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10021929E47C0-EB5F-42D4-8967-400FC807CB02A540402Gold and Silver Waltzes, Op. 79 (Gold und Silber Waltzer)The GOLD AND SILVER WALTZES, Op. 79, was written by Franz Lehár (1870-1948) at the request of Princess Metternich to compose "something especially fine" for her "Gold und Silber" gala ball, commissioned as a so-called "name waltz," where the title is derived from the important occasion at which the work is premiered, an instrumental concert work intended to set the mood before the dancing began. While the work made little impression on the gala attendees on January 27, 1902, upon publication it became a hit. The present score has been transcribed by Tom McCanna from the original orchestral parts originally published in 1903. Instrumentation: 2(d.Picc).2.2.2: 2Sax(AT, opt): 4.2.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set).2(d.Picc).2.2.2: 2Sax(AT, opt): 4.2.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set)
10022929EF0FE-EC18-40CD-A8A7-8A38E26C8946M344591Nocturne: Mvt. 3 from String Quartet No. 2 for Violin and Piano(not set)Violin and Piano
1002392A11C64-F56E-4E88-A740-D68B373DA627A400590Apres un Reve, Op. 7, No. 1APRÈS UN RÊVE (AFTER A DREAM) was originally part of a collection of three songs, titled TROIS MÉLODIES Op. 7, written for voice and piano by Gabriel Fauré (1845-1924). While APRÈS UN RÊVE is No. 1 in the collection, it was actually written last, in 1877, while No. 2 (HYMNE) was written in 1870, and No. 3 (BARCAROLLE) was written in 1873. The text is taken from an anonymous Italian poem adapted into French by Romain Bussine. The poem describes the dream of a flight with a lover away from earth. Upon awakening, the dreamer longs to return to their dream. Henri Büsser made this arrangement for medium voice and orchestra. Instrumentation: 1.1.1.1: 1.0.0.0: Str (9.8.7.6.5 in set): Solo Mz or Bar: CS (Pno-Cond) in set. Reprint edition.1.1.1.1: 1.0.0.0: Str (9.8.7.6.5 in set): Solo Mz or Bar: CS (Pno-Cond) in set
1002492A584E3-2A63-48CC-9B59-F54039D18D0D52702360Celtic ClassicsIncludes: Dance to Your Shadow; My Love Is Like a Red, Red Rose; Flow Gently, Sweet Afton; Morgan Magan; Highland Cathedral; Lily of the West and Mick McGuire. Includes optional violin 2 for viola.Violin 1, Violin 2 /Viola and Cello
1002592ABAD91-924C-47B9-A538-C856B92719BFHLEtude No. 14 for Flute and BandFlute W/BAND
1002692B39DCE-9D0A-4A67-82C9-D3F06C4BE653SS997IdylleThis solo for trombone or baritone, written by Robert Clerisse and edited by Glenn Smith, allows advancing players the opportunity to showcase both their lyrical and technical playing. This is a superb piece for contest and recital.Trombone/Baritone and Piano
1002792B7EDB3-FC11-4F2B-9D9C-8B531FF099A210100496Fanfare and FantasiaRight from its bold opening you will know this is a winner. Based entirely on the opening motive of the fanfare, this work makes full use of the resources of the concert band with excellent writing for all sections.Concert Band
1002892B9548F-9DFC-4267-A073-05509F52B458MP105004Funeral StanzasFuneral Stanzas (1965) for Woodwind Quintet by Edward T. Cone.Woodwind quintet (flute (doubling piccolo), oboe (doubling English horn), clarinet in B flat, horn in F and bassoon)
1002992bc4357-9e39-11f0-a418-0022482c9682A142702Water Goblin, The, Op. 107/B. 195 (Vodnik)Completed in 1896, THE WATER GOBLIN (VODNÍK), Op. 107/B. 195 is one of four tone poems by Antonin Dvorak (1841-1904) based on Karel Erben’s collection of narrative poetry BOUQUET published in 1853. Written in rondo form, the piece evokes its source material with intricate detail. His method of aligning the music closely with the speech patterns of the verse was praised by Leos Janacek, who would use a similar technique in his opera JENUFA. Antonín Bennewitz conducted the premiere on June 1, 1896 at the Prague Conservatory. The first public performance took place on November 14th of that year in London. Instrumentation: 2+1(Picc).2+1(EH).2(1st d. BCl).2: 4.2.2+BTbn.2(2nd opt.): Timp.Perc(4): Str (9.8.7.6.5 in set).2+1(Picc).2+1(EH).2(1st d. BCl).2: 4.2.2+BTbn.2(2nd opt.): Timp.Perc(4): Str (9.8.7.6.5 in set)
1003092C2ECDF-0492-4944-938B-1E4602EC33D0SC587RainThis setting of W.L. Stidger text is by Patti DeWitt. Both SAB and SATB versions are available from the publisher.Satb
1003192C5068B-75CC-4F00-8765-FC3B347D5702X530028Elegy on the Name "Dmitri Shostakovich" for Solo CelloAlso available for viola.Cello solo
1003292C98759-5B63-4FD1-8283-E7662B5ACD07S11Summer Memories (out-of-print)Concert Band
1003392C9C165-DF1A-40C4-940C-298DD2028D37A153402Messiah, HWV 56: Pifa (Sinfonia Pastorale)This edition of George Frideric Handel's (1685-1759) most famous work was adapted for performances in Vienna by Wolfgang Amadeus Mozart (1756-1791). Suggested by Gottfried van Swieten, the German libretto is based largely on Martin Luther's translation of the Bible. Mozart re-orchestrated the majority of Handel's work, with the addition of wind instruments making up the largest part of the changes, although it is also an abridgement of Handel's original with Mozart even partly re-composing a few sections. The arrangement by Mozart, which premiered at the home of Johann Esterházy on March 6th, 1789 with Mozart conducting, was first published in 1803, and it played a large part in making Messiah Handel's most widely known oratorio. The Pifa (or Sinfonia Pastorale) is a purely instrumental movement that takes place during the first part of the oratorio. Instrumentation: 1+Picc.2.2.2: 2.0.0.0: Str (4-4-3-3-3 in set).1+Picc.2.2.2: 2.0.0.0: Str (4-4-3-3-3 in set)
1003492CB0E42-C7FE-4662-9E49-8A038B63EA98R01257Icarus in OrbitCommissioned by the New Jersey Youth Symphony to celebrate its 25th anniversary. Recorded by Sinfonia da Camera/ Ian Hobson, Albany Troy 1334.2+Picc.2.2.2: 3.3.2.1: Timp.Perc(4).Hp.Clst: Str
1003592CB1810-B808-4675-8AD8-785DE1FBCA97A141402Symphony No. 7 in D minor, Op. 70/B. 141While his Symphony No. 9 is better known, Antonín Dvo?ák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No. 3, and with a commission from the London Philharmonic Society, Dvo?ák composed a work with his darkest and most passionate content, writing to one of his friends: "Now I am occupied with my new symphony (for London) and wherever I go I have nothing in mind but my work which must be such again as to make a stir in the world, and God grant that it may." This symphony, which shows comparatively few traces of the composer's folk Czech background, was dedicated to the London Philharmonic Society that commissioned it and is sometimes to referred to as the "London Symphony." It was premiered by the London Philharmonic Orchestra in St. James' Hall, Dvo?ák conducting, on April 22, 1885. A Critical Edition based on the composer's manuscript and edited by Otakar Šourek is also available from the publisher. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).2(2dPicc).2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set)
1003692CFB3C0-9D41-44D3-8E73-064DB00BE79310510437Harvest Waltz for Trumpet/Cornet/Baritone TC and PianoA perfect choice for a beginner to take to contest or recital, this work is written for many different instruments. The piano accompaniment can be performed by a first- or second-year private study middle-school level piano student also, making this an ideal piece for one piano student to accompany many different instruments. As it is on state lists for numerous instruments, Harvest Waltz is also found in the Competition Solos, Book 1 created by Floyd Harris and Edmund Siennicki.Trumpet/Cornet/Baritone TC Solo and Piano
1003792D12D04-8FA5-4476-9E52-CC1083F542F910620403Jubilee(not set)Marimba Solo
1003892D28D70-9AF0-42D1-B7AF-734B18E08369R2Divertissement for Flute Duo and StringsThis piece, written for two flutes and string orchestra, has been edited by Louis Moyse and can be played by two flutes or flute and oboe. A piano reduction is also available from the publisher.2 Flute Soli: Str
1003992D6DB41-985A-4506-B00D-9B52F29E97D8S531001Balada, Op. 84The "Balada" op. 84, for violoncello and piano was written between December 1982 and February 1983 for Janos Starker and is dedicated to him.
It represents a testimony of affection to a friend and colleague and of admiration to a great artist.
- Juan Orrego-Salas		Cello and Piano
1004092DD9222-C6C4-41DC-89D1-5D00173E373F10730376Rustic Dance(not set)Cello and Piano