Titles
Showing 11,601-11,620 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11601 | A9720182-06A5-4BA4-BA84-C240CBC03101 | EBM0610144 | Malaguena for Chamber Orchestra | This orchestral arrangement by Ferde Grofe is for a smaller than standard compliment of winds and brass and includes the addition of saxophones. A transcription for full symphony orchestra by Morton Gould is also available from the publisher, as well as an arrangement by Irvin C. Kauffman for solo guitar with accompaniment by strings, brass and percussion. | 1.1.2.1: 3Sax: 2.3.2.0: Timp.Perc: Hp: Str | |
| 11602 | A977DA4B-BB87-4D47-B002-3A0DF7311EFC | SC288 | Sweet Are the Thoughts | Satb | ||
| 11603 | A9797B9D-3E66-4390-B2D4-8D6593E120CD | R01421 | Carnival of the Creatures | Premiere by the New Jersey Symphony Orchestra 2/12/11 | 2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(2).Hp: Str | |
| 11604 | A97E27BD-8254-44B3-A94A-3DF3349C4848 | R00113 | Dream Realized, Nightmare Resolved: Symphony No. 2 | 4(2d Piccolo).2.2+Bass Clarinet.2.Tenor Saxophone: 4.2.2.1: Timpani.Percussion(3).Piano.Harp: Strings | ||
| 11605 | A9877E07-A8D4-4CCD-B3A8-1A61213DDD6F | 60730001 | From Jewish Life, No. 1: Prayer | In 1924 Ernest Block composed FROM JEWISH LIFE (B. 54/ IEB 6), a set three short pieces for cellist Hans Kindler. The popular first song, PRAYER, was written in the style of a hymn of petition in a traditional Ashkenazi synagogue that starts with a four-note motive in the minor mode. Reprint edition. | Violoncello and Piano | |
| 11606 | A988B37C-C997-4B23-8562-743A95B6D98D | 52703130 | Royal Fireworks Music for String Quartet | Here's a fine arrangement of Handel's classic that includes the very famous "La Rejouissance." This is fine Baroque music, suitable for working quartets and students at the medium level. | Violin 1, Violin 2, Viola, Cello | |
| 11607 | A989C5B2-975E-43E1-9FBD-8417318A01AA | A276702 | Carmen: Act I (No. 5), Scene and Habanera: L'amour est un oiseau rebelle | While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the "Habanera" and "Toreador Song" among the best known of all opera arias. "Habanera" is the popular name for "L'amour est un oiseau rebelle," sung by the the title character during her first entrance in Act I. | 2.2.2.2: 4.2.3.0: Timp.Perc(1): Str (4-4-3-3-3 in set): Solo Mz: Mix Chor | |
| 11608 | A98AA47E-20D9-4FD4-8E17-56CB5048CCE9 | A015390 | Sheep May Safely Graze | Full Orchestra | ||
| 11609 | A98D6EEB-B21B-469C-BADB-6FBBE6BCC253 | MP530003 | Poems of Life: 12 Poems by Judith G. Wolf for Countertenor, Cello and Piano- Vocal/ Piano Reduction | This piece, along with three others, earned the composer a Grammy for the 2018 Best Classical Compendiumposer's program note excerpt: Judith G. Wolf ’s expressive poems take us on a memorable journey through everyday life, the support of family and friends, the joy of love, and the pain of grief and loss. I was moved by her work to compose Poems of Life, an orchestral song cycle that sets to music twelve poems from Wolf ’s most recent volume of poetry, Otherwise. The poems weave a narrative of eternal love, the pain of loss through death, emotional transformation through grief, and spiritual enlightenment. Prologue 1. Ethereal 2. Time Slips Away Movement 1 3. Gary Died 4. Just Like That 5. Watching for Death 6. Face Movement 2 7. Sisters 8. Forever Gone 9. The Retreat Movement 3 10. The Dream Epilogue 11. Conversation 12. Epiphany. Orchestra accompaniment rental item, soli/ piano score, and individual cello part are all available separately from the publisher. | Countertenor, Cello, Piano- Soli/ Piano score only | |
| 11610 | A9960E73-0298-4356-B1AD-B6232F02A196 | EBM0610112 | Turn, O Libertad | "Turn, O libertad" (Walt Whitman) for SATB chorus and orchestra. The choral octavo, reduced for piano 4-hands, is available separately. | SATB Chorus, 3.3.4.2: 4.3.3.1: Timp.Perc: Pno: Str | |
| 11611 | A997440D-1F7D-4BCD-9DA0-435918E318A1 | M373691 | Scherzo Humoristique | (not set) | Four Bassoons | |
| 11612 | A998D9DD-E51B-4408-8A53-D00DDC807248 | R01561 | Dance Concerto for Solo Clarinet/ Bass Clarinet and Eight Players | Crockett’s dance concerto for clarinet in A, doubling on bass clarinet, and wind ensemble riffs on the theme of its premiere event at the Smithsonian, 'dancing the night away until dawn.’ The work’s form plays out as if the soloist were performing a set as the leader of some sort of dance band on this--or another planet. An expanded version for thirty-three musicians and a piano reduction (titled "Dance Sonata") are also available form the publisher. | Solo Clarinet in A/Bass Clarinet in Bb, Flute (Piccolo, Alto Flute), Horn in F, Trombone, Piano, Violin, Viola, Violoncello, and Double Bass | |
| 11613 | A99EEBE7-EFBB-4B72-9D47-59E9D1F5CC0C | 50100304 | Season of Light | A setting of Break Forth, O Everlasting Light is paired with O Little Town of Bethlehem for a seasonal gem. Lovely in all aspects, it remains accessible to younger players while conveying a sense of maturity and depth. | Concert Band | |
| 11614 | A9A3A4A3-A1BD-452C-AFFC-176AEA22A5CB | K2CB | Las Mananitas | (not set) | Mariachi | |
| 11615 | A9A5A6D6-723D-4C09-81A9-639D02CF4C6B | R154 | Ragtime | (not set) | 2(2dPicc).2.2.2+1: 3.3.3.1: Perc(3): Str | |
| 11616 | A9CD510B-9942-45C9-B28B-DACB41B6B3B4 | M377591 | Flight of the Bumblebee from The Tale of Tsar Saltan | This very well-known work that showcases the virtuosic technical abilities of any soloist is here transcribed for trumpet and piano by T. Dokschitzer and V. Peskin. | Trumpet and Piano | |
| 11617 | A9D3EDFF-5876-41C8-9B92-AEEB1E35883C | S6 | TEXAS TECH ON PARADE ( | |||
| 11618 | A9D6D3BE-95C1-4201-9F3C-DB01648C0845 | R00917 | Folksongs for Orchestra | Formerly titled Four Spirituals for Orchestra. Movements: I. Going to lay down my sword and shield, II. And they crucified my Lord, III. My Lord, what a morning, IV. O, Peter, go ring dem bells | 2+1(Picc).2+1(EH).2.2: 2.2.2.1: Timp.Perc(6). Pno(d. Hpscd).Hp: Str | |
| 11619 | A9D72666-42C0-43AF-906D-A6CDD3B4340D | 10372001 | Rhythm Sessions for Strings, Viola | This is an important new collection for string educators--excellent material for ensemble drill and warm-up. Rhythm Sessions is scored for string orchestra with an optional third violin substitute part for the viola. Extremely cleverly written, they will also provide exceptional encore material! Also included are scale studies and a very useful Rhythm Glossary as an easy reference for practicing specific patterns in a group setting. | Viola | |
| 11620 | A9D7D341-5DAB-4CD6-A26A-011471917370 | 51370203 | Strings Alive | Flexible String Ensemble |