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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11521A876F612-4368-404F-AE78-125359A9A736M261391Nocturne and Scherzo for Horn Quartet4 Horns
11522A879271A-8CA3-4AAE-BFAF-5726C6940302O45JBThe Ten Minute Jazz Improv Vol. 4This fourth volume of the Ten Minute Jazz Improv focuses on the "Two-Five-One" progression. It also inlcludes the bonus chart, "251 Swing Street."- Lesson ScoreJazz Band Method
11523A87B1946-A34B-4E2B-992F-F017235599F6R00955Concerto for OrchestraModeled after Paul Hindemith's Symphonia Serena.2(1d Piccolo).2(1d English Horn).2.2: 4.3.3.1: Timpani.Percussion(3).Harp: Strings
11524A87C96AD-FAEE-4FAE-9488-4B5D693F6288S858CBAmerican AnthemWritten as a response to the events of September 11, 2001, "American Anthem" utilizes the principal motives that are heard in "The Star-Spangled Banner", which is to the composer the most patriotic song and the true American anthem. This piece also celebrates the life of the composer's father-in-law and mentor David Leon Adams, a great musician and World War II veteran, who died during the completion of this work.Concert Band
11525A8814101-3E93-49CA-9BFB-E5D5FAFB48D2W704191Concerto in GThis ever-popular CONCERTO in G by Christoph Willibald Gluck (1714-1787) was likely written in the composer’s early years. It is perfect for students who have arrived at the advanced level. The beautiful slow movement is surrounded by the lively outer movements. Reprint edition.Flute and Piano
11526A88233FB-CB66-452A-8879-7F57AD170D26M300791Quartet In A minor(not set)Two Violins, Viola and Violoncello
11527A8838E58-7F9A-405E-85A1-D7FC7DEA2F33SU96COSinfonia(not set)Brass Quintet
11528A88A4CB2-3B94-41C0-B970-1EFAA5752A7CA933090Le Tombeau de Couperin for Small Orchestra
11529A88C9394-8114-4B00-A2F2-DBB49A77D269A230502Hansel and Gretel (Haensel und Gretel): Fairy-tale Opera in Three Acts (complete)Hänsel und Gretel, a Märchenspiel (Fairy-tale opera) in three acts, was written by Engelbert Humperdinck (1854-1921) in 1890-1892, with a libretto by his sister Adelheid Wette. Humperdinck began to work on the opera upon the request of his sister for a set of four songs for her children to perform, based on the well-known Brothers Grimm tale. From these four songs, the composer worked it into first a singspiel, then a full opera that premiered on December 23, 1893 at the Hoftheater in Weimar, under the baton of the composer's friend, Richard Strauss. An immediate success, the opera was quickly associated with Christmas and is most frequently performed during the holiday season. Instrumentation: 2+Picc.2(2dEH).2+BCl.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str(4-4-3-3-3 in set): Vocal Soli (7 roles SSSAAAB): Chorus. Vocal and choral scores are available separately from Alfred as a Kalmus Classic Edition.2+Picc.2(2dEH).2+BCl.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str(4-4-3-3-3 in set): Vocal Soli (7 roles SSSAAAB): Chorus
11530A88EA734-23EE-4505-BCD2-302D7DAE7694M247391Carnival of the Animals, The (Le Carnaval des Animaux), No. 13: The Swan (Le Cygne)Following a disastrous concert tour of Germany in 1885-86, Camille Saint-Saëns (1835-1921) withdrew to a small Austrian village, where he composed THE CARNIVAL OF THE ANIMALS (LE CARNAVAL DES ANIMAUX) in February 1886. From the beginning, the composer regarded the work as a piece of fun. He wrote to his publishers Durand in Paris that he was composing a work for the coming Shrove Tuesday, and confessing that he knew he should be working on his Third Symphony, but that this work was "such fun" ("... mais c'est si amusant!"). He had apparently intended to write the work for his students at the École Niedermeyer, but it was first performed at a private concert given by the cellist Charles Lebouc on Shrove Tuesday, 9 March 1886. No. 13, THE SWAN (LE CYGNE) is the most popular movement from the suite, and is particularly well-known as a vehicle for cello soloists. A beautiful melody that will flow in the legato style, this solo is one that relies on tone quality. Versions for Alto Saxophone and Bassoon, both transcribed by J. Michael Leonard, are from the publisher.Alto Saxophone and Piano
11531A89475F9-9481-4C01-9559-C1C1E44E42B9MR00510DedicationDedication for chamber orchestra by William Bolcom was written in 2021-2022, especially for the ROCO Chamber Orchestra. The commission was the result of a meeting between Alecia Lawyer and the composer at a Great American Songbook concert, hosted by Arthur and Shelley Gottschalk. Dedication is a concise but dramatic work. Its threepart is determined by tempo and motif. The work begins with Intro: Moderato. After a very soft ostinato sounds from the depths of the orchestra, two melodies emerge: the first in the Piccolo and Eb Clarinet, the second in the English Horn and Bassoon. They are complemented by strings in close harmony and lyrical muted brass. This is followed by Feroce! which engages the tutti ensemble in a cascade of brilliant fortissimo block harmonies. The next section, Allegro molto, is characterized by agile, virtuosic passage work and brash chords. Tempo I returns with familiar motifs wrapped in six sharps. Marked espressivo e cantabile, tutti strings provide an incandescent conclusion. Then soft string glissandi allow the music to fade back from wherever it came. Dedication is orchestrated by his former student Edmund Cionek.2(2nd dPicc).2(2nd dEH).2(1st dECl; 2nd dBCl).2(2nd dCbsn): 2.2(1st dPiccTpt).1+BTbn.0: Perc(1): Hp: Str
11532A8994B23-B976-4B7F-9A60-5CFD37E9D2ADSO18CPrelude for Strings(not set)String Orchestra
11533A899561E-0C77-49E7-B80B-B4BDCD26CA9DC13CBContrapunctus
11534A89D8A20-51BD-429C-B26F-929044D747C7M908402L'Arlesienne Suite No. 2 for BandGeorges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as "The Girl from Arles." This transcription for advance band was made by Charles Godfrey, revised and edited by Alfred Reed. Grade 4.5, Length ca. 18'. Mvts: I. Pastorale II. Intermezzo III. FarandoleConcert Band
11535A8A083D2-5303-4919-B10E-A9F7088A5806ST828BouncingSnare Drum Unaccompanied
11536A8A108AB-CD6B-4BF0-B9D9-3251F62C16E1M805090FandagoThe Fandango is one of Boccherini's most popular works. Its obvious Spanish influence helps make it a natural to transcribe for strings.String Orchestra
11537A8A451BC-936D-40BD-B8A5-D262685B0965A718102Carnival Overture, Op. 92/B. 169 (critical ed.)Written in 1891 as Antonín Dvo?ák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, CARNIVAL is the second work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvo?ák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. CARNIVAL depicts the tumult of a festive carnival setting, full of barkers, vendors, boisterous crowds and, according to the composer about a more gentle passage, "a pair of straying lovers." Johannes Brahms noted in a letter to Dvo?ák's publisher that the work was "merry" and remarked that, "music directors will be thankful to you" for publishing the overtures. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvo?ák conducting. Instrumentation: 2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set). This critical edition was edited by Dvo?ák expert Otakar Šourek, along with František Bartoš and Antonín ?ubr. Study score.2+Picc.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set)
11538A8AA0453-AFB9-4C2E-A48C-367BB0893764X980004Sessions of Sweet and Silent Thought: 5 Sonnets of William ShakespeareFor SSAATTBB acapella chorus; full score with rehearsal piano part. Choral score available separately.SSAATTBB acapella chorus
11539a8ab29d0-9e3a-11f0-a418-0022482c9682B104502Norembega MarchR.B. Hall (1858-1907) was among the leading composers of marches and other music for wind band in his lifetime. Despite having been born in the state of Maine and rarely ever leaving it, his music became so popular in the United Kingdom that lovers of brass bands mistakingly thought him an English composer. His NOREMBEGA MARCH has been arranged here by Arthur Luck.Marching Band
11540A8AB8A9C-F566-430A-BA1D-1465D26B0F4ES98MBThat Good Old Baylor Line/ Baylor FightIn 1906, a student penned humorous words to the tune of "In the Good Old Summer Time," and they became generally accepted among the student body as the school song. However, in 1931, Mrs. Enid Eastland Markham, wife of music professor Robert Markham, feeling the words were not dignified enough nor representative of the total University, wrote new lyrics which were soon sanctioned as the official school song. The "Good Old Summer Time" tune was later arranged to fit Mrs. Markham's "Baylor Line" through the work of Jack Goode and Donald I. Moore. The "Baylor Fight Song" was written by Frank Boggs and Dick Baker in 1947 to replace the previous fight song, which they described as "horribly hard to sing," to get students more excited and involved.Marching Band