Titles
Showing 11,841-11,860 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 11841 | AD469653-467E-4488-8186-83309B70D048 | A916802 | Ave Maria in B flat | (not set) | Full Orchestra | |
| 11842 | AD4A563B-FF9F-418E-B38B-32F9B7160C34 | F8 | Musidex Uniform/ Robe Card | Forms | ||
| 11843 | AD4ABEC2-E63D-4340-B3E1-D3408E0EE0EA | SC133 | Choric Song | Sab | ||
| 11844 | AD578390-F68D-41CF-9872-DA4F2BC7659D | R01412 | To Airy Thinness Beat: Chamber Concerto for Viola and Six Instruments | Recorded by Firebird Ensemble/ Jeffrey Means, New World Records 80718. | Solo Viola, Clarinet (dBass Clarinet), Percussion (1), Piano, Violin, Cello, Double Bass | |
| 11845 | AD58D88E-7F27-4CB3-9246-AEB6487A24C6 | R01135 | Three Faces of Woman | B-flat Clarinet Solo 3.2+English Horn.2.2: 2.2.0.0: Timpani.Percussion(2): Strings | ||
| 11846 | AD5A9ACE-98C1-4E90-829B-D12F9F15A252 | M172291 | The String Quartet, Vol. 3 | (not set) | Two Violins, Viola and Violoncello | |
| 11847 | AD5D0800-DA68-46AE-8003-CEEAAB4F8B99 | S429CB | Mini Suite No. 1 | (not set) | Concert Band | |
| 11848 | AD66F3CC-1B43-44A9-B5AD-42DA73E76321 | LV447 | Star Spangled Banner | Part of the "Easy to Play" March Series, this arrangment of The Star Spangled Banner by John Kinyon if perfect for your beginning band. | Marching Band | |
| 11849 | AD6CE72B-4C72-43EE-B1FF-DB2EFF69B60F | SS305 | POP: Carnival of Venice | Trumpet | ||
| 11850 | AD6D8E05-921F-4F5A-B0DC-053CCE6088EC | S976CB | Symphony No. 9 | Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes’ Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, “This is my last symphony…this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band.” The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that “I have always wanted to write a waltz,” and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an “otherworldly” mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. | Concert Band | |
| 11851 | AD6F1086-8637-4C1F-B44F-181D8DBEDA17 | S595CB | Fanfare for Band and Antiphonal Brass | (not set) | Concert Band | |
| 11852 | AD6F8479-0761-4A1E-B200-64F4610BA2CD | ST8 | Anoranza | Violin | ||
| 11853 | AD6FA756-BEA3-4EDD-838F-9521DB49A232 | EBM0610209 | United Artists for Band | <div>From the striking opening chords to the blazing woodwind passages and dynamic brass and percussion writing, you are in for a special treat with this powerful concert opener by acclaimed composer Kenneth Fuchs. Originally written for the London Symphony Orchestra, this transcription commissioned by the USAF Academy Band, Colorado Springs, CO, is certain to become in important addition to the repertoire for winds. Versions for band and orchestra available from the publisher.</div> | Concert Band | |
| 11854 | AD712339-3478-4789-855D-9EFC033C5B74 | 10374001 | Rhythm Sessions for Strings, Double Bass | This is an important new collection for string educators--excellent material for ensemble drill and warm-up. Rhythm Sessions is scored for string orchestra with an optional third violin substitute part for the viola. Extremely cleverly written, they will also provide exceptional encore material! Also included are scale studies and a very useful Rhythm Glossary as an easy reference for practicing specific patterns in a group setting. | Double Bass | |
| 11855 | AD72AFAF-F8DC-44DB-8FE2-E97F5BEDD9BA | X121002 | Alison's Dream | A delightful recital piece, level 3. | Oboe, Piano | |
| 11856 | AD736D42-907D-41ED-9C35-870E4A4E9BF4 | SS652 | Progressive Elaboration | 2 Snare Drums | ||
| 11857 | AD77C077-5717-4459-B5FB-736D0ECB8D3E | R00119 | La Boheme Fanfare | Perfect fanfare to open your season or announce the end of intermission. | 2 Piccolo, 4 Trumpet, Percussion (Sandpaper Blocks) | |
| 11858 | AD8C580B-C7D2-4C67-8413-17FE458E0EE3 | A46C | Mazurka | (not set) | Full Orchestra | |
| 11859 | AD903CAE-7533-41A9-B27F-203936E8DACC | SU328 | Trio Sonata | Composed in Venice in 1694, this was orginally set for 2 violins, violoncello, and harpsichord. In a four movement format common in Albinoni's time, the original composition shows the composer's ability to spin long beautiful lines over a "walking" bass line as well as his considerable contrapuntal skill. This arrangement has some modifications in articulation and range in order to make the transcription for trombones more effective. The first trombone part is written in tenor clef with an additional part in bass clef for students at different levels. | Trombone Trio | |
| 11860 | AD9A6BDB-43D9-444F-871F-2927491C7533 | 50501001 | Bug Soup for Low Brass Duo | Originally written for double bass, these eight duets for the developing player have been carefully adapted by the composer for any duo combination of trombone, euphonium, and tuba. They work great for a teacher and student, a pair of students, or a whole group of students doubling or tripling the parts. When preparing these pieces, it is suggested that students learn both parts together and then take turns playing the 1st and 2nd parts. Songs included: 1. March of the Crocodiles, 2. Warrior's Chant, 3. To the Sea!, 4. Bug Soup, 5. Walking the Dog, 6. Renaissnace Fair, 7. Sneaky Pete, 8. Balancing Act. | Low Brass Duo |