Titles
Showing 9,901-9,920 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 9901 | 90C35769-548F-4C48-B107-A0E1609F3832 | 50410007 | Three Little Latin Rondos | Original pieces in different Latin styles: a samba, a tango, and a more-or-less calypso. Two in 2nd rondo form, one in 3rd rondo. | Flute, Piano | |
| 9902 | 90CFF004-2DCC-4B73-BA40-5E78F8EE1F23 | SC204 | All Nature's Works | Ssa | ||
| 9903 | 90D12EA6-E464-4F16-B3B7-9820DF2B6447 | EBM0650026 | Miracle, The for Men's Chorus, Woodwind Quintet & Perc. | Subtitled: Nine Madrigals after Giovanni Pascoli. Arnold Weinstein’s poem “The Miracle” is an evocative presentation of an imagined scene from the life of the Renaissance painter Paolo Ucello (1397-1475). The piece not only summons images of a painter and his creations, but also develops an intense dramatic situation involving Ucello and St. Francis of Assisi. “The Miracle” was commissioned by the Rutgers Glee Club, Patrick Gardner, director. World Premiere was on March 4, 2000 at Rutgers University, New Brunswick, New Jersey. Movements: Madrigals: I. bird, no money, bird; II. joy squeezed into perspective; III. birds, birds, birds; IV. temptation; V. the bawling out; VI. more of the bawling out; VII. the saint gets the point; VIII. the point of Paolo's paint; IX. a good night's rest | TTBB, Woodwind Quintet, 2 Percussion | |
| 9904 | 90D38B4B-0A02-4A80-A707-682741A7CBF2 | R01489 | Word on the Street | This 10-minute celebration of the joys of rock and blues and counterpoint and orchestration falls into five clearly delineated sections. | 2.2.2.2: 2.2.0.0: Timp.Perc(1).Pno: Str | |
| 9905 | 90D6A02A-A080-48FD-9762-93923CCD3BD0 | J28 | Music Of James Barnes, Vol. 2 | (not set) | Lp | |
| 9906 | 90DD3992-973B-493C-94FF-5158411FC0A0 | M407291 | Serenade | Violin/piano | ||
| 9907 | 90DE0218-2ADF-491A-BBCC-B85133A12A15 | SO63C | Sea Shanties | Sea Shanties by Elwyn Wienandt includes three movements (I. The Drunken Sailor, II. Shenandoah and III. Rio Grande/ Blow the Man Down). | String Orchestra | |
| 9908 | 90DE3E41-2941-405A-AAE9-7B3385CD2EE2 | R128CB | Concertato for Trombone, Bass Trombone and Band | After the success of his Bass Trombone Concerto, Nelhybel turned to write a duet in 4 movements for tenor and bass trombones with band, which was premiered by Mark Weaver and Vic Johnson with the US Coast Guard Band. It is a very challenging work, which is also available in a version for soloists with piano and percussion. (1995) ca. 13' | Trombone, Bass Trombone Soli; Band | |
| 9909 | 90DE8BFC-090D-46CE-81DC-451E19858A35 | A419502 | Norma: Act II, Scene 1, Duet (2 sopranos): Deh! con te, Mira O Norma (F) (excerpt) | Norma is a two-act lyric tragedy by Vincenzo Bellini (1801-1835). A leading example of the bel canto genre, the opera premiered at La Scala in Milan on December 26th, 1831. The story tells of a love triangle between Norma, the High priestess of the druids, her Roman lover, and a younger priestess for whom the Roman has fallen. This excerpt occurs in the first scene of Act II. After rejecting killing her two sons with the Roman Pollione as a solution, she instead chooses to entrust her children to the young priestess Adalgisa and Pollione so that they may live in the duet, "Deh! con te, con te li prendi" / "Please, take them with you." Adalgisa agrees but tells Norma that she intends to persuade Pollione to return to the mother of his children in another duet, "Mira, o Norma" / "Look, o Norma." This excerpt is in the original key of F. A transposed version to E-flat is also available from the publisher as A9029. Instrumentation: 2.2.2.2: 4.2.3.1: Timp:Perc(1): Str (4-4-3-3-3 in set). | 2.2.2.2: 4.2.3.1: Timp:Perc(1): Str (4-4-3-3-3 in set): Soli SS | |
| 9910 | 90DF29BF-F5C9-4C0E-8C8C-3AE280336F6D | A23 | G.r.h.s. (out-of-print) | Full Orchestra | ||
| 9911 | 90E12663-5E71-45B4-BEFE-5D22886E2539 | B183 | Creative Operettas in Miniature, Bk. 1 | Vocal | ||
| 9912 | 90EFE4BB-5C2F-4FC0-83CA-730A9F8825AF | 10530185 | Variations on Annie Laurie for Trombone or Baritone and Piano | A popular solo feature that is challenging yet playable. Glenn P. Smith, Instructor of Trombone and Baritone at the University of Michigan School of Music has revised and arranged this melody by Alicia Anne (Lady John) Scott, that later became a famous solo and set of variations by Arthur Pryor. | Trombone or Baritone and Piano | |
| 9913 | 90f80538-9e3a-11f0-a418-0022482c9682 | A811002 | Good Humored Ladies, The (Le donne de buon umore) - Suite from the Ballet | THE GOOD HUMORED LADIES (LE DONNE DE BUON UMORE) is a 1917 ballet arranged by Vincenzo Tommasini (1878-1950) from sonatas by Domenico Scarlatti (1685-1757). The plot, based on a comedy by Carlo Goldoni, concern the doings of a count that disguises himself as a woman while attending a carnival. The ballet premiered in 1917 in Rome by Sergei Diaghilev's Ballets Russes. This suite from the ballet is in six movements: I. Presto; II. Allegro; III. Andante; IV. Tempo di ballo (Non presto); V. Cat's Fugue and Finale (Presto). The following Scarlatti sonatas were adapted for the ballet and suite: G major, K. 2, L. 388, P. 58; D major, K. 435, L. 361, P. 466; B minor, K. 87, L. 33, P. 43; G major, K. 455, L. 209, P. 354; G minor, K. 30, L. 499, P. 86 (Cat's Fugue); D major, K. 430, L. 463, P. 463; F major, K. 445, L. 385, P. 468. Instrumentation: 2.2.2.2: 4.2.0.0: Timp.Perc(1): Hpchd or Pno: Str (9.8.7.6.5 in set). Reprint edition. | 2.2.2.2: 4.2.0.0: Timp.Perc(1): Hpchd or Pno: Str (9.8.7.6.5 in set) | |
| 9914 | 90F916A9-F646-44C7-8FF0-D237F95CD126 | X504108 | Salmak: String Quartet No. 6 | Reza Vali's sixth string quartet looks to the Persian melodic formula, Salmak, with each of the six movements a different iteration. | String Quartet | |
| 9915 | 90F9CD27-BDC2-4882-8C71-80BAE0FE344D | M196591 | Trio In G Minor | (not set) | Two Voilins and Violoncello | |
| 9916 | 90FA3D20-767F-46D7-A439-AD2BAFA88F32 | R00819 | Agathlon | Flute(d Piccolo), B-flat Clarinet(d Bass Clarinet), Trumpet, Bass Trombone, Percussion(1), Violin, Double Bass | ||
| 9917 | 90FC9A49-A404-4615-8E08-23623CD807DE | A585290 | Christmas Carols, Series II | This work is one of three in a series of Christmas carol collections arranged for orchestra that encourages audience participation. Carols included in Series I: 1. Away in a Manger, 2. It Came Upon a Midnight Clear, 3. Jolly Old Saint Nicholas, 4. While Shepherds Watched Their Flocks By Night, 5. God Rest You Merry, Gentlemen, 6. Up on the Housetop. Instrumentation: 2.2.2.2: 2.2.2.1: Perc(2): Str(9-8-7-6-5). | 2.2.2.2: 2.2.2.1: Perc(2): Str(9-8-7-6-5): [audience participation, opt.] | |
| 9918 | 90FFC6BF-EFC3-48B2-A30B-3BF0694BC95B | R120 | Chanson Triste for Horn and Band | (not set) | Horn Solo: Concert Band | |
| 9919 | 910006A5-3DEA-478B-A337-2B32B16A44CA | R01009 | Concerto for Flute and Orchestra | Commissioned and recorded by the Boston Modern Orchestra Project (Naxos). | Flute Solo: 1(d AFl, Picc).1(d EH).1(d A Clarinet, Bass Clar).0: 2.1.1.1: Timp.Perc(4).Hp: Str (6.6.4.4.2 or 6.4.4.3.2) | |
| 9920 | 910BE24D-D7B5-42B8-826E-1F6CBA9C73B7 | W113591 | Elegy for Viola and Piano, Op. 44 | Written in 1893 for the Danish violist Franz Hildebrand, "Elegie" is one of the few original works of the 19th century for viola. This piece is well-suited for teaching, as it does not make any particularly high technical demands. | Viola and Piano |