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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11381A650E24D-5CD1-40EC-8E76-CF6EB2314BF6M206691Three Spanish DancesInspired by Spanish folk music idioms, Isaac Albeniz wrote THREE SPANISH DANCES. This version is for Violin and Piano. Mallorca (Barcarola), Zambra granadina (Danza oriental), Puerta de tierra (Bolero)Violin and Piano
11382A65331A5-73CE-408F-AAF4-1C6B33DD630DM906902Marche Slav, Op. 31"Marche Slav" is a rousing patriotic work based on Serbian and Russian folk themes. Tchaikovsky was commissioned to write the piece specifically for a concert to benefit Serb soldiers wounded while fighting (with help from Russian volunteers) against the Ottoman Empire. Hence, the title declared it a march for all Slavs.Concert Band
11383A65EC899-CEC8-4F3C-B044-8E37469CE6B4S252MBCadet Colonel March(not set)Marching Band
11384A663EAEE-B5A6-4DB6-937A-65E34D3EF356SS334Serenade EspagnoleHorn
11385A665321C-D792-4DD4-9705-5FC82322C7E750100326Japanese Suite, Op.33Japanese Suite (Op. 33, H. 176) was written in 1915 for Japanese dancer Michio Ito and was Holst’s last composition before writing The Planets. The themes were provided by Mr. Ito with the exception of the Dance of the Marionette.Concert Band
11386A6674DF8-D101-4AFB-9F4F-48B1098E62DEA863490WaveAntonio Carlos Jobim (1927-1994) was a composer, songwriter, and singer who combined Brazilian samba and jazz to create the bossa nova style, which achieved worldwide popularity in the early 1960s. His bossa nova song WAVE, featured in the title track of his 1967 album, was a major success for this brilliant Brazilian composer. The lyrics were written later that year by the composer himself. This treatment is filled with the harmonic surprises that make Mike Lewis' work so wonderful. Instrumentation: 2.1+EH.1+BCl.2: 2.2.0.0: Perc(1).DrmSt: Gtr.Pno.JzBs: Str(9-8-7-6-5 in set).2.1+EH.1+BCl.2: 2.2.0.0: Perc(1).DrmSt: Gtr.Pno.JzBs: Str(9-8-7-6-5 in set)
11387A668B4F4-32EB-41D7-895C-FB2181A6D84CS1048CBCountry Gardens for Symphonic BandOne of Grainger’s most popular piano encores was improvisations on English Morris Dance tunes that he programmed as COUNTRY GARDENS. Adolf Schmid’s 1925 orchestration displays many features that bear witness to his deep knowledge of Percy Grainger’s orchestral palette, making it ideal for symphonic wind band adaptation. Grainger’s mature concept of the wind band is seen in CHILDREN'S MARCH, LINCOLNSHIRE POSY, and LADS OF WAMPHRAY. With this knowledge in hand, Mark Rogers has created a wind-band scoring (appearing for the first time with full score) that should delight conductors looking for a concise introduction into the world of Percy Grainger.­Concert Band
11388A66F2B25-CB75-44AD-B11F-1FAC3EA66862S119001Mosaics 1
11389A670C769-A4A7-4102-8244-7098D1BF6BF550100144Fantasia on KingsfoldThere are few tunes as beloved as Kingsfold. It appears in 98 hymnals and is sung all over the world. This brilliant and highly original treatment is both reverent and celebratory. It makes a perfect addition to any concert, holiday or otherwise.Concert Band
11390A6713FD4-F1DD-4BFC-A7CD-AF65CC0959A6S499PTSpirit of Christmas, The
11391A677A14E-939C-43F9-A588-EF317E7A7B81A779502Klingenden Geographie; Part II: 22 Pieces [contemporary transcription]str, hpchd in sc
11392A67849E0-614F-4FE0-BEE0-7B39AD307778A909202Il Trovatore - Ballet Music [Paris version]1+1, 2, 2, 2 - 4, 2+2, 3, 1, timp, perc, hp, str
11393A67A84E6-3F9F-4AA1-A5AA-13FF3419DEF7A805302Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, medium voice (E-flat, original key)Gustav Mahler (1860-1911) composed SONGS TO POEMS BY RUECKERT (SONGS AFTER RÜCKERT; RÜCKERT-LIEDER) between 1901 and 1902. They were not conceived of as a cycle, with each song only connected by the poet Friedrich Rückert and the themes. But they were published together, first as SIEBEN LIEDER AUS LETZTER ZEIT (SEVEN SONGS OF LATTER DAYS) with two additional Mahler songs, then with only the five songs. They have simply come to be known as Rückert-Lieder and are now most frequently performed together, although Mahler did set other Rückert poems aside from these five. The third song, ICH BIN DER WELT ABHANDEN GEKOMMEN (I AM LOST TO THE WORLD), here presented in the original key of E-flat for medium voice, distills the lonely plight of the artist forgotten by the world but finding solace in art and introspection. Upon reflection, Mahler once declared, "It is truly me." Instrumentation: 0.1+EH.2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Med. Voice. Reprint edition.0.1+EH.2.2: 2.0.0.0: Hp: Str (9-8-7-6-5 in set): Solo Med. Voice
11394A684C0FF-E5B4-4106-9B0A-68652F819020ST533COCanticum Trium Puerorum(not set)Brass Choir
11395A6881574-C6F3-4FE3-BAEB-368ACD092032MP944004I Lately Lost a Preposition for SATB Choir and Piano (or Mallet Percussion or Celesta)The text for this comes from a poem entitles "The Naughty Preposition" by Morris Bishop. It has been set to SATB choir here with piano, mallet percussion accompaniment, or celesta.
11396A68934EF-DD86-4CAB-BFCC-2F3FB1E7CD06S230Friendship (out-of-print)Concert Band
11397A68E8AC8-6DBD-4C8A-B4A9-1D459B48CB9752702030Wedding Waltz for String TrioString Trio
11398A693EEAF-4D99-4966-B2FF-4FA327224C46SS102Dancing Man, The (out-of-print)Percussion Ensemble
11399A69661AA-1862-40BC-8A4A-6E6B8DC7287DM228691Leaves From A Child's Album for Piano(not set)Solo Piano
11400A696F23D-082D-4EF8-AD67-945BF913D49452240460What Wondrous Love is This?This tune is a favorite from the "Southern Harmony" collection, with a very American flavor in modal D minor. Although this arrangement will work with a quintet, doubling only enhances the lush scoring. This versatile score provides for a variety of solo parts, including Flute or Oboe, Trumpet (Flugelhorn) or B-flat Clarinet, and Horn in F.Solo Instrument and String Orchestra