Titles
Showing 10,161-10,180 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 10161 | 94B3E044-25C2-482B-9C46-1F759364051E | X522001 | Duo on the Name Michael | Viola Duo | ||
| 10162 | 94B4CF40-7727-4654-A9DB-70B1B7604E5C | M111691 | Two Pieces | This collection of TWO PIECES for cello includes the following: 1. Romance, Op. 62 (originally written for bassoon in 1910); 2. Chanson de Nuit, Op. 15, No. 1 (originally written for violin in 1889-1890). Reprint edition. | Violoncello and Piano | |
| 10163 | 94B66466-86F8-43EF-8600-5B4A6627BA3B | R52CB | Concerto for Tuba or Bass Trombone and Band | This popular band arrangement by Virginia Allen was based on the Concerto's earlier orchestra version. This incarnation was premiered at the Eastern Trombone Workshop in 2000. Both the original piano version and the orchestra arrangement are also available from the publisher. Duration ca. 22'. | Tuba or Bass Trombone Solo: Fl(3.3).Ob(1.1).Cl(4.4.4+2 BCl).Bn(1.1): AATB Saxes(1.1.1.1): Tpt(2.2).Hn(2.2).Tbn(2.2).EuphTC/BC(2.2).Tuba(4).DB: Timp.Mba.Perc(1.1).Hp | |
| 10164 | 94C1996F-1D97-45DC-A83F-375F78C9AA5B | 10521144 | A Short Suite | F Horn Duet and Piano | ||
| 10165 | 94C6FACF-9013-44FF-8C44-48231B0F1347 | MP410004 | Complete Rags for Solo Piano | This newly expanded edition now includes a total of 26 rags including four previously unpublished selections from the original edition. Also includes a preface by Bolcom himself. | ||
| 10166 | 94C8633B-20CE-4AD6-AEC6-F75C05961EF2 | MP814037 | Junction, On a Warm Afternoon, The (High Voice vers.) | |||
| 10167 | 94CC8F96-4240-46EF-A400-A2BC2619829D | X105023 | Sabado | (not set) | Woodwind Quintet | |
| 10168 | 94CE064D-6904-42BF-88FC-FC404C6E8683 | M910202 | Pictures at an Exhibition Finale for Band | Mussorgky's "Pictures at an Exhibition" has long held a place of interest in the collective minds of bandsmen. This fine transcription allows today's mature concert bands to perform the Baba Yaga and The Great Gate of Kiev while staying true to the composer's original intent. At under nine minutes in length, it works well in a number of programming situations. | Concert Band | |
| 10169 | 94CFBCF3-D555-4093-B8A7-41EA31EF6ABC | SS903 | Episode | The composer graduated from the U.S. Naval School of Music during World War II and ultimately became director of orchestra and band at Jacksonville State University. | Clarinet | |
| 10170 | 94D1F990-DD57-425B-8243-B733121E7C29 | SS738 | Nocturne in f Minor | Trombone | ||
| 10171 | 94d2ab8b-9e3a-11f0-a418-0022482c9682 | A834390 | Away in a Manger [orchestration for low voice, G] | The beautiful Christmas carol AWAY IN A MANGER has long been thought to be the work of the German reformer of religion, Martin Luther, though the text is now believed to have originated in America. While a setting of the text to music by William J. Kirkpatrick is also commonly heard, the setting by American hymnist James Ramsey Murray, first published in his 1887 collection Dainty Songs for Little Lads and Lasses as LUTHER'S CRADLE HYMN, remains the most popular. It is from this publication that the attribution to Martin Luther comes, and an additional spurious attribution to a "Carl Mueller" in 1914 created further confusion, with the melody itself sometimes called "Mueller." Murray's authorship is now fairly established. This version of the beloved carol has been orchestrated and arranged for low voice and orchestra (key of G) by Steve Cohen. Instrumentation: 2.1+1(EH).2.2: 4.0.0.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Low Voice. A version for high voice and orchestra (A834490) in the key of B-flat is also available from the publisher. | 2.1+1(EH).2.2: 4.0.0.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Low Voice | |
| 10172 | 94D7227F-D9AD-431A-A421-F9FF2746B304 | 52250934 | Pizz and Polish | Wow! This is not your ordinary pizzicato feature! Bordering the Medium Easy-Medium level, this crowd-pleaser gives your developing string players some challenges they are going to love! Everything depends on counting as the melody ping-pongs from section to section. It's great fun and well worth the effort! | String Orchestra | |
| 10173 | 94D9B8DC-29A6-4E9E-88F9-27D4533DE6A2 | ST824 | Lullaby for Alexandra | Also known by the title "Cancion de cuna de Alejandra:. This short and lyrical contest piece is a contest favorite. Available from the publisher include solo flute, alto flute, horn, oboe, saxophone, cello and several other combinations including a woodwind quartet arrangement. | Oboe | |
| 10174 | 94e4ed9f-9e3a-11f0-a418-0022482c9682 | A834490 | Away in a Manger [orchestration for high voice, B-flat] | The beautiful Christmas carol AWAY IN A MANGER has long been thought to be the work of the German reformer of religion, Martin Luther, though the text is now believed to have originated in America. While a setting of the text to music by William J. Kirkpatrick is also commonly heard, the setting by American hymnist James Ramsey Murray, first published in his 1887 collection Dainty Songs for Little Lads and Lasses as LUTHER'S CRADLE HYMN, remains the most popular. It is from this publication that the attribution to Martin Luther comes, and an additional spurious attribution to a "Carl Mueller" in 1914 created further confusion, with the melody itself sometimes called "Mueller." Murray's authorship is now fairly established. This version of the beloved carol has been orchestrated and arranged for high voice and orchestra (key of B-flat) by Steve Cohen. Instrumentation: 2.1+1(EH).2.2: 4.0.0.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo High Voice. A version for low voice and orchestra (A834390) in the key of G is also available from the publisher. | 2.1+1(EH).2.2: 4.0.0.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo High Voice | |
| 10175 | 94E52909-72EC-45EA-812A-8C666C7575F5 | SO77C | Eclogue | This expressive work for string orchestra offers a reflective point in intermediate to advanced concert programs, with interesting parts for all players and ample practice with dynamics and articulation. | String Orchestra | |
| 10176 | 94E701F9-2C15-4B93-B6AF-3168DCE32589 | SC243 | Why He Came | Sab | ||
| 10177 | 94F09216-BA7B-4D61-8B7E-8AC0BE9EF1BD | M408891 | Der Hirt Aud Dem Fels | Clarinet/piano | ||
| 10178 | 94F256F3-6EDC-4019-920E-92D13F220480 | SS560 | Solitary Sequence | Clarinet Unaccompanied | ||
| 10179 | 94f5660d-9e3a-11f0-a418-0022482c9682 | A834790 | First Noel, The [orchestration for low voice, C] | This traditional English Christmas carol has been orchestrated and arranged for low voice and orchestra (key of E-flat) by Steve Cohen. Instrumentation: 2+1(Picc).1+1(EH).2.2: 4.2.3.1: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Low Voice. A version for high voice and orchestra (A834890) in the key of E-flat is also available from the publisher. | Low Voice and Piano | |
| 10180 | 94F631ED-613E-4B83-B350-1E8A2A089812 | SO84C | Sinfonia in a Minor, Op. 8, No. 3. | (not set) | String Orchestra |