Titles
Showing 11,761-11,780 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11761 | AC004A78-E5F0-4592-AD6D-686B75F054D8 | S616CB | Necromancer, The | This work depicts the transition of a young boy from apprentice to the powerful necromancer. The first movement, "Ferendain’s Castle," finds the young boy in travel, daydreaming of his new home. As he tops the hill, the brass and percussion demonstrate the true magnificence of the castle. The second movement, entitled "The Dance" finds all the apprentices celebrating many long years of successful study. The third movement, "The Sword and The Dragon," finds the young man laboring at a task meant to test what he has learned during his stay: the forging of an enchanted sword. Bent upon proving his magical might, the young man sallies forth to slay an ancient dragon. Only upon his death does he understand the philosophy he dearly sought to embrace: power and the wisdom to wield it must walk hand in hand. A year and a half in the composing, this work is intended as a serious, symphonic work for band. | Concert Band | |
| 11762 | AC0D9515-4E2E-47CB-A030-DB6CE62B0D60 | SJ690509 | That's Erle | |||
| 11763 | AC0DA338-7C19-4656-8864-BB174D6A7D27 | 50345007 | Duets For Christmas, Alto Sax | Duets for Christmas is a collection of 26 holiday favorites, tastefully arranged in traditional style and playable by performers with intermeidate ability. The duets can enhance any music program, ceremony, or family get-together devoted to the celebration of Christmas, or they can be played simply for the pleasure of playing duets with a friend. | Alto Saxophone | |
| 11764 | AC117625-2536-4C1F-B898-CF414CAF5643 | V97 | Three Songs: Art Songs by American Women Composers v. 3 | This series is the first published collection of art songs set to music exclusively by American women of the 20th century. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. This collection includes an interesting, modern treatment of two texts by Keats and Shelley, plus a lyrical setting of a poem by Robert Burns. | Vocal | |
| 11765 | AC1D38DD-354C-424F-B340-89E1B55A1FE6 | SC162 | Silent to Thee | Ttbb | ||
| 11766 | AC1F0CA5-C68B-4834-943B-0E01057A142A | ST360 | Allegro Spiritoso | The "Allegro Spiritoso" is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass clarinet, alto saxophone, tenor saxophone, baritone saxophone, bassoon, euphonium/trombone, and tuba. | Bass Clarinet and Piano | |
| 11767 | AC1F5C9C-F4E2-4944-9C7D-E75481FDEB0A | A195402 | Tarentelle in A minor for Flute, Clarinet and Orchestra, Op. 6 | Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which is not a surprise given his child prodigy status. The zesty work won universal acclaim largely due to a generous and clever ruse from the retired Rossini. Rossini, holding a party in his Parisian solon, invited Saint-Saëns to premiere the piece on April 28, 1857 with Louis Dorus on flute, Adolphe Leroy playing clarinet, and Saint-Saëns at the piano. Rossini pretended that he had written the piece and forced the young composer to sit next to him as the guests all showered praise on Rossini for the new work, only admitting to the party that Saint-Saëns had actually written it when all of the praise had already been given. Saint-Saëns orchestrated the work himself in 1879. Instrumentation: 0+Picc.2.0.2: 2.2.2.0: Timp: Str (9-8-7-6-5 in set): Soli Flute & Clarinet. | 0+Picc.2.0.2: 2.2.2.0: Timp: Str (9-8-7-6-5 in set): Soli Flute & Clarinet | |
| 11768 | AC241B80-D19B-41CA-A6DC-D656BBCFEDC5 | 10370112 | Christmas Music for Strings | Piano Conductor | ||
| 11769 | AC24806F-7A5A-4C31-ADBD-C92CB8B84907 | A649090 | Slavonic Dances, Op. 72/B. 147: No. 2 in E minor | Two series of SLAVONIC DANCES, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvo?ák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher’s introduction to Dvo?ák’s MORAVIAN DUETS by Johannes Brahms. Understanding the national characteristics and talent of the hitherto unknown Czech composer, Simrock suggested he create a series of "Slavonic Dances" in a style similar to that which had recently proved so successful in the base of Brahms’ HUNGARIAN DANCES. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvo?ák quickly completed the second series of eight (Opus 72) for piano duet, often also orchestrating them while still composing. These are considered among the most personal, nationally most characteristic, and most famous of Dvo?ák’s works. This arrangement of Op. 72, No. 2, Dumka (also referred to as No. 10 when the first eight dances from Op. 46 are considered) is by Otto Langley. Instrumentation: 1.1.2.1: 2.2.1.0: Timp: Perc(1): Str (9.8.7.6.5 in set). | 1.1.2.1: 2.2.1.0: Timp: Perc(1): Str (9.8.7.6.5 in set) | |
| 11770 | AC2B241F-C5E8-4C22-BEAF-6A4E59339C85 | SC212 | Poor Mariners | Sab | ||
| 11771 | AC2D7A5B-A3FB-46C1-A0DD-0B48F3C61AD7 | X816212 | Layla (Folk Songs, Set No. 18) for Voice, Contrabass, and Piano | Laylâ (Folk Songs, Set No. 18) is in ten movements: I. Night, II. Scat 1, III. Laylâ, IV. On the Khâjoo Bridge, V. Fairies, VI. Forty Windows, VII. Day, VIII. The Reign of Eternity, IX. Ranâ, X. Scat 2. Versions for singing contrabass and piano and voice, contrabass, and piano are available from the publisher. | Voice, Contrabass and Piano | |
| 11772 | AC2E83BA-A0DD-4D64-AEDB-446AD724F11E | 52723006 | Three Spanish Dances for Viola Quartet | (not set) | Viola Quartet | |
| 11773 | AC2F3617-C911-4A68-9E72-5770C81254F6 | SU799 | Summer Triangle | Well-known Japanese saxophonist, Masato Kumoi, commissioned this work after hearing composer Yukiko Nishimura’s popular band work, Star Ship. His request was for a new solo alto saxophone and band piece that included the same main theme. The composer drew inspiration for Summer Triangle from familiar astronomical geometry; “an imaginary triangle drawn on the northern hemisphere’s celestial sphere, with its defining vertices at Altair, Deneb and Vega, the brightest stars in the three constellations of Aquila, Cygnus and Lyra, respectively.” The movement titles represent each of these stars: 1. Aquila, 2. Lyra (Star Ship) and 3. Cygnus. | Alto Saxophone, Piano | |
| 11774 | AC3734DF-ACF4-418B-B22B-D3282D08BEA8 | X410076 | Sonata for Piano | Three-movement sonata composed for and recorded by the pianist of the California E.A.R. Unit, Vicki Ray, CRI CD 830. | Piano Solo | |
| 11775 | AC37F0CF-1550-4FEA-9FC7-5EA08782FB22 | 52731501 | Kids' Counterpoint 2: Cello Duets | (not set) | Cello Duet | |
| 11776 | AC40901B-6B10-4A1D-A703-D00E7AF46690 | B559 | Songs for Sight Singing Vol. 3: HS/ TB | SONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum. | TB | |
| 11777 | AC4358ED-5C80-4912-B440-06AEA5DFC431 | M165191 | Adagio | (not set) | Violin, (or Viola or Violoncello) and Piano | |
| 11778 | AC4596EA-43AF-48EA-8084-FA7E3DF9CB1A | MP814007 | Three Solitary Songs | Medium Voice and Piano | ||
| 11779 | AC4A2231-E5B2-47ED-BA37-816425C5E13C | EBM0610016 | Whitman Triptych, A for Mezzo Soprano and Orchestra | Premiere: Marilyn Horne, mezzo-soprano, San Francisco Opera Orchestra, David Robertson conducting, San Francisco, CA, June 24, 1995. Movements: 1. Come Up from the Fields Father, 2. Scented Herbage of My Breast, 3. Years of the Modern | Mezzo-soprano: 3(3dPicc).3(3dEH).3(3dBCl).3(3dCBsn): 4.3.3(3BTbn).1: Timp.Perc(3): Hp.Pno/Clst: Str | |
| 11780 | AC4CD9CE-0B44-4B57-AB70-68BAF8666EB5 | X624512 | Constellations | Premiered by Due East, Composers Consortium Chicago, George Crumb Festival. | Flute (Picc, Alto, Bass) and Percussion (Vib., Crotales, Glock) |