Titles
Showing 11,501-11,520 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11501 | a84796cc-9e3a-11f0-a418-0022482c9682 | A951890 | Summer Nights, Op. 7 (Les nuits d'ete): 4. Absence (original key of F-sharp) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys are available from the publisher. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, G, and A), 4. Absence (Db, D, Eb, E, and F-sharp), 5. Au Cimetie?re, Clair de lune (Bb, B, C, and D), and 6. L'lle inconnue (D, Eb, E, and F). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. In Absence, the lover pleads for the beloved to return. Instrumentation: 2.1.2.0: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice). Reprint edition. | 2.1.2.0: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice) | |
| 11502 | A84BF88C-3B54-4BB4-8661-2BED00DBDF69 | 50100330 | Apex | Youngsters love to win, to be at the top, to accomplish something difficult. Apex brings the excitement of accomplishment to first year players. It has the celebration and excitement they crave within the confines of the first year of learning. No divided parts, limited ranges, and simple rhythms mean instant success! | Concert Band | |
| 11503 | A84D7FF6-CA16-4946-AEC0-BD45C92ACCCA | ST345 | Romanza Andaluza | Originally written for violin and piano, Pable de Sarasate's Romanza Andaluza has been arranged for flute and guitar by Irene Maddox and Doug James. It is part of the Guitar Plus series, Michael Fink, Ed. | Flute, Guitar | |
| 11504 | A8561044-BA4A-4807-858F-522AE98157A3 | A296302 | The Pleasure Dome of Kubla Khan, Op. 8 [original version, 1920] | A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge. The composer originally wrote it for piano in 1912. Four years later, at the encouragement of Ferruccio Busoni, he expanded it into a shimmering symphonic poem. Following the first performance in the autumn of 1919 under the direction of Pierre Monteux, it achieved great success and remains one of his most frequently-performed works today. The work reveals the influence of French impressionism, meandering through the lush gardens of the legendary palace. This edition by Gregory Vaught is part of the Nieweg Performance Editions series. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set). | 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set) | |
| 11505 | A8561F7A-95E8-4256-84DB-61EDA44039B6 | 20548232 | Three American Folk Songs | Optional TC and BC parts for the first and second instruments allows a host of choices between trombones and euphoniums with tubas. All in E-flat, this is good contest music. | Euphonium (opt. Trombone) 1, 2 and Tuba 1, 2 | |
| 11506 | A8562466-3DCE-45E0-9252-5D8669F174AD | ST883 | Swing Suite | I. Dixie Jam, II. Licorice Blues, III. Boogie | Clarinet Unaccompanied | |
| 11507 | A8589B18-BD30-40E4-BF4E-D76EF4A1C469 | 52730016 | Hungarian Dance, Op. 51 | Venturing into tenor and treble clef for flashy passage work, advanced students can show off with this fun piece. | Cello, Piano | |
| 11508 | a858a396-9e3a-11f0-a418-0022482c9682 | A951990 | Summer Nights, Op. 7 (Les nuits d'ete): 5. Au Cimitiere: Clair de lune (original key of D) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys are available from the publisher. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, G, and A), 4. Absence (Db, D, Eb, E, and F-sharp), 5. Au Cimetie?re, Clair de lune (Bb, B, C, and D), and 6. L'lle inconnue (D, Eb, E, and F). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Au Cimetie?re: Clair de lune (At the Cemetery: Moonlight) is a lament after the death of a beloved, where the bereaved lover has visited the graveyard and is disturbed by a ghostly vision of the past lover. Instrumentation: 2.0.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice). Newly engraved edition. | 2.0.2.0: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice) | |
| 11509 | A859958E-C8F3-45E1-A194-B38118F857D1 | EBM0610080 | Intersections for Orchestra and Tape | Composed when MacInnis was the Composer-in-Residence for the Atlanta Symphony Orchestra under Robert Shaw in 1968-69. Premiered by same. | 2.2.2.2: 2.2.3.1: Timp.Perc.Hp.Tape: Str | |
| 11510 | A85A0708-B74D-4953-9705-289067961527 | X089001 | Shehecheyanu | Liturgical piece for cantor, guest soloist, SATB, and organ. | Voc Duo, SATB Chorus, Organ | |
| 11511 | A85B9CD2-9CE0-485D-BC83-4233D8528247 | EBM0630075 | And Death Shall Have No Dominion | Text by Dylan Thomas. | Mixed Chorus, Piano and Strings | |
| 11512 | A85CA766-271D-4C38-809C-84471C790427 | A193702 | La Cenerentola: Overture (original Italian edition) (Cinderella) | 2d1, 2, 2, 1 - 2, 2, 1, 0, timp, perc, str | ||
| 11513 | A85FD2B6-B5BE-4021-9F9E-C698FB3EA00D | 52250533 | Wisteria Waltz | A wistful, nostalgic melody in D major makes its way throughout the orchestra in this original waltz. The B section in D minor features a lyric bass line and melodies in the inner parts that allow other sections to be featured. | String Orchestra | |
| 11514 | A8603F74-3289-4BC1-A393-48634EE422AC | ST596 | Terzetto No. 5 | This arrangement by Himie Voxman of Terzetto No. 5 by Jospeh Pranzer is for three flutes, but can also be performed on any three like treble clef instruments. | Flute Trio | |
| 11515 | A861441B-020F-4896-8884-8DBEB1312535 | 51250906 | Allegro | String Orchestra | ||
| 11516 | A8626A29-48AC-4AF1-8418-D4B20503A5DE | M202591 | Collected Songs, Vol. 6 (1913) | The Collected Songs by Jerome Kern are published in 16 volumes and include the master song-smith's best known tunes from his different eras. Volume 6 (1913) includes the following: 1. Alone At Last; 2. By the Country Stile; 3. Each Pearl a Thought; 4. I Can't Forget Your Eyes; 5. I Know and She Knows; 6. An Irish Husband; 7. I've Got Money in the Bank; 8. If We Were on Our Honeymoon (Railway Duet); 9. Katy-Did; 10. A Little Bit of Silk; 11. Honeymoon Lane; 12. Come on Over Here; 13. A Little Thing Like a Kiss; 14. When Three Is Company (Cupid Song); 15. A Wifie of Your Own; 16. Will It All End in Smoke?. Reprint edition. | Voice and Piano | |
| 11517 | A864695A-E2AC-4DE6-B0A9-33ACE3A7CDF5 | X410026 | Seascape Passion: Midday Brightness (Third Piano Sonata) | Seascape Passion: Midday Brightness (Third Piano Sonata) (2002) was commissioned for and is dedicated to pianist and composer Marco Modaro. It was inspired both by his own compositional work and his pianistic abilities. The other inspiration for the work is taken from the writings of the Scottish poet George Mackay Brown (1917-1996), much of whose work dealt with the "transposition" of religious imagery and symbolism from its traditional context into the context and distinctive landscape of his native Orkney Islands of North Scotland. | Solo Piano | |
| 11518 | A866B6DE-EEE4-4FFB-AF36-31215980B3BE | 10250081 | Intermezzo from Cavalleria Rusticana for String Orchestra | Pietro Mascagni (1863-1945) is best known for his short opera, Cavalleria Rusticana. First performed on May 17, 1890 at the Teatro Costanzi in Rome, it enthralled the audience so much that they demanded several encores. The opera frequently appears beside Pagliacci, another one-act verismo opera by his contemporary Ruggero Leoncavallo. The beautiful Intermezzo, here arranged for string orchestra by Gerald R. Doan, is famously heard in the title credits to Martin Scorsese's film Raging Bull. | String Orchestra | |
| 11519 | A867C791-4B40-4444-8330-CADEBDA5B7C0 | SS22 | Rudimental Rondo (only-in-b226/17+1) | Snare Drum Unaccompanied | ||
| 11520 | a86a794a-9e3a-11f0-a418-0022482c9682 | A952090 | Summer Nights, Op. 7 (Les nuits d'ete): 6. L'isle Inconnue (original key of F) | The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys are available from the publisher. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, G, and A), 4. Absence (Db, D, Eb, E, and F-sharp), 5. Au Cimetie?re, Clair de lune (Bb, B, C, and D), and 6. L'lle inconnue (D, Eb, E, and F). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. L'île inconnue (The Unknown Island) asks for the unattainable, a place where love is eternal. Instrumentation: 2.1.2.2: 3.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice). Newly engraved edition. | 2.1.2.2: 3.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (high voice) |