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10081936B432C-6CD4-4F88-8136-B64A282EB42AR00599Presencias, Op. 72Dedicated to the composer’s son, Juan Felipe. Movements: I. Lento e meditativo II. Leggiero III. Espressivo IV. Intenso V. Vivo e magico VI. Mesto VII. Agitato e sfavillanteFlute, Oboe, B-flat Clarinet, Harpsichord, Violin, Viola, Cello
10082936eb45c-9e3a-11f0-a418-0022482c9682A820102Planets, The (Op. 32/H125), No. 1: Mars, the Bringer of WarWriting it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning. Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness. Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, "Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it." Both "Jupiter, the Bringer of Jollity" and this excerpt of "Mars, the Bringer of War" are the most popular and well-known movements in the suite. This critical edition of the "Mars" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript. Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set)
10083937C79BE-D4B0-494F-BAAF-48F6E2BD850FB352202Die Fledermaus: OvertureThe comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered yet for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes, masked identities, the test of true love, and other shenanigans, the original source is a play by German playwright Julius Roderich Benedix (Das Gefängnis), which was translated into a French vaudeville play, "Le réveillon" by Henri Meilhac and Ludovic Halévy, which was then translated back to German by Karl Haffner, whose translation was finally used as the source for the libretto by Richard Genèe. Written following a couple of less successful efforts to enter the opera world, this light opera premiered at the Theater an der Wien in Vienna on April 5th, 1874, and remains one of the most popular in the contemporary repertoire. The overture also remains one of the most popular works in the orchestral repertoire. This version of the overture for military band was arranged by Charles Godfrey, Jr.Concert Band
10084937DF49F-57DE-4D9B-AC37-856058786E46B23820 ( TWENTY) HORN DUET
10085937E4BC6-731F-4233-ABDD-5B8D40704A79A697090Pelleas et Melisande: Sicilienne, Op. 78Gabriel Fauré (1845-1924) originally composed the short SICILIENNE, Op. 78 in 1893 as an orchestral written for an abandoned theatrical production. In 1898, Fauré arranged the unperformed music both for cello and piano and as part of the incidental music for Pelléas et Mélisande, a play by Maurice Maeterlinck, orchestrated for theater orchestra. The final iteration was its inclusion in a full orchestra suite of the incidental music arranged by Faure, which was published in 1909. The incidental music premiered on June 21, 1898, in London at the Prince of Wales Theatre, Gabriel Fauré, conductor. This edition of the SICILIENNE was transcribed by Yoav Talmi. Instrumentation: 0.0.1.0: 0.0.0.0: Hp: Str (8-8-5-5-5 in set): Solo Flute in set.0.0.1.0: 0.0.0.0: Hp: Str (8-8-5-5-5 in set): Solo Flute in set
100869381D77E-DA04-43DF-9418-745D6AF96FFCS666CBRomance in F(not set)Concert Band
100879384B513-4E2C-48DC-A080-57F540B1CA42S447CBPrologue and PageantStarting with and expressive and slow prologue, this work for beginning to intermediate bands moves in a march "Pageant" that highlights the percussion section before introducing the melody that is passed around the band in a fugue-like manner. Commissioned by and dedicated to the Blytheville, Ark., Junior High School Band, Charles Weidman, Director.Concert Band
100889388BA05-F038-4EF7-AE89-1672062998EDSC648What Do the Stars Do?Texas UIL Sightreading for 1B and 1C Varsity Treble (SSA) Choirs and 3B, 2B, 1B, 3C, 2C and 1C Non-Varsity Treble (SSA) Choirs. Versions for SA and SSA or available from the publisher.Ssa
1008993894A86-AD19-4E35-938D-1AAFB05F1FAB18100038AgonAGON is the Greek word meaning battle, struggle or conflict. The following quote from Plato's SYMPOSIUM helps to give insight into Nelhybel's music in general and into his AGON in particular: "'The one in conflict with itself is held together, like the harmony of the bow and the lyre.' (Heraclitus, fr. 45) Of course, it is absurd to speak of harmony as being in conflict, or as arising out of elements which are still conflicting, but perhaps he meant that the art of music was to create harmony by resolving the discord..." - (A paragraph from the program notes for AGON's premiere performance, written by Cheryl Y. Boga.)Concert Band
10090938ec065-9e39-11f0-a418-0022482c9682A144002Pelleas et Melisande, Op. 80: SuiteGabriel Fauré (1845-1924) composed incidental music for PELLÉAS ET MÉLISANDE, a play by Maurice Maeterlinck, in 1898, including in the music the short SICILIENNE (Op. 78) that he wrote for an abandoned theatrical production in 1893. While the incidental music was orchestrated for a theater orchestra (by fellow composer Charles Koechlin), Faure later produced a three-movement suite for full orchestra in 1900. Finally, approximately a decade after the three-movement suite was produced, Fauré added the Sicilienne as the third movement to create the four-movement suite with which we are familiar today. While the incidental music premiered on June 21, 1898, in London at the Prince of Wales Theatre, Gabriel Faure conducting, the three-movement suite premiered on February 3, 1901, at a Concerts Lamoureux in Paris, Camille Chevillard, conductor. Movements: 1. Prélude; 2. Fileuse; 3. Sicilienne; 4. La mort de Mélisande. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Hp: Str (9-8-7-6-5 in set). Reprint edition. Study score.2.2.2.2: 4.2.0.0: Timp: Hp: Str (9-8-7-6-5 in set)
1009193916B17-657C-4FE6-8D62-B3094C9C699DS402CBEchoes of the Mediterranean(not set)Concert Band
10092939858BA-1598-44A9-BEB7-02E857FC282555300001Coloring Book of Black ComposersThis book honors 40 remarkable international Black classical composers from the 1700s to the present day. Each vivid illustration is accompanied by a biography that puts his or her life and music into historical perspective. Produced by the Rachel BartonActivity Book
10093939DC13A-B088-4204-89ED-B2FF638EE64E52742002Vulcan's ForgeVulcan's Forge by Seth Gamba features trios for the developing double bass player. They work great for a teacher and students, a trio of students, or a whole group of students doubling or tripling the parts. When preparing these pieces, it is suggested that students learn all parts together and then take turns playing each one. A version for low brass trio is available from the publisher. Movements: The Knight's Armor, Hold the Phone, Vulcan's Forge, Deep Waters, Adagio, Dance Thing, E-minor Blues.Double Bass Trio
10094939FFC24-C59C-44ED-8074-934789FCF80EEBM0630016Theodora: And Draw a Blessing DownChoral part for sale from the publisherSATB, 0200 0200 Timp Cont Str
1009593A26358-A4CB-4534-9EEC-C6AA92E56B70M143991Ships (Three Preludes)(not set)Piano Solo
1009693A46DB1-D203-4FC1-A363-1B7222F38B8FSC590Come, O Come, My Life's DelightTexas University Interscholastic League Sightreading for 2A, 1A, and 3B Varsity Mixed (SAB) Choirs and 5A, 4A, and 3A Non-Varsity Mixed (SAB) Choirs. Text by Thomas Campion. Voicings for SAB and SATB are available from the publisher.Sab
1009793AA4AA3-A806-4545-9B6C-6AEBF498F47DS507Pentland HillsMajor James H. Howe was born in County Durham, England. He started his study of the cornet and piano at the age of nine, eventually leading to a musical career that began as a bandsman in the Royal Scots Army Band. Songs in this piece include "Lass O' Gowrie", "John Anderson, My Jo", and "The Rowan Tree". "Pentland Hills" is among his most popular marches, which also include "Sterling Castle" and "Glasgow Fair", all published by Southern Music.Concert Band
1009893B38E3B-923B-4A8D-B2D1-D5D8AF6CEA7DA910090Waltz Around the Scale2+1, 2, 2, 2 - 4, 3, 3, 1, perc, str
1009993BAA97B-6974-44E3-9785-8BF9CE185096S643CBLyric Suite(not set)Concert Band
1010093BBCB68-2FF5-4157-9ADB-25646112A8AAM225891Libro de Tientos: Vol. 4Francisco Correa de Arauxo (1584–1654) was a key figure in helping transition Baroque techniques into Spanish composition. Regarded as the finest Spanish organist of his generation, his works were regrettably long neglected, despite constituting a peak of organ literature in Spain and an exceptional bridge between the Renaissance and the Baroque, although interest continues to grow. His compositions, 69 works all for organ and progressively more difficult to suggest a pedagogical purpose, were published in 1626 in a single volume under the title Libro de tientos y discursos de música practica, y theorica de organo, intitulado Facultad organica. This edition, transcribed and edited by Santiago Kastner, has been released in eight volumes.Organ