Titles
Showing 9,961-9,980 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9961 | 91C44DBD-7F14-4CEB-AFA1-78B41F8781DB | M249391 | Pavane pour une Infante defunte | Originally written by Ravel for solo piano, J. Michael Leonard has here arranged a version for Solo Saxophone (Soprano, Alto, or Tenor) or Clarinet and Piano. | Saxophone (Soprano, Alto or Tenor) or Clarinet and Piano | |
| 9962 | 91C45418-B0DD-4B5E-8730-1296037F4390 | EBM0610685 | Gentle Little Fanfare, A for Orchestra | Premiere: Pacific Northwest Ballet with members of the Seattle Symphony Orchestra, Stewart Kershaw conducting, Seattle, WA, September 23, 1997 | 3(Picc.) 3(E.H.) 3(B.Cl.) 3(Cbsn.) - 4 3 3 1; Perc. Hp. Str. May be played with forces as small as 2(Picc.) 2 2 2 - 4 2 0 0; Perc. Hp. Str. | |
| 9963 | 91D3C313-AB8E-4D34-A63B-B58E83A9D681 | SO157C | The Last Full Measure of Devotion | The title is taken from Lincoln's address at Gettysburg and is a dramatic and emotional musical depiction of war, sacrifice and loss. A dissonant version of My Country 'tis of Thee is woven throughout. A beautifully written work to remember our collective history. | String Orchestra | |
| 9964 | 91D55905-C4AA-4940-9DEA-3AE06AB7BDBC | 50100113 | Cathedral (Variations on Picardy) | This stunning work reflects the skill, imagination, faith, and persistence in the building of the great cathedrals of the Middle Ages. It speaks in reverent and joyful tones as it brilliantly conveys its message of hope. | Concert Band | |
| 9965 | 91E27BE9-9D40-4085-A680-28779283D557 | 10100256 | Double Visions | |||
| 9966 | 91E2E928-C2CE-4662-B415-AD479959634E | ST988 | Sound Pictures | Horn | ||
| 9967 | 91E34513-2D4A-4AD5-B2F9-D89543BC68CE | ST980 | Finale (from William Tell Overture) | The brilliant and exciting finale to the "William Tell Overture", made famous by its use as gallop music for the Lone Ranger radio and television show, is here arranged for flute choir by Richard Thurston. | Flute Choir | |
| 9968 | 91E40A04-F9EB-44B7-BA29-52FE701F641C | X560001 | Trois Bondeaux, Op. 8 | Guitar Solo | ||
| 9969 | 91E543B6-5520-4063-88B7-E339386EEE85 | EBM0630068 | Concerto No. 2 for Chamber Orchestra | Commissioned by the Sherwood Hall Orchestra of La Jolla, California and premiered by them on March 3, 1963 under the direction of Daniel Lewis. Pulitzer Prize-winning critic Alan M. Kriegsman described the work as “an exciting work in all of its aspects, vehement and convincing in expression and fitted together with consummate craft. Movements: 1. Moderately fast, 2. Very slow, 3. Fast and vigorous | 1111 1110 Timp Pc Str | |
| 9970 | 91EB063B-02DF-4D82-8F8A-0BF2152285C5 | M900602 | Uzbek March and Dancing Song 1932 | Concert Band | ||
| 9971 | 91F174E1-5E86-4B92-A621-CE86AF55C64C | 50250189 | Kahuli Aku | This arrangement of the Hawaiian folk song Kahuli Aku will evoke the imagery and vibrancy of the "singing snails" (Kahuli) depicted in the song lyric. Young musicians and their audience will sense a deep connection and respect for the earth and the creatures that inhabit it. Performing Kahuli Aku using the woodblock, wind chimes, staccato, tenuto, and engaging dynamics, students will imitate the Hawaiian Kahuli in their music, as they hope to be brought a drink of water by the Kolea (Plover) from the Akolea fern. | String Orchestra | |
| 9972 | 91F5BA49-2823-4D93-9F41-50F76629BDD9 | 10630573 | Echoes of Nine | As suggested by the title, this solo was inspired by the timpani part for Beethoven's Ninth Symphony. | Timpani Solo | |
| 9973 | 91F6C061-3D64-4093-A224-140506A382C3 | X510006 | Henry's Other Cadenza (Cadenza No. 3) | Composed for Henry Meyer. | Violin Solo | |
| 9974 | 920671A6-98A5-41E1-A1AE-B68BC8D1F0A3 | A571302 | Rienzi: Overture (original version) | (not set) | 2+1, 2, 2, 2+1 - 4, 4, 3, 1, timp, perc, str | |
| 9975 | 920672B9-1AA1-44BD-9EB0-5DB0CBD88266 | 52250499 | Butterflies on the Breeze | This piece depicts the magic of butterfly migration with only open strings and first finger (using all strings). The butterflies disappear into the sky with a soft, delicate pizzicato ending. Bowing skills include two-note slurs, staccato on the string, and hooked bowings. While rhythmically simple, this piece incorporates a great mix of note values, making counting accuracy important. UIL String Orchestra Sight Reading Level 5 - 2012 | String Orchestra | |
| 9976 | 92092485-B726-45FD-AEF7-DA7A9CF0FB55 | ST655CO | Three Hymns | A collection of three hymns, written by Russian Imperial composer Dmitri Bortniansky (1751-1825), arranged for brass quintet by Elwyn Wienandt. I. Cherubic Hymn, No. 7. II. St. Petersburg. III. Vesper Hymn. | Brass Quintet | |
| 9977 | 920CC911-5036-4C9F-AFBC-DCB43A14176A | ST950 | Largo | Flute | ||
| 9978 | 9211B19D-1D5A-4B0A-9743-9DAC7E0EF4BE | B479 | Duet Fun, Bk. 1 | This collection of 34 familiar short pieces is perfect for any trumpet duet occasion. With sacred and secular selections, these pieces are easy to play and sure to be enjoyed by a wide variety of audiences. | Trumpet Duet | |
| 9979 | 921A5E2C-4719-44CE-9478-5BD4A89301B2 | EBM0630119 | Five Cabaret Songs for Voice and Small Wind Ensemble (transposed to lower keys) | "Three Cabaret Songs" were arranged for the United States Coast Guard Band by MUC Ian Frenkel, and presented at the 2009 Midwest Clinic, this deft arrangement may be heard on Mark CD 8543. "George" was orchestrated for wind ensemble by the composer in that same year. In 2014, two more Frenkel arrangements were added to the set at the request of Kansas University for Mezzo-soprano Joyce Castle, and premiered at KU by Ms. Castle under the baton of Paul Popiel on October 6, 2014. Songs included in "Five Cabaret Songs," arranged by Ian Frenkel: 1. Over the Piano, 2. Radical Sally, 3. Song of Black Max, 4. Waitin, 5. Amor. "George" is available separately from the publisher. | Medium Voice: 2Fl(2dPicc).Ob.4Cl(BCl).Bsn.Asax.Tsax.Bsax: 2Hn.Euph: Perc: Pno: CtrBs | |
| 9980 | 921AB740-6D1E-4818-9529-2D453E5ABBF5 | X305003 | Panic | Written for solo marimba and 4 percussionists, Panic is an emotionally charged work challenging the notions of religious warfare that have occured throughout history. The piece is presented in five vignettes, each movement title quoting with stark irony from U.S. media and popular culture during the months and years which followed the 9/11 attacks. Commissioned by Peter Marin and the Exit Nine Percussion Ensemble. | Marimba with 4 Percussion |