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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
10141946831A5-73BF-40E3-AA01-4769D79B5290X531017RefugeThis three-movement (fast-slow-fast) piece for violoncello and piano was commissioned by Rajan Krishnaswami.Cello, Piano
10142946AC8B9-FBFD-48D7-BB77-DFF5F86A05C4X410084ToccataRevised 2003.Solo Piano
10143946B1D14-98DB-4808-B0F4-EB88E2520488B522Violin Theory, Book One (Second Edition)Developed by master string teacher Dorothy Croft to enhance the teaching of music theory in relation to the violin. A practical approach to teaching.Violin
10144946F1FE9-913F-4562-8A83-8A62368D37EFA231202Don Giovanni, K. 527 (complete)Wolfgang Amadeus Mozart (1756-1791) wrote the two-act opera DON GIOVANNI, K. 527, in 1787 following a commission from Prague impresario Pasquale Bondini. With the success of THE MARRIAGE OF FIGARO, Mozart turned to the librettist for that opera, Lorenzo Da Ponte, for this new project. The opera tells the story of Don Giovanni, an arrogant and promiscuous nobleman who abuses everyone he meets, killing the father of a woman he assaulted, attempting to seduce the other women that he meets, and abandoning the women he has already seduced. At the end, the man he had killed returns as a ghost and demands Don Giovanni's repentance. Don Giovanni refuses, and is dragged to Hell, with the cast telling the audience that "Evildoers always come to an evil end." The opera premiered in Prague at the Estates Theatre on October 29th, 1787, with Mozart conducting, and was very successful. The opera remains not only one of the best by Mozart, but it is considered one of the best in the opera repertoire, with regular performances continuing throughout the world. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Vocal Soli (8 roles SSSTBBBB): Chorus: Banda.2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Vocal Soli (8 roles SSSTBBBB): Chorus: Banda
10145947677BF-4A29-4BB7-B387-F5B1647F18DA50352008Duets For Christmas, HornDuets for Christmas is a collection of 26 holiday favorites, tastefully arranged in traditional style and playable by performers with intermeidate ability. The duets can enhance any music program, ceremony, or family get-together devoted to the celebration of Christmas, or they can be played simply for the pleasure of playing duets with a friend.F Horn
10146947935F8-DFF7-4334-839A-A234B0C3652BS250CBAir Force Band of the WestThe AIR FORCE BAND OF THE WEST, Concert March, was written for and dedicated to Lt. Col. Samuel Kurtz, USAF, to coincide with his retirement. He had served as military band leader for over 21 years, and became nationally known for his work with the Air Force Band of the West, Lackland (San Antonio), Texas.Concert Band
101479480DFF7-8BA7-45E1-916B-86B2D75F229FBSMCM122Be Still, My SoulComposer Roy Hopp has taken the text by Herman Stuempfle, Jr. and created a simple, prayerful anthem. Mixed choirs of all ages and abilities will find this anthem rewarding and effective. BESTILL, MY SOUL will work well during Lent or any time prayer is the focus of worship.2-Part Chorus, Piano
101489486e79e-9e39-11f0-a418-0022482c9682A148602Kamarinskaya: Fantasy on Two Russian Folksongs (critical edition)The KAMARINSKAYA is a traditional Russian folk dance. Today, the folk song is best known in the orchestral work by composer Mikhail Glinka (1804-1857), which is famous in part because it is the first orchestral work based wholly on Russian folk music. Glinka's arrangement uses two themes: a slow bridal song called IZ-ZA GOR, GOR VYSOKIIH (From Beyond the Mountain, the High Mountain) and the title song, which is a folk dance called a naigrïsh. The work later inspired Tchaikovsky to utilize folk songs in his music, culminating in his SYMPHONY No. 2, and the work was further praised by the group of nationalistic Russian composers called The Five, which was led by Mily Balakirev. This newly engraved critical edition by Carl Simpson boasts a preface that explains the history of the work, a list of the edition's sources, and a chart addressing the various discrepancies among the sources. Instrumentation: 2.2.2.2: 2.2.1.0: Timp: Str (9.8.7.6.5 in set).2.2.2.2: 2.2.1.0: Timp: Str (9.8.7.6.5 in set)
10149948E2E0D-0811-4F69-AAF1-6AD266BA6026M902991Epitaph I
101509497E128-254B-449B-85F9-759C5ACFBD1B50250113Cat, DancingWith or without catnip, the image of a cat dancing to its own private music is intriguing and beguiling. Half positions, left-hand pizzicato, and interesting turns of melody make this the perfect choice for a young string orchestra.String Orchestra
1015194A32519-6234-4AF1-BFD9-1C68F52D4676TU1Thy Giving PowerSatb
1015294A582B1-0555-4A18-8866-FA0D3192BBFCX205001Bright BrassLively, jazz influenced.Brass Quintet
1015394A5867C-3FF2-403F-B6DD-E7DFF32D55B552703022Quartet in GA four-movement work in a string-friendly key for advanced-intermediate students or easy gig reading.Violin 1, Violin 2, Viola, Cello
1015494A7939B-F048-4876-829F-DCF8B4EC8E04M983390Dance of the Comedians from The Bartered Bride for Full OrchestraFrom Smetana's famous Bohemian opera, "The Bartered Bride," this familiar movement is an audience favorite with its lively rhythms and characteristic melodies. It's edited from the original and has some really fast scalewise passages for the strings. Otherwise, it's not too technically difficult. Works great as a concert opener or encore! 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set)2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str (9-8-7-6-5 in set)
1015594A82ED7-DA7B-49B3-B693-E8DCAB4E6D0BB355Fantasies 13- 24This set of 12 Fantasies for the violin was written around 1735, or a few years later than the well-known first set. While the first set was easily played on the baroque flute, this set covered too wide a range on violin; however, transposition has eliminated the lower notes and there is no reason not to play them on the modern flute.Flute Unaccompanied
1015694AAAFEF-C210-4413-B4DA-73DDBC36656250250124ClockworksPersistent pizzicato in the first violins sets up a ticking clock rhythmic base for a lyric melody which is passed around the orchestra. Valuable teaching points are the key of G, rhythmic ties, and low-2 finger patterns for upper strings.String Orchestra
1015794AACAB6-1918-40FA-93EA-AAF5390F74A420100229Crusaders Chorale and MarchBand
1015894AC4573-9D89-4CF6-8B82-400675618C1FR00110Can We All Get Along? Laments, Prayers and Songs for the CommunitiesFlute, B-flat Clarinet (d Bass Clarinet, Alto Saxophone), Percussion, Piano
1015994AD89A1-C00D-4F72-971C-75CA45212FE2M258091Variations de Concert(not set)Solo Piano
1016094B314B5-3104-46D9-B203-14A884CB348ESS722Die Meistersinger: Introduction and ChoraleBrass Choir