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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
1000192521E7E-4BD2-4E7D-B3AF-8DED5E4225E420100186Dance Of The Winds(not set)Concert Band
10002925A9F75-DC4B-495E-88D5-28A8773F2A60R00317Spinning RoundsSpinning Rounds is a concerto for band, giving all the players a chance to display their individual and ensemble virtuosity. The two movements of Spinning rounds are contrasting in their formal strategy.2+Picc.2+EH.3+Eb Cl+2 BCl+CbCl.2: ATB Saxes:4.4.4.2: Timp.Perc(4).Pno
10003925D97D3-27EC-4455-8894-858CE22F929410610405Toccata for Snare DrumThis advanced solo for snare drum emphasizes dynamic control and precise sticking. Grade 4, Duration ca. 3'Snare Drum Solo
10004925DF91F-C937-4284-9A6B-75973105B082A295702Marriage of Figaro, The, K. 492 (Le Nozze di Figaro): No. 19: Act III, Aria: Dove sono i bei momenti (soprano)LE NOZZE DI FIGARO (THE MARRIAGE OF FIGARO) is based on LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO (1784), a comic play by Pierre Beaumarchais. Lorenzo Da Ponte, who also collaborated with Mozart on DON GIOVANNI and COSÍ FAN TUTTE, wrote the libretto, which tells the story of the servant Figaro, and his lover, Susanna, who overcome their employer’s schemes to seduce her and secure their own marital bliss. LE NOZZE DI FIGARO premiered May 1, 1786 at the Burgtheater in Vienna. It has become immensely popular and is among the most frequently performed of all operas. DOVE SONO I BEI MOMENTI is sung in the third act where Countess Almaviva remembers moments of love and hopes that her persistence will make her husband love her again. Instrumentation: 0.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Sop.0.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Sop
10005926013EF-3145-4B92-8BFF-F3D01843B4C8W744491Macbeth (complete 1865 version)
100069263047C-99ED-47E6-A9DE-F1289657BF3F52250966ObsidianThis dark and moody rock is set in G minor and has a Middle Eastern flair to it. Any similarities with "Led Zeppelin's" Kashmir are purely coincidental! If your students have electric instruments, this is the perfect number to break them out! Dramatic!String Orchestra and Drum Kit
10007926A73CD-39F6-41F8-896F-08647C8915C2M910702Funeral March of a Marionette for BandConcert Band
10008926F0D8F-56F4-44B4-A789-112864266631A909890Old MacDonald Had a FarmAn American Pops classic in its original scoring, this work is a fun and excellent feature for the percussion section, sure to get a laugh out of both the musicians and the audience. Instrumentation: 3.2+EH.2+BCl.2+CBsn: 4.4.3.1: Timp.Perc(4 or5): Str (9-8-7-6-5 in set).3.2+EH.2+BCl.2+CBsn: 4.4.3.1: Timp.Perc(4 or5): Str (9-8-7-6-5 in set)
1000992740A9A-A83E-4238-ACF1-A2A3B514C92010550266Revenge! Timotheus Cries! (from Alexander's Feast)George Frideric Handel (1685-1759) completed the oratorio Alexander's Feast, HWV 75 in 1736, and it was throughout his life and after one of his most consistently successful works. Written to celebrate Saint Cecilia's Day, it describes a banquet held by Alexander the Great in a Persian city where the musician Timotheus sings, arousing various moods in Alexander until he burns down the city in revenge for his dead Greek soldiers. Revenge! Timotheus Cries! from the beginning of Part 2 is a bass aria that begins the incitement for Alexander to take his vengeful action. R. Winston has arranged this for numerous brass instrument solos with piano accompaniment for the developing to intermediate musician, and these are a wonderful selection for recital or contest. Versions for cornet/trumpet/euphonium T.C., trombone/euphonium B.C., and tuba are available from the publisher.Tuba and Piano
100109278975D-9F6A-4201-A8F8-DBD289710589ST69Cantos No. 3This collection of four Renaissance cantos includes works by Andrea Gabrieli, Giovanni Croce, and Hans Leo Hassler, and has been transcribed for double horn choir by Verne Reynolds. Cantos: I. Dialogo (A. Gabrieli), II. Buccinate (Croce), III. Echo (Hassler), IV. Lied (Hassler)Horn Choir
10011927C51A9-B8F1-44B1-8CAC-559400AEF2D0M224491MarchenerzahlungenInstrumentation: Clarinet (or Violin), Viola and PianoClarinet (or Violin), Viola and Piano
10012927F3EC2-6A1E-465A-981D-50D12F3414E2EBM0610690Kokopelli Dances for Flute and Chamber OrchestraKokopelli is the name of a mythical Native American character whose likeness can be found on the rock walls in the American Southwest, and as far south as Belize. These pictographs and petroglyphs depict a character with a flute and a humpback. Seen by some as a beneficent god and by others as a nuisance, a trickster, his image and antics seemed perfect for a musical composition by the composer after a trip to New Mexico introduced him to the character. Scored for solo flute, harp, celeste, piano, five percussionists, and string orchestra, the work maintains a percussive sonority, requiring the string players to play col legno for much of the time. While written in a single movement, the work is divided into five sections. No actual Native American melodies or rhythms are used in KOKOPELLI DANCES, as the composer did not want to appear to imitate authentic sounds, though there is a connection in Jager's use of repeated figures, and embellishments that bring to mind the music of the Southwestern Natice American.Flute Solo, Timp.Perc(5): Pno/Clst.Hp: Str
10013927FD292-8AD3-46E7-9CAE-44E55CBE818EMS1094Duo for Violin and PianoSonata for Violin written nine years later. It is indeed a twelve-tone work, but one that still borders on tonality. Bolin brings out the inherent lyricism in this sonata, smoothing out some of the spikiness of the piece, and showing just how close to line Sessions remains.Violin, Piano
1001492836484-595E-4D3C-8B23-05FA5A63E4DCST865Whiplash(not set)Snare Drum Unaccompanied
100159283CFCD-23D2-4B5F-A0BF-2C1205469631R00722Left-Over MirrorsComposed for the University of Cincinnati College-Conservatory of Music Contemporary Music Ensemble.3 Flutes, 3 Horns, Percussion(2)
1001692890607-7390-48F2-B874-7513611EBB03EBM0660024Variations for Solo CelloVariations for Solo Cello by Alvin BrehmSolo Cello
1001792905A25-7925-4F1E-B92D-22C5D0496060B289Developing Solo Timpanist(not set)Timpani Unaccompanied
1001892928742-1C69-4F44-942D-EE866F04AE1FA168390Basque Children OvertureFrancisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. The Basque Children Overture, a perfect header for a family-themed concert, amuses with playful snippets of Twinkle, Twinkle Little Star, march-like rhythms, and a whirling finish. Instrumentation: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(3): Hp.Clst: Str(9-8-7-6-5 in set).2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(3): Hp.Clst: Str(9-8-7-6-5 in set)
10019929420CE-738F-4383-8417-BFD45728E569SS63ConcertinoRevised by Daniel Bonade and David Hite.Clarinet and Piano
10020929A1212-BA96-46D5-9780-00E9B10F7F10R00578Ash Wednesday, Op. 88This cantata uses text from from the poem of T.S. Eliot. Dedicated to Mara and Juan Felipe with love. The full mezzo-soprano with string orchestra accompaniment is available for rent from the publisher.Mezzo-Soprano, Piano Reduction from: Mezzo-Soprano Solo: String Orchestra