Titles

Showing 11,641-11,660 of 17,576 items.

#	ID	Titlecode	Title Name	Marketing Copy	Instrumentation

11641	AA65E3D2-9ACB-42D8-90A9-2AEBA2FD9D39	P002391	Triple Threat	Here is a great way to start or end any concert! Triple T[h]reat for brass trio is one of an ongoing series of works written for trombonist and conductor Keith Johnston. This exciting one-movement work for trumpet, horn, and trombone is based on two basic ideas, the opening fanfare and a second, more melodic theme. Best of all, Triple T[h]reat is playable by pros and students alike!	For Brass Trio
11642	AA6907C3-9FEC-43E8-9167-6CCFDF2A7A68	W107091	Das Lied von der Erde (The Song of the Earth)	Fresh from the loss of his oldest daughter Maria Mahler, and knowing he had a serious heart condition, Gustav Mahler (1860-1911) crafted Das Lied von der Erde (The Song of the Earth) in the years 1908 and 1909. The first performance took place on November 20, 1911 at the Tonhalle in Munich, conducted by Bruno Walter. It encompasses six settings of old Chinese poems, four of them by the Tang Dynasty poet Li Bai, loosely translated into German by Hans Bethge. Conscious of his own mortality, Mahler filled his orchestral song cycle with themes of resignation, fading beauty, and autumn loneliness. The last song, roughly the same length as the previous five movements combined, serves as a sprawling, yet deeply personal farewell to both love and life. Reprint edition of the vocal score by Erwin Stein. Movements: 1. Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Sorrow); 2. Der Einsame im Herbst (Autumn Loneliness); 3. Von der Jugend (Youth); 4. Von der Schönheit (Beauty); 5. Der Trunkene im Fruhling (Wine in Spring); 6. Der Abschied (The Farewell).	Soli T, A (or Bar) and Piano
11643	AA6A8A9D-E122-497A-B950-298B525A1361	50353003	Classical Solos	A full range of contest solo books, featuring Play-Along audio, written for each of the twelve principal wind instruments and mallet percussion. Hear demonstrations by professional soloists on one track and then play along with the piano accompaniment on the next track. A separate piano accompaniment book will work with any solo book of the same title. The Piano Accompaniment book includes some solos in two keys and will work for any instrument in each compilation.	Trombone, Bassoon, Euphonium B.C.
11644	AA7083EC-8811-4BAB-8737-E8FD7C06F457	SS383	Four London Trios	These medium advanced trios were originally written for two flutes and violoncello. This set includes a substitution option for Flute 2 of Clarinet in Bb. Flute 2 can also be substituted with oboe and violoncello can be substituted by either viola or bassoon.	Woodwind Trio
11645	AA727E44-53FE-45ED-A718-6E25A8DE85A8	SU275	Allegro from Sechs Kinderstücke, Op. 72	The Allegro is one of a set of six pieces written for piano solo which were intended for young pianists called "Sechs Kinderstücke", Op. 72. This arrangement for clarinet and piano largely assigns the melodic material to the clarinetist. The range of the clarinet is largely within the lower two registers, making the work ideal for middle school or even advanced elementary school players.	Clarinet and Piano
11646	AA7AB867-89A1-4A3D-B28F-2A0F1577038D	S1010CB	Peacekeeper	Written in the fall of 2019, this exhilarating piece for symphonic wind ensemble portrays the heroism, along with the conflict—both external and internal—of peacekeepers around us. A keeper of the peace may be a soldier or a police officer, but more importantly, it is those around us, our family and friends who look out for us, our minds, and our bodies.	Concert Band
11647	AA83CFFC-5735-4552-86CF-2B338DCBE5B3	A181302	Symphony No. 38 in D, K. 504 ‘Prague Symphony’	After a three-year hiatus, Wolfgang Amadeus Mozart (1756-1791) returned to the symphonic form with SYMPHONY NO. 38 IN D MAJOR, K. 504, toward the end of 1786. Completing it on December 6, he dispensed with the usual minuet and trio. To fill out the three-movement structure, he added one of the most expansive slow introductions that had yet been written for a symphony. It is frequently called the "PRAGUE" since its premiere took place in the midst of his first trip to the Bohemian city on January 19, 1787. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set).	2.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set)
11648	AA8466F2-F51C-4A48-8278-B51515141A24	M371691	Quintet in A flat, H. 34	This work for piano quintet by John Field (1782-1837) was written in 1815. While the Andante con espressione direction from the beginning holds sway throughout most of the music, a lighter, jauntier feel does interject a couple of times. Reprint edition.	Two Violins, Viola, Violoncello and Piano
11649	AA84AEB5-9534-409F-8FAE-EFD932E49F55	S335	Let's Go (out-of-print)		Marching Band
11650	AA8BD118-4B32-4A41-B945-88FC012DCBCF	SC307	Surely, God Is In This Holy Place (out-of-print)		Satb
11651	AA8DE677-39CE-45F3-8B25-E10D5110B507	A236302	Roumanian Rhapsody Op. 11, No. 1 in A Major	Romanian composer, violinist, and conductor George Enescu (1881-1955) (Fr. Georges Enesco) wrote the two Roumanian (Romanian) Rhapsodies, Op. 11, in 1901. Much like Liszt's Hungarian Rhapsodies, both works deliver the improvisatory feel that one expects when listening to a "rhapsody," although Enescu's incorporates many Romanian folk elements into his work. With only 33 published works to his name, a low number compared to other composers due to Enescu's career as a performer and his extreme perfectionism, these Roumanian Rhapsodies, particularly No. 1, are his best-known works, a fact that Enescu resented a bit given that he thought his later works more mature. Despite this, most consider the rhapsodies to be deserving of their place in the orchestral repertoire. Both premiered together on March 8, 1903, in Bucharest by the Romanian Athenaeum Orchestra, Enescu conducting. Romanian Rhapsody No. 1 in A Major is the better known of the two. Ebullient in nature, it incorporates several Romanian folk dances. Instrumentation: 3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp(2): Str (9-8-7-6-5 in set).	3(3rd dPicc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3): Hp(2): Str (9-8-7-6-5 in set)
11652	AA8E517B-9866-40D4-A077-28CC08342409	ST905	Carnival of Venice	This is collection of four variations for "Carnival Venice" by Jules Levy offers advanced players a wonderful selection for recital. For baritone players wishing to play in bass clef, ST906 is available by the publisher.	Trumpet (Cornet) or Baritone (T.C.) and Piano
11653	AA90676F-BCB4-46D1-9797-B5BED84250FB	ST941	Duettino	This edition of Doppler's "Duettino" Op. 36 was arranged and edited by Judith Thomas.	Flute Duet
11654	AA92942F-E108-4723-8C2A-14E8675D8349	50608006	Skulls for Brunch (A Trash Can Odyssey)	A work for percussion ensemble of eight or more players (11 is ideal), this work may be utilized indoors or outside. It is visually and musically appealing, and just downright fun!	Percussion ensemble (8-11 players): 2 Trash Cans, 4 Marching Bass Drums, Tamtam, Concert Bass Drum, Hihat, Suspended Cymbal, Pots and Pans
11655	AA97558A-BFE6-4508-B631-E2924D3702DB	A722890	O Little Town of Bethlehem for Full Orchestra	The text to the well-known Christmas carol O Little Town of Bethlehem comes from an 1868 text written by Episcopal priest Phillips Brooks. It is popular in the United States, United Kingdom, Canada, and Ireland, although the text is set to different tune. The version most popular in the United States happens to have been written by Brooks' organist, Lewis H. Redner (1831-1908), who titled the tune "St. Louis" after rushing to set the newly written text to music in time for the Christmas mass. This arrangement for orchestra has been completed by Arthur Harris and is part of the Arthur Harris Christmas Series. Instrumentation: 2.2.2.2+CBsn: 4.0.3.1: Timp.Perc(1): Hp.Clst: Str (9-8-7-6-5 in set).	2.2.2.2+CBsn: 4.0.3.1: Timp.Perc(1): Hp.Clst: Str (9-8-7-6-5 in set)
11656	AA9C2B02-A907-4290-BF6D-3989767E2EEF	BSMIS109	Folksong for Trombone or Euphonium and Piano	The Bruce Broughton Solo Series features solos by one of the country's most outstanding composers of concert and film music. This new series by seven-time Emmy award winning composer features music that is notable for its wonderfully rich harmonies, flowing melodies and rhythmic vitality. These pieces are ideal for recitals and contests and are great teaching pieces that are appealing to performers and audiences alike. Bruce Broughton's beautiful FOLKSONG created versions for trumpet, trombone/euphonium, and bassoon, all with piano accompaniment and available from the publisher.	Trombone or Euphonium, Piano
11657	AAA0D568-8012-4BA2-808E-60DE0A56401B	SC741	The Piper	Texas University Interscholastic League Sightreading for 1B and 1C Tenor-Bass (TTB) Choirs and 3B, 2B, 31c, 2C, and 1C Non-varsity Tenor-Bass (TTB) Choirs.	TTB with rehearsal piano accompaniment
11658	AAB4C0DC-88F2-4EA5-9296-B873C300AA5D	52703043	Meryton Townhall for String Quartet		String Quartet
11659	AAB725C5-F344-4E95-AE7A-7236EB5CBC00	SC442	God Bless Our Country		Tbb
11660	AAB797D0-DD3D-4B02-8107-4A46AEDBF967	EBM0670038	Wedding, A: Opera in 2 Acts (full orchestra) - Act II	Based on the motion picture A Wedding by Robert Altman and John Considine, premiered at Lyric Opera of Chicago. Libretto by Arnold Weinstein and Robert Altman. "...there is no reason to resist this rarest of creations: a meaningful American comic opera." -Mark Swed, LA Times	14 Soloists: ColSop.3Sop.LyrSop.M-s.2LyrM-s.2Ten.2Bar.LyrBar.DrBar: 3(3dPicc).3(3dEH).2(1dECl.+BCl).2(+CBsn): 4.3(1dPiTpt).2(+BTbn).1: Timp.Perc(3): Hp(opt).Kbd: Str: Onstage 5-pc Dance Band (TSax.EKbd.EGtr.EBs.Trap Set)