Titles
Showing 9,941-9,960 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9941 | 914B643B-A83F-4670-B23E-69B445D7C1F2 | M231391 | National Dances of Moravia for Piano Four Hands | (not set) | Piano Left Hand | |
| 9942 | 91503DCF-D313-4679-9C1D-84C0C38BC77B | SC803 | Dreams | (not set) | SA | |
| 9943 | 915244A7-41A9-44F6-A8DC-377C3C5FBEA3 | A307002 | Trois Nocturnes, L. 91 (Three Nocturnes; Original Version, 1899) | Claude Debussy (1862-1918) composed Nocturnes, L. 91 (also Trois Nocturnes) between 1897 and 1899, although some have speculated that work began as early as 1892 under the title Trois Scènes au Crépuscule (Three Scenes at Twilight), inspired by ten poems by Henri de Régnier, though no manuscript has ever been found. Also, flattered by famed violinist Eugène Ysaÿe's interest in his music, Debussy began in 1894 to rework his plans for his Twilight Scenes for solo violin and orchestra, now titled Nocturnes, and this time based after a series of paintings by American James McNeill Whistler. This first version of Nocturnes was abandoned when Ysaÿe would not commit to the performance. By 1897, having opted to remove the solo violin, Debussy began to write the piece as a work in three movements for full orchestra. Like Whistler's paintings, also entitled Nocturnes, this impressionistic orchestra work depicts studies in light and shade, landscapes and objects. Debussy even provided an introductory note to his Nocturnes, relating the influence of the paintings, and how he used their reliance on light, mystery, and impression to inform his music. The first two movements premiered at the Concerts Lamoureux in Paris on December 9, 1900, Camille Chevillard conducting. The female choir was unavailable for that performance, so the final movement was excluded. The first complete performance took place on October 27, 1901. Movements: 1. Nuages (Clouds); 2. Fêtes (Festivals); 3. Sirènes (Sirens). Instrumentation: 3(3rd dPicc).2+EH.2.3: 4.3.3.1: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set): Women's Chorus. Part of the Nieweg Performance Editions series. Study score. | 3(3rd dPicc).2+EH.2.3: 4.3.3.1: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set): Women's Chorus | |
| 9944 | 915DA7D1-7655-4E53-811D-A35A880CB478 | O43DS | The Ten Minute Jazz Improv Vol. 3 | Lesson 3 of the Ten Minute Jazz Improve emphasizes major ninth chords. Includes bonus chart "The Major's Bossa". Director's score. | Director's Score | |
| 9945 | 915E0EE3-55B1-4A1B-AEAD-0484ACF5A9F7 | F505 | Musidex File Set Band/ Orchestra, 500-numbers | Forms | ||
| 9946 | 916B9997-C432-4974-8A70-C99202DA2B2C | S40MB | Robbie | (not set) | Marching Band | |
| 9947 | 916BCEC3-4DE1-43FB-AD04-DF0EFCDE157B | 20250690 | Walden: Ballad for Strings | Walden is a beautiful new ballad for strings by one of the most respected composers for young performers. Warm harmonies support a pastoral melody, while exquisite moving lines for all parts make this work an important addition to the literature for developing string orchestras. | String Orchestra | |
| 9948 | 917215C2-7969-42B3-902D-991CA66C12F8 | J96112 | Thoughts & Remembrances: II. View Me, Lord, A Work of Thine | The text source for View Me, Lord, A Work Of Thine is English poet and composer Thomas Campion (1567 - 1610). A prolific writer, Campion wrote music for masques of the court of James the First. Jackson's romantic setting interweaves the elements of mixed voices, vocal and sectional solos with contrasting ranges and colors in the piano accompaniment. | Treble chorus | |
| 9949 | 91773FED-29F5-43CA-87D3-B8F18B57658F | SC497 | Sing Alleluia | (not set) | Sa | |
| 9950 | 917D9E26-6751-4FCB-BE9F-C60818C64FBC | A863990 | Swinging on a Star | The Universal film Going My Way was released during the years of World War II. The predominant musical style was swing, particularly from large dance bands. This Mike Lewis arrangement captures the style and feel of the era. | Full Orchestra | |
| 9951 | 9185698B-D783-4D2D-A7E8-08A8C9A15454 | M230891 | Serate Musicali, Part 1 (8 Ariettas) | Rossini's celebrated collection of vocal works entitled SERATE MUSICALI (SOIRÉES MUSICALES) is offered in this reprint edition in two volumes. Text is Italian and French. Included in Part 1: 1. La Promessa; 2. Il Rimprovero; 3. La Partenza; 4. L'Orgia; 5. L'Invito; 6. La Pastorella delle Alpi; 7. La Gita in gondola; 8. La Danza. | Voice and Piano | |
| 9952 | 9188AF3B-C9B5-41DF-8CDD-52C61CF25841 | 50100333 | Of Dreams and Destiny | The result of a commission from the St. Edward High School Band (Lakewood, OH) for their performance at Severance Hall, OF DREAMS AND DESTINY speaks to the dreams of students for their futures and the bright destiny that being a member of a band can lead to for each of them. | Concert Band | |
| 9953 | 9194EF1E-C48E-4FC4-8644-9E9B34E0FDC9 | S797 | Americans Lost | Winner of the 2001 Biennial Band Directors National Association Young Band Composition Competition, this four-movement work represents events and emotions when a person returns to the place and time where their loved one passed away. Inspired first by the school violence and the tragic events at Columbine High School in 1999, then later the attacks in New York City, at the Pentagon, and in Pennsylvania on September 11, 2001, the piece also includes a four stanza poem that explains the composer's feelings as each movement unfolds and which can be read before each movement. Dedicated to the memory of the Americans who have lost their lives and to the loved ones affected by a loss, with a special dedication to the victims' families of the terrorist attacks on September 11, 2001. Movements: I. Fallen Remembrances, II. Tragedies, III. Ashes to Ashes…, IV. Healing of the Heart | Concert Band | |
| 9954 | 9198D30C-F74A-4A9C-B458-59B3475D255C | X534009 | Crosscurrents | Dedicated to the Quatrocelli Quartet. | Cello Quartet | |
| 9955 | 919F82C0-CE95-40F4-987E-CF2F5270A5D6 | B365002 | Arioso | Starting quietly and slowly rising to a massive crescendo before returning to a quiet exit, this work makes use of a single and beautiful dynamic arc. It is a perfect contest selection for the intermediate band. | Concert Band | |
| 9956 | 91A0740C-3AAC-4B42-8473-B9B9FAD067D1 | 10100470 | With Praise and Celebration | Concert Band | ||
| 9957 | 91A0C219-CC23-467D-B6E5-47CFD5E74051 | SO82C | Suite for String Orchestra on Old English Songs | This work was conceived so that all members of the string orchestra have interesting parts to play; melodic ideas are shared among all of the sections of the string orchestra. The composer was also interested in creating a score of high musical quality while keeping technical demands modest, allowing successful performances by groups ranging from middle school to professional level orchestras. The four movements are based on themes found in William Chappell's "Popular Music of the Olden Time" (1859), a large compilation of English ballads, music printed on broadsides, and popular entertainments of the 160s and 1700s. Movements: 1. Under the Greenwood Tree, 2. There Was A Pretty Lass, 3. Mayfair, 4. Good Queen Bess | String Orchestra | |
| 9958 | 91AD42F7-180A-4D68-A444-BE832D2829C5 | SS969 | Erato | Erato is a flowing, one movement quasi recitative. It is an ideal recital choice for contemporary music programs. | Flute and piano | |
| 9959 | 91C08D95-7565-4301-B2DD-75383F475A3B | 10100500 | The Flying Squadron March | Originally published under a Karl King pseudonym, his work can still be identified by the characteristic stylish writing. Euphonium players are treated to a tuneful countermelody that's fun to play yet not overly demanding. Written while King was a musi | Concert Band | |
| 9960 | 91C2120E-3399-4451-BD00-FBFEEF4F42EA | A920390 | Don Juan Suite |