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11461A7B57511-D920-45BD-9E90-F10832B1DAF6EBM242000Primer and Other Duets for One Piano, Four HandsA revival of interest in four-hand music seems long overdue! Primer reviews the ensemble in a series of short studies, involving unusual hand displacement, rhythmic counterpoint, and the like. “Primer,” the first study, is choreographic in nature; “Whirligig,” a pitting together of musical wheels; “Wild Horses,” a study in coordination; “Mr. S's Magic Dice,” interlocking of hands between players. “A Gray Day in Venice” begins a series of stylistic adventures, here an evocation of a Mendelssohnian gondola, where “Action-painting” invokes the carefully scattered drips in Jackson Pollock. “La Sarabande de l'Infini” is one of two wreaths laid at the tombs of two French masters of piano music for four hands, here Debussy; and for a finale “Hommage a Satie, le Divo de l'Empire,” recalling the Velvet Gentleman's cabaret career. Also includes the first publications of Chabrieriana a compact tribute to the Romantic French composer, Emmanuel Chabrier, and Sentimental Waltz, a dedicatory piece to a friend. The previously-published Dedicace is also included.One piano, 4 hands
11462a7b69a05-9e3a-11f0-a418-0022482c9682A941890Pictures at an Exhibition (Ravel/ Rogers 2025 edition, complete)Modest Mussorgsky (1839-1881) composed PICTURES AT AN EXHIBITION for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly performed version of the piece is an orchestration by Maurice Ravel. In fact, Ravel's orchestration drew enough attention to the once-obscure piece to place it in the modern piano repertoire. Ravel based his orchestration on Rimsky-Korsakov's version of Mussorgsky's score published after Mussorgsky's death. Ravel's choices of featured instruments for color are widely admired, including a trumpet representing a peasant in "Samuel Goldenberg and Schmüyle" and a saxophone representing a minstrel in "The Old Castle". Ravel’s orchestration of PICTURES AT AN EXHIBITION premiered in Paris on October 19,1922. This 2025 edition by Mark Rogers of Mussorgsky’s PICTURES AT AN EXHIBITION, as orchestrated by Maurice Ravel, consists of an entirely newly engraved score and parts. Players will appreciate the fact that combined parts from the first edition (for example 1st and 2nd Flutes on the same part) have been separated, entirely eliminating unworkable page turns that have vexed players for nearly a century. The edition is based on the original French score and parts and later sources. Ravel’s original rehearsal numbers are retained so that this edition is entirely compatible with old scores which conductors may wish to use, and measure numbers have been added as a tool for additional negotiation around the score. The Bass Clarinet in A has been transposed to B-flat, and supplemental parts for clarinets and trumpets in B-flat, and bassoons and trombones in bass clef have been added. Incorrect notes and inconsistent articulations have been clarified as needed. Instrumentation: 3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set). The original published Ravel edition is also available from Edwin F. Kalmus. Study score.3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: Asax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set)
11463A7B87D24-9E73-40A3-B22A-3AF533684D52X411009By the SeaThis three-movement suite was written for Tachell Gerbert and Bradley Gregory. The work is based fragmentally on the tune from the popular song written in 1914 by Harry Carrell and Henry Attenridge, which is appropriate as the composer's inspiration is the Pacific Ocean, located a few miles from her home in Santa Barbara. The movements are not meant to be impressionistic imaginings of the ocean, but rather moods intrinsically related to the happiness, sometimes nostalgia, of the melody and the romance, the idea of being by the sea with someone you love.Piano Four Hands
11464A7BA829B-6632-494B-A195-FAEDF2D01F21X062001Midsummer Diversions for Cello and TubaDuo for cello and tuba, written for Janos Starker and Harvey Phillips.Cello, Tuba
11465A7BEA25B-3B86-467C-A1D6-DBAE326C862DSS703SerenataPerfect for the intermediate to advancing player, this Serenata in three requires technical facility to achieve a very lyrical melody. Versions for both Alto Flute in G and Clarinet in Bb are available from the publisher.Alto Flute and Piano
11466A7C468DB-331C-4FC2-9E66-A302F2CC72CD10100443Hallelujah TromboneOriginally published as Shoutin' Liza Trombone to appease the objection of the young Fillmore's father over the inclusion of a quote from Handel's Hallelujah Chorus, this trombone 'smear' has long been a favorite. Expertly arranged and edited, this new Loras John Schissel Band Edition belongs in every band library.Concert Band
11467A7C74ED4-C086-450C-8860-679F96AE7C9716800128Orange And BlueWritten for SATB chorus, a capella. Each color is its own song. Composed for and dedicated to Arthur Sjogren for the Festival of Flanders, Bruges, Belgium, Fr. G. Martens Director.SATB, a capella
11468A7C8C8C4-F319-49E3-B9FC-5EE0375ED230ST652Gracile RhythmGracile Rhythm is an advanced snare drum workout which highlights the drummer's position control playing at the center, edge, and rim of the instrument, creating a shimmering, melodic effect.Snare Drum Unaccompanied
11469A7CA898F-BA82-4502-88C7-E3FEEBBCD654MP814042Minicabs
11470A7D21690-9ED7-4745-8E86-05B54A792AD1ST868Capriccio(not set)Flute Choir
11471A7D3C070-8AB5-4F31-B15B-9F5920B9017BX191001Hajiani (Reality Music No. 1) for Micro-tonal Trumpet in C and ElectronicsThis work for the micro-tonal trumpet in C and electronic audio offers detailed suggestions and alignment points for the performer to co-ordinate easily with the electronic audio accompaniment, which consists of two Ney Anbâns (Persian bagpipes). The electronic audio may be attained from the publisher's website.Micro-tonal Trumpet in C and Electronic Audio
11472A7D3F3DB-80C7-415A-9E2F-804A813DAB64M310191Sonata in A minor for Violin and Piano, Op. 34The Sonata in A minor for Violin and Piano dates from 1897 and was premiered in the same year with the composer at the piano and Franz Kneisl, concertmaster of the Boston Symphony Orchestra as the violin soloist. In the Morning Journal, January 5, 1897, Mr. C. L. Capen describes the sonata as “an eminently sincere, spontaneous and able work, and one that bears the stamp of originality, as well as scholarship of surpassing merit.” The opening movement, Allegro moderato, is dark and autumnal, followed by a bright Scherzo, complete with contrasting trio. The third movement, Largo con dolore, is mournful and elegaic, and the finale, Allegro con fuoco is explosive and dramatic and exhibits effective canonic counterpoint between the instruments. Stylistically, the Sonata is influenced by Schumann, Brahms and Franck. It was first published by the Arthur P. Schmidt Company in 1899 and has since become one of Beach’s most popular pieces.Violin and Piano
11473A7DE80E1-0DE3-4AE8-8771-729521F6589AA789102Suite of 3 Characteristic Pieces, RT VI/6a (Suite de Trois Morceaux Caracteristiques): 3. Marche CapriceSUITE OF THREE CHARACTERISTIC PIECES, RT VI/6A (SUITE DE TROIS MORCEAUX CARACTERISTIQUES) belongs to a patchwork of early orchestral pieces by Frederick Delius (1862-1934) that has proved difficult to catalogue. The principal reason is that the composer made little attempt to publish or perform this music during his lifetime. In 1889, the year of their composition, Delius integrated these movements into the SUITE D’ORCHESTRE, which also included a berceuse and a theme and variations. Of the three "characteristic" movements, the concluding "Marche Caprice" was first performed and recorded in 1946 by Sir Thomas Beecham, who arranged and edited this edition as part of his pioneering efforts to bring many of the composer’s lesser-known works into the concert hall. Instrumentation: 2(2nd d. Picc).2.2.2: 4.2.3.1: Timp.Perc(3-4): Str (9.8.7.6.5 in set).2(2nd d. Picc).2.2.2: 4.2.3.1: Timp.Perc(3-4): Str (9.8.7.6.5 in set)
11474A7DF36BD-9C57-4963-AD72-9FE2F97DE8C5R01291Desiring the Solicitude of RainDesiring the Solicitude of Rain (2003-04) for tenor and chamber orchestra was commissioned by and is dedicated to tenor John McMunn in friendship and admiration. The work was conceived with his virtuosity and support of new music in mind. The text is a three part poem by American poet Kathleen Wakefield. The poem is evocative, with a landscape of rich imagery using the rain as its starting point.Tenor Solo, Oboe, Clarinet, Horn, Trumpet, Perc(1), Str (min. 2.2.2.2.1)
11475a7e98373-9e3a-11f0-a418-0022482c9682A942290Waltzing Cat, The (Orchestra Version)Leroy Anderson was very versatile in the realm of light classics, composing music depicting a ticking clock (THE SYNCOPATED CLOCK), a sleigh ride (SLEIGH RIDE), a typewriter (THE TYPEWRITER), and this clever work, THE WALTZING CAT. These works exhibit Anderson’s grasp of instrumentation and ability to orchestrate lifelike animal sounds. For example, at the end of SLEIGH RIDE, we hear a trumpet whine like a horse, and here in THE WALTZING CAT, the strings depict the cat’s meow. The work opens with a lazy waltz theme played by the strings, whose use of portamento on key notes creates the meow effect. The middle section is reminiscent of lots of playful cat-and-mouse-like action. The nonchalant main theme returns to close out this charming work. The work has been revised and edited here by R. Mark Rogers, boasting newly engraved parts and the inclusion of a full score for the very first time. Instrumentation: 2+Picc.2.2.2: ASax(2).Tsax: 4.3.3.0: Perc(3-4): Str (9-8-7-6-5 in set).2+Picc.2.2.2: ASax(2).Tsax: 4.3.3.0: Perc(3-4): Str (9-8-7-6-5 in set)
11476A7F16097-7696-4555-9A47-874D6B56F5C110420209Minuet and Allegretto for Oboe and Piano(not set)Oboe and Piano
11477a7fddcf5-9e3a-11f0-a418-0022482c9682A942590Concerto for Trumpet in E-flat, Hob.VIIe: 1Franz Joseph Haydn (1732-1809) composed his CONCERTO FOR TRUMPET in E-flat, Hob.VIIe: 1 for the trumpet virtuoso Anton Weidinger. Weidinger was dissatisfied with the limited range of the “natural trumpet” as the instrument was then constructed, so he invented a new seven-keyed version on which the player could play a full chromatic scale. Weidinger’s version of the instrument was briefly popular but declined in popularity with the invention of the currently used valved trumpet in the 1820s. Haydn’s CONCERTO FOR TRUMPET in E-flat premiered in March 1800 in Vienna with Weidinger as the soloist. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set): Solo Tpt in set. This edition by Hans Ferdinand Redlich includes his original score and newly engraved parts, both with new rehearsal numbers added. Horns and trumpets are available in both the original and transposed keys. Study score.2.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set): Solo Tpt in set
11478A801EE6E-7104-4EFD-8899-FC9599256E4DST416Adagio and AllegroFrom the composer's Sonata No. 1.Tenor or Soprano Sax, Piano
11479A8025201-5991-45F5-A43F-910935098D4ESS79FANTAISIE ORIENTALE (O
11480A803FFE8-0B1A-47AB-AAFD-7CA06452B3ABM320391Variations on a Medieval Song(not set)Violin and Piano