Titles
Showing 11,321-11,340 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11321 | A5622040-15F8-4CF3-B891-1A437F1F98CB | ST849 | No. 2 Funk | This solo can also be played as a duet with the drumset solo, "Funk No. 2" (ST746), also available from the publisher. | Timpani Unaccompanied | |
| 11322 | A5644731-C0D8-447D-867E-D2798DDE0B99 | RMR14WWCH | Elsa's Procession to the Cathedral | This processional from Wagner's well-known opera "Lohengrin" has been arranged for small wind ensemble by R. Mark Rogers. | Small Wind Ensemble, 1 player per part: 2.1+EH.2(1dEb).2+Cbsn: 2.4.3.1 | |
| 11323 | A565C068-279A-4685-BCEF-E5878799B13E | 10540145 | POP - See 10530145 - Brass Bangles | Baritone B.C. Solo and Piano | ||
| 11324 | A56EC1C2-18BF-4277-9E3E-C79042052944 | A527202 | Das Paradies und die Peri, Op. 50 | DAS PARADIES UND DIE PERI (PARADISE AND THE PERI), Op. 50, is a secular oratorio by Robert Schumann (1810-1856). It is based on a German translation of a story from LALLA-ROOKH, an 1817 collection of four chivalric romances by Thomas Moore. The tale, divided into two parts depicts a supernatural winged creature from Persian folklore, called a peri, who tries to regain entry into Paradise after having been expelled. Completed in 1843, the work premiered in Leipzig on December 4, 1843 under the direction of the composer. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc (2-3). Hp: Str (4.4.3.3.3 in set): Solo SATB. Mx Chor. | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc (2-3). Hp: Str (4.4.3.3.3 in set): Solo SATB. Mx Chor | |
| 11325 | A573A27F-7C95-47F4-BFF2-ED3520DF9EBE | M329791 | Vespers Of Virgins | (not set) | Organ | |
| 11326 | A582E631-D581-426F-90F6-596DD5BCE38A | S555 | Poetic Intermezzo | This breautiful, lyrical piece was commissioned by the North Hills High School Band, Pittsburgh, PA, Warren Mercer, Conductor. | Concert Band | |
| 11327 | A58512A0-AD9F-4D4E-920C-DAD84E8818B1 | O29JB | Lament in d Minor | (not set) | Jazz Band | |
| 11328 | A585A35E-E3A6-45ED-8A2C-9BD9A08B8046 | M244191 | Finnish Folksongs | (not set) | Solo Piano | |
| 11329 | A5894E34-6081-4C8D-AFCF-AF6B902FC036 | SS109 | Last Spring, The (out-of-print) | Horn Choir | ||
| 11330 | A58A5583-CE6E-4F06-9F43-0E261AE43464 | SS200 | Little Suite | Flute, Clarinet | ||
| 11331 | A58C4ABC-B84D-4267-A443-DF62EC2F254D | A587202 | Intermezzo, Op. 117, No. 1 in E flat Major | Johannes Brahms' (1833-1897) Op. 117 consists of three short intermezzi originally written for piano in 1892. Each of the intermezzi is slow and meditative. Intermezzo No. 1 is a lullaby, and this orchestration was completed by Paul Klengel. Instrumentation: 1.0.2.2: 2.0.0.0: Str (9-8-7-6-5 in set). | 1.0.2.2: 2.0.0.0: Str (9-8-7-6-5 in set) | |
| 11332 | A5940B31-62F7-4E66-8BCF-EFE9C6DB2BBF | V26 | Stand Tall | Piano/vocal | ||
| 11333 | A5940C00-EEDB-438E-AEFE-2DD3C068B4FE | B388502 | Litany: "In Terra Pax" | Written following a visit to both the nuclear holocaust "ground zero" of Hiroshima, Japan, and the more conventional holocaust of Pearl Harbor, the opening of this work is meant to capture the solemn and mournful sound of the massive bell at Hiroshima's "ground zero." Remaining melancholy throughout, the composer writes, "The composition, like a prayer, has no answers. Maybe there is no answer. Perhaps a solution must be found within each of us, before there is no longer time." Litany was commissioned by the Galesburg-Augusta, MI, High School Band, Martin Benstein, conductor. | Concert Band | |
| 11334 | A595EAAE-A04C-4D38-8E28-A9FDDE017B45 | S570CB | March of the Bell-tones | (not set) | Concert Band | |
| 11335 | A5A2AEDC-CB39-49F4-BA6A-DD43716C5DF4 | X504053 | String Quartet No. 1 "Calvary" | This three-movement string quartet is based on the African American spiritual "Calvary". | String Quartet | |
| 11336 | A5A6C92B-5E30-4972-BBAA-00999DB46919 | 20712446 | Songs From Elijah | (not set) | Violin 1, 2 and 3 (opt. Viola) | |
| 11337 | A5A70D6E-8D43-4B9B-B027-AB835BC73813 | 20250704 | Thing-a-ma-jig, A | (not set) | String Orchestra | |
| 11338 | A5ABC03D-F5D6-4DA9-83D5-809831253EAE | A790202 | Circus: An Overture | Ernst Toch’s (1887-1964) CIRCUS: AN OVERTURE, written in 1953 is meant to evoke the atmosphere of a circus and recalls some of the most common types of music heard there. The piece opens and closes with a march theme, and in between, suggests an interaction between animals and their tamer along with clowns performing a ladder stunt. Toch, who came to the United States to escape Nazi Germany, was also a professor of philosophy and was awarded the Pulitzer Prize in Music in 1956. Instrumentation: 2(d. Picc)+Picc.2.2.2: 3.3.3.1: Perc(3-4): Pno: Str (9.8.7.6.5 in set). | 2(d. Picc)+Picc.2.2.2: 3.3.3.1: Perc(3-4): Pno: Str (9.8.7.6.5 in set) | |
| 11339 | A5AC9A7D-20F7-4149-AFDE-C6D2D4AA34E9 | M911502 | Polka from The Bartered Bride for Band | Concert Band | ||
| 11340 | A5ACA4C5-DDE3-47C6-80E6-13CD4AD38489 | R00001 | After the End | (not set) | Piano Solo: 2.2.2.2: 2.2.1.0: Perc(1): Str |