the piece. Recorded by Frank Bongiorno, et al on Liscio Records LCD-09193.	Alto Saxophone Solo, SATB Saxophone Quartet
11869	ADBF4638-B052-449F-A3A9-716B657A3728	A934490	Vetrate di Chiesa (Church Windows)		IMSLP: 3(3dPicc).2+EH.2+BCl.2+CBsn: 4.3+OffStg Tpt.3.1: Timp.Perc(?): Org.Pno.Clst.Hp: Str (9-8-7-6-5)
11870	ADC43A39-BD5D-4D4B-BC9D-B7A2FEF247F5	R00078	Alabama Landscape	(not set)	Bass-Baritone Solo: 3.2+EH.2+BCl.2+Cbsn: 4.3.3.1: Timp.Perc(2): Str
11871	ADC76D8A-61EA-41FF-A896-C5213AAB9E3E	ST105	Sonata No. 2 in D Major (BWV 1028)	This three movement sonata by J.S. Bach (originally written for viola da gamba and harpsichord) has been transcribed by Robert Marsteller for the advanced euphonium or trombone player. It includes sections in both bass and tenor clefs.	Euphonium or Trombone and Piano
11872	ADCD521D-4F9E-48D8-B57A-FFF83FE588D2	X815005	Under the Resurrection Palm for Voice and Violin	Five songs for voice and violin recorded by William Sharp and Catherine Tait on Albany Records. Songs: I. The Bookstall, II. Canary, III. Crocuses, IV. In the Museum, V. Under the Resurrection Palm.	Voice, Violin
11873	ADCF76FF-2C32-4CE8-A288-E8B9AE5A1964	D511034	Gavotte		Violin, Piano
11874	ADD839A6-F539-43E6-8F93-2C442F29D6BF	X410017	Piano Sonata No. 1	Dedicated to Natalie Hinderas. Movements: I. Agitated; with energy, II. Scherzo, III. Nocturne, IV. Finale	Piano Solo
11875	ADDB0DB1-09F4-4E19-B800-F46FF208CC50	SS238	Concerto in G Major	Revised by John Wummer, solo flautist of the New York Philharmonic Orchestra.	Flute, Piano
11876	ADDBB5F9-28BA-4D1B-88A9-D93B9BC3E3CF	SU133	Solitary Trumpet		Trumpet
11877	ADDC2A60-BA79-412C-B4D4-BBD8B823C07C	SU351	Know Gnomes		Bassoon
11878	ADE3AE02-D7CA-4A2F-9468-A923F2BA067E	SS984	Eighth Solo, Op. 52 for Oboe and Piano	Charles Colin (1832-1881), born into a musical family, studied oboe at the Paris Conservatory before becoming the oboe instructor himself in 1868. This solo, beautifully lyrical and technically challenging, was written as part of the conservatory curriculum. This edition was edited by Lucien Caillet.	Oboe
11879	ADEADACA-5E94-4ED1-9269-7B7F988A772E	10620128	Gypsy Rondo	The classic tune by Franz Josef Haydn is arranged here for xylophone but can be played on any mallet instrument. The tidy form, graspable melody and straight rhythms make the solo fun and playable for intermediate keyboard percussionists.	Xylophone and Piano
11880	ADF1D0EE-F211-47E2-871E-C0AA0E287746	A785902	Concerto Grosso in F, Op. 6 No. 2, HWV 320 (critical edition)		2 ob, bn, 2 hpchd, string orchestra, soli violin(2), cello (in set)