Titles
Showing 11,821-11,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11821 | ACDBA74A-494E-4028-BF8E-E53BF792E77D | A136802 | Espana Rhapsody | España, rhapsody for orchestra is the most well-known work by French composer Emmanuel Chabrier (1841-1894). Written in 1883, Chabrier was inspired following a trip to Spain with his wife, where he learned about the local folk genres. The work was premiered by Orchestre de Société des Nouveaux Concerts in Paris, November 4th, 1883, under the baton of Charles Lamoureux, to whom the work was dedicated. Instrumentation: 2+Picc.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(3-4): Hp(2): Str (9-8-7-6-5 in set). | 2+Picc.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(3-4): Hp(2): Str (9-8-7-6-5 in set) | |
| 11822 | ACEAAF5D-37F5-430D-8037-9964129F7FF7 | R212 | Carnival of Venice for Alto Saxophone and Band | Carnival of Venice was originally written for saxophonist Adolphe Mayeur, who was a student of Adolphe Sax, the inventor of the instrument. The solo part is edited by Fred Hemke and the band accompaniment was arranged by Herbert Clarke and edited by R. Mark Rogers. The piano accompaniment version is also availlable from the publisher. | Alto Saxophone Solo: Concert Band | |
| 11823 | ACEB8215-CC5B-4B8E-BE5E-7A17F8D7025E | SU207 | Adagietto from "L'Arlesienne Suite No. 1" | This beautiful adagietto from Georges Bizet's "L'Arlesienne Suite No. 1" has been transcribed for clarinet choir by Lucien Cailliet. | Clarinet Choir | |
| 11824 | ACFB2DC8-C460-4207-A2B8-CB65B115283B | M805390 | Musetta's Waltz from La Boheme | Musetta's Waltz is a rather risqué song from La Bohème. No singer is used in this arrangement. Instead the melody is placed into the framework of the lush string orchestra texture. | String Orchestra | |
| 11825 | AD011F61-4E60-4038-AC80-7A7C9FEA1FE4 | 52711004 | Flexible Bach: Duets for Violin | Fully compatible with the viola and cello books, these violin duos from Bach's Six English Suites are great for sight reading, and make forming ensembles easy between students. The more treble of the instruments should play part 1 when combining with violin or viola. | Violin Duo | |
| 11826 | AD05517E-1C37-4D5B-A982-3A273B52E4C6 | S579MB | Texas Fight | (not set) | Marching Band | |
| 11827 | AD12B238-DBBB-458C-9107-7E21EBD26850 | 52710609 | Preludio for Violin and Piano | The Preludio is the opening movement of Bach Partita for Solo Violin in E major BWV 1006, written in 1720. This movement inspired Bach to create the Sinfonia movement for his 1731 Cantata BVW 29. Bach used the organ to play the solo violin part, accompanied by orchestra, a sublime transformation of his earlier composition. Saint-Saens, an outstanding pianist, composer, organist and conductor transcribed the Sinfonia movement for Violin and Piano, The violin plays the unaltered solo part from the Partita, the piano part is Saint-Saens' ingenious transcription of the Sinfonia. | Violin, Piano | |
| 11828 | AD1B7320-8480-4D2E-8486-4C318B4439C6 | R00145 | Voci Luminose | |||
| 11829 | AD24283D-9FEE-4F01-AD72-2742E4381619 | 10720342 | Concerto in D Major | (not set) | Viola and Piano | |
| 11830 | AD2BCDCD-A0DB-443C-937D-8DCB666F62AB | ST864 | Frenzy | This snare drum solo focuses on stick technique focused on buzz, rolls, and rim shots. | Snare Drum Unaccompanied | |
| 11831 | AD2D714E-3623-450B-B299-3829190AEF35 | M207491 | Quartet No. 1 in E minor, H. 70 'Bologna' | (not set) | Two Violins, Viola and Violoncello | |
| 11832 | AD2D85AB-BA19-434C-854E-C90DB6E800CE | B374602 | Swing Low, Sweet Chariot: Paraphrase for Solo Trombone and Band | American composer and band director John Joseph Morrissey (1906-1993) served as an officer in the music branch of the U.S. Army Special Services during World War II before beginning a long career as head of the music department and band director at Tulane University in New Orleans. He wrote numerous original works in the popular style in addition to many arrangements he made for band. SWING LOW, SWEET CHARIOT was one such arrangement, written for solo trombone with band accompaniment. While the solo is fully-written out, the well-known spiritual is very much set in the jazz style, with the accompaniment approached much as other jazz-style large ensemble works from the 1940s. | Solo Trombone and Concert Band | |
| 11833 | AD2DFBFC-5047-4FD5-932A-2CBC1C9CB0FE | M988890 | La Belle Helene Overture | Full Orchestra | ||
| 11834 | AD303352-4227-48FF-89D5-8F8D88127168 | SS413 | Tympendium | (not set) | Timpani, Piano | |
| 11835 | AD35BF11-3E38-4363-AE45-5009E1231B18 | V124 | Songs of Tagore for Voice, Alto Saxophone and Piano | The poems for this work were taken from Rabindranath Tagore's Gitanjali (Song Offerings), written in India around 1910 during a restless, almost sleepless period in the poets life. Introduced to the west in 1912, they became widely recognized for their simple, captivating descriptions of nature and their yearning spiritual tone. Almost every line is filled with natural images, and a wandering, restless mood is ever present. This sense is captured by the composer in his setting for voice, alto saxophone, and piano. Movement titles: I. Nightfall, II. Light, III. Departure. | Medium Voice, Alto Saxophone, and Piano | |
| 11836 | AD3AAC0C-1B28-47F7-9426-86C42D005511 | 50412002 | On the Wings of Whimsy | (not set) | Flute Trio | |
| 11837 | AD3B175E-1864-4E69-A97E-20E8335FF164 | M5PA | Victor Method, Bk. 5/ 6 | Violin | ||
| 11838 | AD3F32DC-2DA9-499B-9B69-A78AE4735357 | A716102 | Octet in B-flat, Op. 216 | German composer Carl Reinecke (1824-1910) composed this wind Octet, Op. 216 in 1892, though the reason is unclear. The four-movement work may have been written at the request of Paul Taffanel's “Société de musique de chambre pour instruments à vent.” This octet shares the same instrumentation as Franz Lachner's Op. 156 and Théodore Gouvy's Op. 71: flute, oboe, two clarinets, two bassoons, and two horns. | 1.1.2.2: 2.0.0.0 | |
| 11839 | AD444D27-4D01-4F9B-A864-8517D2B38DDB | B388 | 65 Progressive Duets | This collection of progressive duets includes works by: Pohlmann, Boismortier, Komarovski, Goedeke, Hoffmeister, Aubert, Blavet, Furstenau, Leopold Mozart, Clerc, Campagnoli, Garnier, Geminiani, Berr, Di Lasso, Devienne, Haydn, Klose, Muller, Glinka, Puschnekov, Hasse, Morley, Krakamp, Shostakovitch, Leclair, Liadov, Ramain, Bertalotti, Lefevre, Halven, Steffani, Chedeville, W.A. Mozart, Goepfert, Pranzer, Demar, and Proksch. | Clarinet Duet | |
| 11840 | AD46345A-C6FF-47AD-9B55-22245C79CE72 | LL120 | As a Hart | Satb |