Titles
Showing 11,681-11,700 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11681 | AAF65216-8930-4DEF-9352-83C7216259D2 | SS277 | Rigaudon for Clarinet and Piano | Versions for Clarinet in Bb, Alto Clarinet in Eb, Alto Saxophone, and Tenor Saxophone are available from the publisher. | Clarinet and Piano | |
| 11682 | AAF8DF77-4E60-4FCF-AA57-D88471D5F04C | SO30C | Dance Conversations | |||
| 11683 | AAF9FE4A-63E0-4BE5-A7B3-3823B828C7FE | R147CB | Ghost Town | (not set) | Concert Band | |
| 11684 | AAFA9653-F1D3-4E42-B8D1-A478B3CFBE3F | ST441 | Variations on a Theme of Robert Schumann for Bass Clarinet and Piano | Concert band accompaniment also published by Southern Music. (S537CB) | Bass Clarinet | |
| 11685 | AAFB3BFF-A855-4748-A904-4E880F4FC49E | M284891 | Three Pieces | Composed in 1921 by Pierre Octave Ferroud (1900-1936), Three Pieces is a work for unaccompanied flute. Written under the influence of his teacher Florent Schmitt, it explores some elements of the Chinese folk music style. It consists of three movements: 1. Bergère captive; 2. Jade; 3. Toan-Yan, la Fête du Double Cinq. | Flute | |
| 11686 | AAFBE71D-9CBC-4006-A5BD-35263EB22C16 | R01581 | Chiaro di Luna | A Peninsula Grace Notes commission for and premiered by The Franz Liszt Chamber Orchestra of Hungary. Also performed by The New England String Ensemble, Susan Davenny-Wyner, Director. | String Orchestra | |
| 11687 | AAFD388D-6AC3-45D8-A050-C9E189CF04CB | 52713003 | Three Spanish Dances for Violin Quartet | Moritz Moszkowski (1854-1925) was a Prussian-born pianist and composer. He was a child prodigy and became one of the best-known virtuoso pianists in Europe. He composed his five Spanish Dances, Op. 12 for piano four hands at the age of 17. They were an almost instant success and remain popular to this day. This arrangement is fully compatible with the viola and cello ensemble versions of Three Spanish Dances, so that any combination of violin, viola, and cello may play together. Graded for 1-3 level violinists. | Violin Quartet with optional Violin 5 and Piano | |
| 11688 | AB009E47-526F-4E34-9664-D3A416414EF7 | E139402 | La Clemenza di Tito, K. 621; No. 21: Act II, Recitative e Aria: S'altro Che Lagrime | La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia, it was written very quickly and was considered to be a weaker work by the young composer. In the 20th century, a reevaluation of the opera has resulted in its inclusion among the fifty most often staged works in the repertoire. Telling the story of the Roman Emperor Titus, and the mercy he showed to his would-be assassins, the original three-act libretto by Pietro Metastasio was adapted by numerous other composers, although Mozart's two-act version was revised by Caterino Mazzolà. Near the end of the second act, Vitellia expresses to her sister, Servilia, how guilty she feels for orchestrating the failed assassination attempt on Titus, as Sesto is sentenced to death to protect her. Servilia then sings the aria S'altro Che Lagrime (sometimes spelled S'altro Che Lacrime), pointing out that tears alone will not save Sesto. The soprano aria is among the most popular in the opera, which premiered in Prague at the Estates Theatre on September 6, 1791. Instrumentation: 1.1.0.1: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Sop. (vocal score not included). | 1.1.0.1: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Sop. | |
| 11689 | AB0549E5-85C9-4C32-8CA3-696B88300416 | SC428 | Meet Me | Texas University Interscholastic League Sightreading for 2C Junior High and 3C Middle School (SATB). Versions exist for SAB and SATB. | Satb | |
| 11690 | AB0A56B3-3153-42D0-AC84-16319EBC5DF2 | R01631 | Chamber Symphony No. 12 | Dedicated to Valeriy Matyukhin, conductor of the National Philharmonic of Ukraine. Movements: I. Fresko of Maidan, II. Praying for Peace. Duration ca. 16' | 0.1.1.0: 0.0.0.0: Perc(1).Hp.Pno: Str (8.7.4.4.2) | |
| 11691 | AB0C4940-0C1D-416B-8FF1-48D7945FDDA5 | SS958 | Dolce Mio Foco Ardente (out-of-print) | Brass Quintet | ||
| 11692 | AB10CCDA-91F6-4FD0-8150-67E9A7C78BBA | S347 | Old Church Organ (out-of-print) | Marching Band | ||
| 11693 | AB162848-B8E3-4A89-8E97-DEC89DB241E2 | A875890 | Penny Whistle Song, The | This flute feature may be performed with one, two, or three flutes. This merry song speaks - and sings - for itself! Instrumentation: 3.2.2.2: 3Sax(AAT;opt): 4.3.3.0: Perc(1-2): Str (9-8-7-6-5 in set). | 3.2.2.2: 3Sax(AAT;opt): 4.3.3.0: Perc(1-2): Str (9-8-7-6-5 in set) | |
| 11694 | AB19D81D-8AA9-4B75-A683-065FF1332991 | M217491 | Libro de Tientos: Vol. 2 | Francisco Correa de Arauxo (1584–1654) was a key figure in helping transition Baroque techniques into Spanish composition. Regarded as the finest Spanish organist of his generation, his works were regrettably long neglected, despite constituting a peak of organ literature in Spain and an exceptional bridge between the Renaissance and the Baroque, although interest continues to grow. His compositions, 69 works all for organ and progressively more difficult to suggest a pedagogical purpose, were published in 1626 in a single volume under the title Libro de tientos y discursos de música practica, y theorica de organo, intitulado Facultad organica. This edition, transcribed and edited by Santiago Kastner, has been released in eight volumes. | Organ | |
| 11695 | AB1CDBA3-6CDD-488C-935F-1D224B5B975E | SS384 | Trio | This woodwind trio is written for oboe, clarinet in A, and bassoon. Movements: I. Poco Maestoso (G Minor), II. Vivace (D Major), III. Andante (G Minor/F Major) | Woodwind Trio: Oboe, Clarinet in A, Bassoon | |
| 11696 | AB1D7966-A377-4827-A885-DDB4B2A110B0 | 10100409 | Pictures at an Exhibition, Part 2: Promenade; Il Vecchio Castello | This is an impressive and massive work for mature bands! Boyd's setting is not a simple rehashing of the famous Ravel orchestration, as Boyd remains more faithful to the bold musical language of Mussorgsky's original composition. This exciting work fits the bill for better high school and college bands, yet is substantial enough to meet the needs of professional organizations as well. The work is available in its entirety with all seven sections and the score included at a value-minded price, or each of the individual sections may be ordered individually as a set of parts only and the complete score (10105314) may be purchased separately should only certain sections be of interest. The sections include: Part 1: Promenade; Gnomus-Gnomus. Part 2: Promenade; Il Vecchio Castello.Part 3: Promenade; Tuileries; Bydlo. Part 4: Promenade; Ballet Of The Chicks In Their Shells; Two Jews, One Rich, The Other Poor; Promenade. Part 5: Limoges-The Market Place; Catacombae; Cum Mortuis In Lingua Mortua. Part 6: The Hut On Fowl's Legs. Part 7: The Great Gate Of Kiev. | Concert Band | |
| 11697 | AB1EF1C5-6DC0-4E7B-AB71-EBB949C1986F | 10450203 | Evening In The Country for Alto Sax | This captivatingly beautiful solo by Bartok is artfully arranged for alto saxophone by Floyd O. Harris, true to the original but just one minute shorter with some of the repetition removed. A short but interesting solo full of singing melody and quirky, fun, flashy rhythmic interlude. Perfect for a variety of settings and programs. | Alto Saxophone and Piano | |
| 11698 | AB22CA10-BBCA-43A9-8ADA-6B2A56034D6C | 60760005 | Im Freien (Out of Doors), Sz. 81 | Hungarian composer, pianist and ethnomusicologist Béla Bartók (1881-1945) wrote this collection of "five fairly difficult piano pieces" in 1926, his 'piano year.' Although often referred to as a suite, IM FREIEN (OUT OF DOORS) appears to have not been thought of as a suite by Bartók himself. The work is a rarity also in that Bartók's works did not commonly use programmatic titles: 1. With Drums and Pipes, 2. Barcarolla, 3. Musettes, 4. Musiques Nocturnes, 5. The Chase. | Solo Piano | |
| 11699 | AB23AECA-841F-4B00-86F0-F38778817F13 | S796CB | Retreat and Pumping Song | Concert Band | ||
| 11700 | AB2989B2-D52D-47D3-96BE-4298F1D25BA0 | M276591 | Selected Works Bk. 2 | Reprint edition including 2 chaconnes, 2 fugues, and 2 ricercares. Edited by Max Seiffert. | Organ Solo |