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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
11701AB31FF5B-84EA-4310-A6A7-0CC8D400C9A252702179Six Yuletide Romps(not set)Violin 1, Violin 2 /Viola and Cello
11702AB34A082-48F1-4CFB-96CC-79190FF8AB7710100450The Navy Hymn: Eternal Father, Strong to SaveCommissioned for the Sesquicentennial Celebration of the United States Naval Academy Band, Cdr. Donald Keller, Conductor, this is a thoughtful and dramatic setting of the beloved hymn, Eternal Father Strong to Save, set to the hymn tune Melita. The work hints at Taps and Anchors Aweigh and includes optional parts for organ and unison chorus.Concert Band with Optional Chorus and Organ
11703AB392B08-C5CE-4332-A09A-E446B1BC3C50A302602Gypsy Baron, The: Oh, habet ach (Saffi's Gypsy Song; Der Zigeunerbaron)THE GYPSY BARON (DER ZIGEUNERBARON) is an operetta in three acts by Johann Strauss II (1825-1899) which premiered at the Theater an der Wien on October 24, 1885. Its libretto, penned by the author Ignaz Schnitzer, was based on the story Saffi by Mór Jókai. Set in 18th century Hungary, it tells the story of a gypsy girl who is discovered to be the daughter of a Turkish Pasha and the owner of a hidden fortune. In the Act I song OH, HABET ACH, the gypsy girl Saffi boasts of the unpredictable nature of her kind, describing them as “the children of the night” and warning that anyone they encounter should flee from them as quickly as possible. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (4.4.3.3.3 in set): Solo Sop.2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (4.4.3.3.3 in set): Solo Sop
11704AB39B7C4-7223-4B96-AB2D-62C2E268B5B0R131CBLlanto Por Cristina GomezThis four-movement work was written following the experience of the composer's two years as principal bassist with the National Symphony in El Salvador during the late 1970s, where he witnessed politcal turmoil and poverty daily. It is a llanto (lament) for Cristina Gomez, a young school teacher and activist, who was abducted from her school - in front of her students - by the Salvadoran military. Her body was found later, thrown out on the street, bearing the signs of brutal torture. The title is a paraphrase of the title of famous work by the great Spanish poet, Federico Garcia Lorca, entitled "Llanto por Ignacio Sanchez Mejias," but while main title and movement titles are taken from the text, there is no other direct connection with the poem. Movement titles: I. La cogida y la muerte (capture and death), II. La sangre derramada (the spilled blood), III. Cuerpo presente (body present), IV. Alma ausente (soul absent). The 2nd and 4th movements both quote the Bach chorale, "Ach Got, vom Himmel sieh' darein" ("Oh God, from Heaven look therein and be merciful"), and the four movements overall may be accurately described as "three screams followed by a prayer, a prayer that Cristina Gomez, and all others whose lives are brutally cut short by forces beyond their power, has found peace denied her in her short life." This work was written for the Lamar University Symphonic Band, Dr. Barry Johnson, conductor, who gave its premiere on October 5, 1992. The composition was supported by a Lamar University Research Enhancement Grant. It is dedicated to the victims of the Salvadoran Civil War, and the score bears and epigraph from the final section of Garcia Lorca's great poem: "No te conece nadie. No. Pero yo te canto." ("No one knows you. No. But I sing of you.")Concert Band
11705AB42832A-20D2-4BE3-8664-17DF0CF36B41SO5Suite In A Minor (out-of-print)String Orchestra
11706AB503BB1-8843-4AFB-ACD8-08F8D4686615A212002Also Sprach Zarathustra, Op. 30German philosopher Friedrich Nietzsche's best-known work, "Also sprach Zarathustra!" ("Thus Spoke Zarathustra!") has been an inspiration for many composers' works, but the best known is this 1896 symphonic tone poem by Richard Strauss (1864-1949). It premiered on November 27, 1896, in a Frankfurt performance conducted by the composer. This newly engraved edition by Clinton F. Nieweg and Stuart Serio has corrected some errors and offers additional guidance for the significant divisi in the strings. All editorial decisions are presented in a list of notes at the beginning of the score. Instrumentation: 3(3rd dPicc)+Picc.3+EH.2+BCl+Eb.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2).Org: Str (16.16.12.12.8; 4-4.4-4.3-3.3-3.4 stands in set).3(3rd dPicc)+Picc.3+EH.2+BCl+Eb.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2).Org: Str (16.16.12.12.8; 4-4.4-4.3-3.3-3.4 stands in set)
11707AB51B7DE-800E-4C74-B55A-2717BF027510LV172CBChorales(not set)Concert Band
11708AB58933A-3EBF-40FB-BF5C-818B6D0A345152712524The Rose SuiteThis set of rose-themed trios for violin encompass a variety of musical styles. These trios are a great way to develop chromatic fingerings, syncopation, and shifting. They are designed for a variety of grade levels with Violin 1 as the highest difficulty and Violin 3 as the lowest.Violin Trio (opt. Viola 3)
11709AB5B4171-CAE9-401E-BC44-5B1F137AD76BX065011De Profundis for Tuba and Four CellosDe Profundis for tuba and four cellos was dedicated to the great tubist Harvey Phillips. This edition includes the composer's autograph score.Tuba, 4 Cello
11710AB5E72A6-401B-4B35-AF17-ED363BA3E30DST619When Allen-a-dale Went HuntingBrass Quintet
11711AB5F3175-8566-4561-A32D-6EB5C1A4E515R00022Three Pieces: For Kids in the Audience and Chamber OrchestraThree interactive movements encourage listeners to explore elements of music with a live orchestra. Performance time includes rehearsal with audience. Movements may be performed separately. Movements: I. Ta Woop!, II. Rainbow, III. T-D-T (Texture-Dynamics-Timbre)Kids in the Audience 2.2.2.2: 2.2.0.0: Str.
11712AB63A885-E71B-4F05-9598-78E65D853102M804290SolaceJoplin composed this work after moving from Sedalia, Mississippi to New York City. Although the work is not a rag, it is highly syncopated, and shows a marked and sensuous Latin influence. Many people will recognize the theme of this work from its use in the movie The Sting.String Orchestra
11713AB63C8C5-D2E6-4E5B-BA74-821AFCE8DB81R00537Festival Overture2+Piccolo.2.2+Bass Clarinet.2: 3.3.3.1: Timpani.Percussion(3): Strings
11714AB661767-D15C-41D3-AECA-DF51070024F6X503037Night ScenesA look at the cinema in four vignettes, Night Scenes was commissioned for the Claremont Trio by Laguna Beach Live! Recorded by the Firebird Ensemble, New World Records 80718.Violin, Cello, Piano
11715AB682B70-517B-42AA-B8C7-5E615CB5FD6DR01399ResolutionCommissioned by the Dayton Philharmonic and dedicated to Candy Winteregg.2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3).Pno: Str
11716AB7108AA-2A40-4699-8F1D-A3D9CD8D27F6M378591Trois Improvisations for OrganTrois Improvisations (3 Improvisations; Trois Pièces) for Organ was written by Nadia Boulanger (1887-1979) in 1911 for inclusion in an anthology of organ music by various composers. "The first piece, 'Prélude,' consists of a simple rounded binary form with a starkly simple texture — a single melody in the right hand and mostly parallel-third motion in the left. The conventional 4-bar-phrase structure allows a few poignant surprises when deviated from, most notably with the abrupt key change from the opening F minor to C-sharp minor in the middle section. The 'Petit canon' offers richer rhythmic movement, although the canon itself appears conceived more as an echo effect than a contrapuntal devise. The final 'Improvisation' ends this cycle of miniatures, drifting between different key areas but held together with ostinatos." from program notes by Gregg Wager for the LA Philharmonic.Organ
11717AB742B92-16A1-48F2-96CD-BC36546A628C50445006Concerto in A Major - III. RondoThe last major instrumental work composed by Mozart before his death, the Concerto in A Major is a popular part of the clarinetist's repertoire. It has been here arranged for solo clarinet and clarinet choir by performer, pedagogue and arranger, Dennis Nygren. Each of the three movements is released separately and are all available from the publisher.Clarinet Solo and Clarinet choir
11718AB76F2A7-C3A5-4D41-AC65-F07AD64203C5ST193Sonata No. 1This advanced horn sonata employs a meterless approach to rhythm that rather emphasizes a freer approach to the interpretation of the rhythm.Horn and Piano
11719AB784EEB-E3E5-4E24-8C53-777B242B32AEB119Modern French Horn Method, Bk. 1This book is the result of Lorenzo Sansone's 40 years experience as a student, soloist and teacher of the horn. Volume 1 progresses from very beginning material through high school.Horn
11720AB7B0EE2-F151-4CE8-B9F1-D14CD40FFD5250250130Ave VerumOriginally for SATB chorus and piano, Ave Verum has been reworked for string orchestra. It is mature and beautiful music. In G major, it requires the upper strings to mix high and low 2s with the use of the 4th finger. All sections use half, 2nd, and 3rd position.String Orchestra