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11481A8087B08-B351-4222-A8B6-B6877C4CE88510100246Blues for a Killed KatEarly one winter morning after playing at a Jazz club, composer and clarinetist Jack End observed a cat that had lain dead for a few days to be still in the dimly lit gutter in front of Sibley Music Library. Wen he dropped the instruments in his studio he sat at the piano to express his sadness - what else but with a Blues. His band played Blues for a Killed Kat for years and so did those who gathered for an Eastman School of Music class reunion in 1960 when Frederick Fennell asked him to score it for The Eastman Wind Ensemble. The Tokyo Kosei Wind Orchestra recorded it twenty-five years later in 1986 when Jack End died in his 67th year.Symphonic Band
11482A809D021-8269-442A-AE8C-D501DBD0E3A9A105290Eine kleine Nachtmusik (Serenade in G), K. 525string orchestra
11483A810CA69-44B6-4981-9E41-1089ED689AD2ST5761812 RiffTrumpet
11484A815EDCC-51F1-48D7-A61B-27B4EE08197E50353008Duets For Christmas, Trombone/ Bassoon/ Euph BCDuets for Christmas is a collection of 26 holiday favorites, tastefully arranged in traditional style and playable by performers with intermeidate ability. The duets can enhance any music program, ceremony, or family get-together devoted to the celebration of Christmas, or they can be played simply for the pleasure of playing duets with a friend.Trombone, Bassoon, Euphonium B.C.
11485A816457A-E585-4EDF-953F-0BDADCAFF2C310100224Serenade in Eb, Op. 7Written in 1881, this Serenade in E-flat for 13 wind instruments was written by Richard Strauss when he was only 17 years old. His father, the principal horn player with Munich's court orchestra, had a select list of older composers that he preferred, including Mozart and Mendelssohn, and his father's influence can be seen in his son's work, both in the inclusion of a larger horn section and the use of his father's more conservative musical preferences. The work is much more than simply a capable imitation of Mozart and Mendelssohn, though. It represents Strauss' filtering and distillation of these influences into something remarkably original and identifies the young man's future as one of the great composers. This edition by famed band master Frederick Fennell addresses balance issues and supplies the director with some additional instrumentation options. Instrumentation: 2.2.2+CBCl(opt).2+CBsn: 4.0.0.0: CtrBs(opt).2.2.2+CBCl(opt).2+CBsn: 4.0.0.0: CtrBs(opt)
11486A8196D4F-9886-491E-8F3A-2517D070AB24SS403Copper Bowls, TheTimpani Unaccompanied
11487a81b4434-9e3a-11f0-a418-0022482c9682A942690Pictures at an Exhibition (Ravel original edition, complete)Modest Mussorgsky (1839-1881) composed PICTURES AT AN EXHIBITION for solo piano as a musical depiction of a tour through an exhibition of paintings by his late friend Viktor Hartman. The most commonly performed version of the piece is an orchestration by Maurice Ravel. In fact, Ravel's orchestration drew enough attention to the once-obscure piece to place it in the modern piano repertoire. Ravel based his orchestration on Rimsky-Korsakov's version of Mussorgsky's score published after Mussorgsky's death. Ravel's choices of featured instruments for color are widely admired, including a trumpet representing a peasant in "Samuel Goldenberg and Schmüyle" and a saxophone representing a minstrel in "The Old Castle". Ravel’s orchestration of PICTURES AT AN EXHIBITION premiered in Paris on October 19,1922. Instrumentation: 3 (2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: ASax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set). Reprint edition. A new edition by R. Mark Rogers is also available from Edwin F. Kalmus.3(2nd & 3rd d. Picc).3 (3rd d. EH).2+BCl.2+CBsn: Asax: 4.3.3.1: Timp.Perc(6). Clst.2Hp: Str (9.8.7.6.5 in set)
11488A81CD9D7-1F2F-4EE1-86CD-407617A48A55MP154002Malaguena: from "Andalucia" Suite
11489A820CE62-12BC-46D2-B296-384894F0F91751520820Lazy Day for HornHorn And Keyboard
11490A821E821-9B83-4246-A54A-4E94C7C247D1SC728Little Lamb(not set)Satb
11491A822F26A-0719-46D0-8CAD-EABF06D24DD7SC540Falling Star(not set)Sab
11492A82BC08E-AD59-4735-B194-3501D1F5887FR00681Symphony No. 12+Piccolo.2.2.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(1): Strings
11493A82C2FEF-7E37-4ABB-A87F-C284E21CD9BAJ17101PGood Christian Men, Rejoice!(not set)Mixed Chorus, Orchestra
11494A82F2CD9-1B97-4B73-9381-77BEB2037515D814133The Gallery from Seven Nursery SongsVoice, Piano
11495A82FAA4A-AB38-47E5-BA5F-B4DCEA8EDFD310620442October NightOctober Night was inspired by the famous Dylan Thomas poem, Do Not Go Gentle Into That Good Night. The poem conveys two very powerful and very different moods. One is of sorrow and deep remorse; the other is of aggression and anger. Thus we have a piece iMarimba Solo
11496A830AA31-6561-42FB-8E61-FA64B0A939D6X940032LloronaA setting of the old Mexican song. Premiere with The University of Wisconsin Chorale, directed by Beverly Taylor.SATB Choir with rehearsal piano part and optional guitar
11497A833C66A-F46E-48A9-894F-19B009EF0EE6S706CBCrossed Sabers MarchThis march begins with a short fanfare quoting "The General's March". The first and second strains were composed to represent the esprit de corps and elan of the Cavalry. The trio begins with an introduction using material from the old song "The Girl I Left Behind Me". The theme of the trio was inspired by bugle calls until the the final gallp[ to the end. This was commissioned by and is dedicated to the U.S. Army's 16th Cavalry Regiment, stationed at Fort Knox, Kentucky.Concert Band
11498a8367312-9e3a-11f0-a418-0022482c9682A951790Summer Nights, Op. 7 (Les nuits d'ete): 1. Villanelle (original key of A)The song cycle LES NUITS D’ETE (SUMMER NIGHTS) is a setting of six poems by composer Hector Berlioz' (1803-1869) neighbor and friend, Théophile Gautier. The text deals in themes of love in all its facets, progressing from youthful innocence to loss and renewal. Originally composed in 1841 for solo vocalist and piano, Berlioz completed orchestration of each of the six songs in 1856. While regrettably neglected for many years, this song cycle was rediscovered in the 20th century and has become one of the composer's most popular works. The songs in the original keys (1. A; 2. B; 3. F minor; 4. F-sharp; 5. D; 6. F) are available from the publisher both as a complete set (A2573) and individually. Robert Sutherland has edited five of the songs in the cycle and has transposed each in multiple keys to expand the work to more vocalists. Songs completed by Robert Sutherland: 1. Villanelle (E, F, and G), 4. Absence (Db, D, Eb, and E), 5. Au Cimetie?re, Clair de lune (Bb, B, and C), and 6. L'lle inconnue (D, Eb, and E). A transposition of 2. Le Spectre de la rose to D and a transposition of 3. Sur les Lagunes to g minor is also available from the publisher. Villanelle celebrates spring and love, and invites the beloved to walk through the forest gathering wild strawberries and holding hands, all accompanied by charming melodies. Instrumentation: 2.1.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (Ten or Sop). Reprint edition.2.1.2.1: 0.0.0.0: Str (9-8-7-6-5 in set): Solo Voice (medium voice)
11499A83C15C5-31C9-4BFC-9DD0-EAC91168AB6FM913302Sinfonia in B-flat minorSinfonia in B-flat Minor, Op. 153 was composed in 1872 for the Cremona Civic Band, directed by Amilcare Ponchielli himself. He composed more than seventy original works and transcriptions for the ensemble. With a slow and stately start that builds dramatically and dynamically and thematically contrasting themes, this orchestration for symphonic band by Luca Valenti would serve as an exciting concert opener.Concert Band
11500A8446D4D-B157-4372-ADC8-9A4AC56245D850250057Gate-Crasher's JigWith a title like this you would expect a rollicking romp...and that's just what you get! This is a tuneful, bouncy arrangement that will have them knocking down the doors to get into your concert.Score and Set